Image: Bora Aksu, Stefan Knauer
For this season’s collection, Bora Aksu presented an overload of taffeta throughout his signature exaggerated silhouettes, in a range of eccentric tea dresses and bold two-piece looks.
Within the collection, Bora Aksu offers up a striking colour scheme of bright pinks and blues among vivid greens and yellows. Layered silk taffeta lies at the centre of the selection, with the dramatic tailoring that has become Aksu’s trademark. The floral, weightless looks contrast strongly with the addition of structured jackets, trousers and trench coats, still each holding distinct silhouettes that bring together the designs.
18th Century references stem from the inspiration behind the collection Dutch socialite Mathilde Willink, with the label celebrating her exuberant soul and deeming her a ‘living work of art’. Willink, who died in 1977, was known for her extravagant style, catching the eye of Chinese-Dutch designer Fong Leng, who selected Willink as her muse. Image: Bora Aksu, Stefan Knauer
Now used as the inspiration for Bora Aksu’s collection, the label aimed to compliment Willink’s hedonistic spirit through maximalist tailorings and explosive colourings. Knitted panels combined with excessive layering further nod to the socialite’s fashion, bringing a post-modern essence to the alternative bohemian looks.
A further 18th Century influence derives from that of antique dollhouses that generated the inspiration for Aksu’s handcrafted bags and accessories. Each item transcends Bora Aksu’s craftsmanship, with the designer aiming to ‘defy categorisation’. Image: Bora Aksu, Stefan Knauer Image: Bora Aksu, Stefan Knauer Image: Bora Aksu, Stefan Knauer Image: Bora Aksu, Stefan Knauer Image: Bora Aksu, Stefan Knauer
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Saturday, September 18, 2021
Video: Malne SS22 collection
In this video, Spanish fashion brand Malne has presented its SS22 collection entitled 'Exceso' at Madrid Fashion Week (MFW).
Watch the video below.
Video: Macheene Macheene via YouTube
Photo credit: Mercedes-Benz Fashion Week Madrid, Facebook
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http://dlvr.it/S7p1lB
Friday, September 17, 2021
Video: Andres Sarda at Madrid Fashion Week
In this video, Spanish lingerie brand Andres Sarda has presented its SS22 collection entitled 'Oriental Dream' at Madrid Fashion Week.
Watch the video below.
Video: Zankyou Bodas via YouTube
Photo credit: Mercedes-Benz Fashion Week Madrid, Facebook
http://dlvr.it/S7lZGc
http://dlvr.it/S7lZGc
Rimowa debuts Never Still campaign starring Rihanna, Patti Smith and more
Image: Rimowa, Official website
Travel luggage company Rimowa has unveiled its new star-studded campaign featuring an abundance of celebrity faces. Never Still aims to capture how travel contributes to the building of a legacy, with a particular focus on the changing landscape of travel in a new era of movement.
Through four campaign films, Rimowa examines each featured celebrity’s relationship with travel, including that of singer Rihanna, basketball star LeBron James, writer Patti Smith and tennis champion Roger Federer. The personal perspectives explore travel in a post-covid spotlight and each star’s renewed experience with movement as they adapt back into their usual lifestyles.
Rihanna, who directed her film alongside videographer Gary Sorrenti, is captured in a desert with a campervan. Her story revolves around her transition to a quiet lifestyle during the pandemic saying, “When everything is minimised, you see what’s important,” at one point during the video.
Smith’s film, on the other hand, is created as an ode to New York City, focusing on her return to the bustling environment after retreating to a beach house during the pandemic. Over an exclusive score by Jamie XX, Smith says in her film: “When we could not travel physically, I was grateful for the imagination, allowing me to travel where I wished. I was able to write, study and rethink my priorities but I continually longed for action, to be on the move and now I am grateful to step back into the world.”
Within the campaign, items from the label’s recent Never Still collection are also featured, including a crossbody and an oversized tote, that aren’t strictly considered travel bags. Also featured are a number of Rimowa’s staple luggage styles, including its classic hardshell suitcase with aluminium details and leather handles.
Since its acquisition takeover by luxury conglomerate LVMH in 2016, the luggage company has continued to develop itself into a high-end travel leader, with this celebrity-packed campaign only further highlighting its strategy.
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http://dlvr.it/S7lZBW
Asos unveils ambitious sustainability goals for 2030
Image: courtesy of Asos
Online retailer Asos has published its ‘Fashion with Integrity 2030’, environmental, social, and corporate governance programme, which includes a commitment to achieve net-zero across the full value chain by 2030, and plans to be more circular, transparent and diverse.
The ‘Fashion with Integrity 2030’ (FWI 2030) plan focuses on minimising Asos’ impact on the planet while delivering positive benefits for people who work in fashion and meeting increasing demands from customers for greater choice in responsible fashion.
With that in mind, Asos has set two overarching pillars, Planet and People, which are underpinned by four key goals to achieve by 2030 - to be net-zero, be more circular, be transparent, and be diverse.
Asos plans to be net-zero by minimising its impact on the planet through decarbonisation targets set with the Carbon Trust, with plans to be carbon neutral in its direct operations by 2025 and achieve net-zero across its value chain by 2030.
The e-tailer also plans to shift towards more circular systems to ensure that 100 percent of its own-brand products and packaging are made from more sustainable or recycled materials by 2030. It also adds that it will commit to a public-facing circularity strategy by 2023 to allow it to embed circular design principles by 2030, and will ensure that 100 percent of its own-brand packaging is made from recycled materials and can be widely recyclable by 2025. It also wants to prioritise facilitating programmes for recycling and reuse in key markets by 2030.
Asos unveils new ESG goals - targeting net-zero carbon emissions by 2030
Asos also wants to accelerate transparency and human rights within its supply chain and the wider industry and will publish detailed human rights strategy and implementation reports annually from 2023. It will also ensure that third-party brands are signed up to the transparency pledge and the Asos ethical trade policy by 2025. In addition, Asos will provide full public transparency of every Asos own-brand product by 2030.
The final pledge is to be diverse by driving diversity, equity and inclusion across every aspect of the business, with a focus on leadership representation. Asos said that it will ensure that at least 50 percent are women and more than 15 percent are from an ethnic minority background at every leadership level by 2030.
Asos chief executive Nick Beighton said in a statement: “Our Fashion with Integrity programme has been a cornerstone of everything we do and has helped us deliver positive benefits for people and minimise our impact on the planet. Now we are pleased to announce our FWI 2030 programme and stretching ambitions.
“Achieving these will make us a Net Zero business that embraces more circular systems and uses more sustainable and recycled materials in our products and packaging. Our progress will be driven by a more diverse team with equity and inclusion at its heart, leading a business where transparency and human rights remain central to our approach. And, as we continue our journey to becoming a Truly Global Retailer, our new goals will ensure that we do so sustainably and responsibly.”
Asos wants diversity in its workforce and will ensure that 50 percent of leadership are women, and 15 percent are from ethnic minorities
Beighton added: “We cannot do this alone. As we’ve seen throughout the last decade, collaboration and engagement with other brands, civil society organisations and government is critical to driving lasting change. We will work closely with our brand partners and our suppliers, and we will forge new relationships and partnerships to drive progress and build new solutions to enable the achievement of our FWI 2030 goals.
“The responsibility for a sustainable future lies with all of us and businesses must lead the way. We will make sure we deliver products and brands that allow our customers to shop ethically and responsibly, safe in the knowledge that they are reducing their impact on the planet and contributing to a fairer world. We undertake the next step of our FWI journey confident that what we are doing is right for the planet, right for our people, right for our customers and will underpin our ambitious growth plans.”
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Thursday, September 16, 2021
CFDA announces 2021 nominees for Fashion Awards
Image: CFDA
The Council of Fashion Designers of America has revealed its nominees and honourees for the 2021 Fashion Awards, for what will be the organisations first in-person ceremony in two years.
The awards aim to highlight the best of American fashion, with nominations submitted by CFDA Fashion Awards Guild board members, as well as retailers, journalists and stylists. This year’s nominee roundup sees a number of both new and returning faces on the agenda, including the previous International Women’s Designer of the Year, Pierpaolo Picciolo of Valentino, and Telfar Clemens who won American Accessories Designer of the Year.
Last year the awards faced heavy criticism from various sectors of the industry after being called out by the New York Times for the awards’ lack of novelty among the nominees, with the publication noting the repetitive nature of award winners. However, the organisation was recognised for presenting its most diverse group of recipients to date and has also increased its funding for its Scholars Award, providing supportive grants for emerging designers.
This year’s nominees
American Womenswear Designer of the Year
* Catherine Holstein for Khaite
* Christopher John Rogers
* Gabriela Hearst
* Marc Jacobs
* Peter Do
American Menswear Designer of the Year
* Emily Adams Bode for Bode
* Jerry Lorenzo for Fear of God
* Mike Amiri for AMIRI
* Telfar Clemens for Telfar
* Thom Browne
American Accesories Designer of the Year
* Ashley Olsen and Mary-Kate Olsen for The Row
* Aurora James for Brother Vellies
* Gabriela Hearst
* Stuart Vevers for Coach
* Telfar Clemens for Telfar
American Emerging Designer of the Year
* Edvin Thompson for Theophilio
* Eli Russell Linnetz for ERL
* Jameel Mohammed for KHIRY
* Kenneth Nicholson
* Maisie Schloss for Maisie Wilen
International Women’s Designer of the Year
* Daniel Lee for Bottega Veneta
* Demna Gvasalia for Balenciaga
* Miuccia Prada and Raf Simons for Prada
* Pierpaolo Piccioli for Valentino
* Simon Porte Jacquemus for Jacquemus
International Men’s Designer of the Year
* Daniel Lee for Bottega Veneta
* Dries Van Noten
* Grace Wales Bonner for Wales Bonner
* Rick Owens
* Virgil Abloh for Louis Vuitton
“The 2021 CFDA Fashion Awards mark the much-anticipated in-person return to our biggest fundraiser for CFDA’s scholarship programmes,” said Steven Kold, CFDA CEO, in the announcement. “We’re also incredibly pleased to see several talented names among the nominees for the first time. American fashion is experiencing a renewed energy, and these designers play a significant role in the future trajectory of our industry.”
2021 honourees
The CFDA has also announced a number of honourees that will be presented alongside the award winners at the event. New York designer Dapper Dan will receive the Geoffrey Beene Lifetime Achievement Award, the Founder’s Award in Honour of Eleanor Lambert will go to Aurora James of 15 Percent Pledge and Nina Garcia will be presented with the Media Award in Honour of Eugenia Sheppard.
Sportswear brand Patagonia was selected for the Environmental Sustainability Award, following the label’s ongoing efforts to reduce its carbon footprint. The brand has regularly donated money to environmental organisations and carried out initiatives focused on sustainability making it a frontrunner in eco-production. Additionally, Malaysian-American designer Yeohlee Teng is set to receive the Board of Directors’ Tribute.
Held digitally through CFDA’s Runway360 platform, the 2020 edition faced a series of pandemic-related delays causing the event to be rescheduled three months late. This year, the Awards are scheduled for November 10, with the ceremony taking place at the organisation’s current go-to venue, The Pool + The Grill at the Seagram Building in New York.
CFDA has stated that the event will go ahead in accordance with CDC and New York State Health Guidelines.
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http://dlvr.it/S7gylH
Jasper Conran debuts handbag and accessory collection
Image: Jasper Conran bags
London Fashion Week designer Jasper Conran’s handbag and accessory collection under the Jasper Conran London label is launching online this week.
Designed with practicality and function in mind by Conran’s London-based atelier, the 53-piece collection features shapes such as a cross-body, tote, bucket bag and shopper styles with a focus on contemporary silhouettes. The company did not specify where its products are made.
Fabrics include patterned leather in black, navy, ochre, emerald green and cobalt blue. Gold hardware adds a signature touch.
In a statement Conran said: “My design approach has always been consistent. First and foremost, I look to create practical yet beautiful soutions for the life of the modern woman. All the details are thought out and reworked until they are perfect.”
“The launch collection of stylish, practical, modern handbags and purses is something I am very proud to offer my customers, exceptional quality but at a price accessible for many is my vision for Jasper Conran London.”
Retail prices start at 35 pounds for a purse and 59 to 270 pounds for handbags. A curated selection will be available from the company’s e-commerce site as well as Next.com and JohnLewis.com. Image: Jasper Conran
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http://dlvr.it/S7gyjR
A quick look at sourcing trends of the SS22 and FW23 seasons
Images: Weturn (l), Soorty (m), Pexels (r)
Trend agency WGSN has revealed the sourcing trends we’ll be looking at for the Spring/Summer 2022 and Autumn/Winter 2022-2023 seasons. The main takeaway? A focus on wellbeing in all its forms, with pieces that make the wearer feel secure and balanced. From innovative fabrics to trans-seasonal products, next year’s sourcing highlights a more thoughtful way to shop as well as an ever-growing appeal for eco-conscious fashion, sustainable practices and circular economy.
Consumers have high expectations from both newly-launched and established labels, so it comes as no surprise that the industry is shifting towards a more responsible sourcing. We’ve seen a rise in plant-based natural dyes and certified fibres, a development of practical garments and a growing interest in styles that can be worn year-round. FashionUnited deciphers the key colours, fibres, patterns and materials that will shape 2022.
Colours
Investing in colours that last - that’s what next year’s sourcing is all about. With consumers interested in products that stand the test of time, it becomes necessary to opt for colour palettes that can be worn from summer to winter. The hues we’re buying into? Off-white, light grey, olive, navy and of course, black. These make for staples customers will reach for time and again, following their intuition to invest in wardrobe mainstays that won’t vanish after a season. Some seasonal colours are still welcome, but appear more curated: dark red, deep blue or almond green. Seasonal yes, ephemeral, no.
Fibres
WGSN has noticed a rise in trends that mix technology and luxury details and the fibres associated with them are innovative and responsible: think sustainable synthetics like recycled nylon, GOTS certified cotton and polyester like Econyl. When it comes to outdoor-inspired style, traceable cashmere and natural fibres such as alpaca and wool take the lead. We’ll see a new workwear wardrobe appear over the next year too, with smooth fibres like recycled cotton and merino wool taking on business attire - largely influenced by work from home practices. Fibres that have been around for centuries are still in the main sourcing trends, but this time through an ethical lens. Hemp, linen and silk now come from fair trade organisations. Finally, there will be a rise in particularly soft fibres that have reassuring properties and provide comfort, chief among them extrafine merino wools and cotton-cashmere blends.
Patterns
When it comes to patterns, tried-and-true favourites are still largely present: think yarn-dye stripes, checks, tartans and elegant colour-blocking. The ‘workleisure’ trend WGSN predicts calls for jacquards and false-plain textures while the rise in soft fibres means faded checks and soft stripes. We’ll also see more daring prints and patterns make their way into the collections with embroideries, ombre effects and brushed fabrics in an array of bright shades.
Materials
The key fabrics of 2022 and early 2023 come in diverse textures and finishes, providing a large array of materials to source from. Tech-oriented trends will tend to use stretchable and breathable options that are all lightweight and often water-repellent while the ones focused on the outdoors choose twills, corduroy and heavy cottons. On the other hand, the workwear wardrobe will be infused with brushed neutrals, jacquards and satin stripes. Lastly, we’ll also witness many vegan alternatives, from leather to suede, as well as playful textures such as bouclés, plissés, seersuckers and crushed pleats.
http://dlvr.it/S7g04H
http://dlvr.it/S7g04H
Wednesday, September 15, 2021
A quick look at sourcing trends of the SS22 and FW23 seasons
Images: Weturn (l), Soorty (m), Pexels (r)
Trend agency WGSN has revealed the sourcing trends we’ll be looking at for the Spring/Summer 2022 and Autumn/Winter 2022-2023 seasons. The main takeaway? A focus on wellbeing in all its forms, with pieces that make the wearer feel secure and balanced. From innovative fabrics to trans-seasonal products, next year’s sourcing highlights a more thoughtful way to shop as well as an ever-growing appeal for eco-conscious fashion, sustainable practices and circular economy.
Consumers have high expectations from both newly-launched and established labels, so it comes as no surprise that the industry is shifting towards a more responsible sourcing. We’ve seen a rise in plant-based natural dyes and certified fibres, a development of practical garments and a growing interest in styles that can be worn year-round. FashionUnited deciphers the key colours, fibres, patterns and materials that will shape 2022.
Colours
Investing in colours that last - that’s what next year’s sourcing is all about. With consumers interested in products that stand the test of time, it becomes necessary to opt for colour palettes that can be worn from summer to winter. The hues we’re buying into? Off-white, light grey, olive, navy and of course, black. These make for staples customers will reach for time and again, following their intuition to invest in wardrobe mainstays that won’t vanish after a season. Some seasonal colours are still welcome, but appear more curated: dark red, deep blue or almond green. Seasonal yes, ephemeral, no.
Fibres
WGSN has noticed a rise in trends that mix technology and luxury details and the fibres associated with them are innovative and responsible: think sustainable synthetics like recycled nylon, GOTS certified cotton and polyester like Econyl. When it comes to outdoor-inspired style, traceable cashmere and natural fibres such as alpaca and wool take the lead. We’ll see a new workwear wardrobe appear over the next year too, with smooth fibres like recycled cotton and merino wool taking on business attire - largely influenced by work from home practices. Fibres that have been around for centuries are still in the main sourcing trends, but this time through an ethical lens. Hemp, linen and silk now come from fair trade organisations. Finally, there will be a rise in particularly soft fibres that have reassuring properties and provide comfort, chief among them extrafine merino wools and cotton-cashmere blends.
Patterns
When it comes to patterns, tried-and-true favourites are still largely present: think yarn-dye stripes, checks, tartans and elegant colour-blocking. The ‘workleisure’ trend WGSN predicts calls for jacquards and false-plain textures while the rise in soft fibres means faded checks and soft stripes. We’ll also see more daring prints and patterns make their way into the collections with embroideries, ombre effects and brushed fabrics in an array of bright shades.
Materials
The key fabrics of 2022 and early 2023 come in diverse textures and finishes, providing a large array of materials to source from. Tech-oriented trends will tend to use stretchable and breathable options that are all lightweight and often water-repellent while the ones focused on the outdoors choose twills, corduroy and heavy cottons. On the other hand, the workwear wardrobe will be infused with brushed neutrals, jacquards and satin stripes. Lastly, we’ll also witness many vegan alternatives, from leather to suede, as well as playful textures such as bouclés, plissés, seersuckers and crushed pleats.
http://dlvr.it/S7bq75
http://dlvr.it/S7bq75
Sustainability and circularity within the luxury sector: the case of Valuence Holdings
Valuence website
The global luxury goods market, which was massively impacted by the COVID-19 pandemic, is expected to recover to the pre-pandemic level in 2022, reaching USD 1,096 billion at constant 2020 prices. Sustainability is an increased focus area particularly for luxury players to engage with consumers moving forward.
The expansion of the circular luxury economy was one of the key drivers as the Asia Pacific region witnessed a strong recovery from the pandemic in the second half of 2020, at a much earlier stage than other regions. Vintage stores are becoming hot destinations for key opinion leaders (KOLs) and key opinion consumers (KOCs) in the Asia Pacific, driving the fashion value of vintage luxury goods and improving the image of “reuse” in the industry.
Experts in consumer goods industries are also aware of the rise in consumers’ social and political interests. According to Euromonitor International’s ‘The Voice of the Industry: Luxury Goods Survey’ in 2021, 65 percent of industry experts agreed that sustainability and environmental concerns would be a very influential trend for their businesses in the next five years, implying that there’s no longer a “wait-and-see” moment for the industry.
During and even before the pandemic, the global luxury industry has witnessed multiple initiatives by luxury houses that promoted the concept of sustainability in the industry, such as the launch of Nona Source, an online resale platform for materials from LVMH Fashion & Leather Goods Maisons, and Kering’s partnership with RealReal. However, the new initiatives, which suggest alternative options to promoting sustainability in the industry come from third parties. For example, Valuence Holdings, a Japanese reuse and technology company that operates a second-hand luxury goods supply chain in Japan and 13 other countries, introduced a new initiative called ‘Valuence Resale Impact Calculator’ in early 2021. It is a scheme to help visualise the amount contributed to reducing environmental footprint through their business, and it revealed that the circulation of luxury goods through Valuence Holdings has contributed to reducing 3.47 million tons of CO2 emissions annually. Valuence Holdings believes that visualising the contribution to the environment could add further value to the moment customers sell their luxury items, which should attract more individuals to participate in the circular economy with luxury goods.
Developing a premium and luxury selling experience is vital in developing circularity within the industry. COVID-19 has brought a new consciousness to the luxury landscape that goes far beyond merely compensating for a company’s negative impact on people and the planet, as consumers increasingly search for morally aligned brands. As a result, the definition of sustainability is evolving beyond ethical credentials and environmental concerns, and more towards purpose over profit. Luxury companies will need to take a more holistic approach and aim to create social, environmental, and economic value with their future business models. Written for FashionUnited by Euromonitor. Get to know Euromonitor here.
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The Met Gala returns to the New York calendar
Met Gala 2021 host, Tiimothee Chalamet, image courtesy of Angela Weiss, AFP
On Monday evening New York’s Met Gala, affectionately known as American fashion’s “biggest night out” was back after the pandemic cancelled last year’s event. Traditionally held on the first Monday in May, the annual fundraising gala is hosted by Dame Anna Wintour and Vogue magazine to raise money for the Metropolitan Museum of Art Costume Institute, of which the red carpet arrivals are its biggest draw. Here celebrities, brands, designers and influencers parade on the steps of the Met to show the best of fashion for a global audience.
This year’s theme celebrated the Costume Institute’s newest exhibition, “In America: A Lexicon of Fashion,” which opened to the public in the Anna Wintour Costume Center on September 18th. Some of the best looks by American designers include Jennifer Lopez dressed by Ralph Lauren, Sharon Stone and Erykah Badu in Thom Browne, Emily Ratajkowski in Vera Wang, Kate Hudson in Michael Kors Collection and Venus Williams in Prabal Gurung.
Held during New York fashion week, September 13th simultaneously marked New York City's reopening, which sees theatres and sporting events like the US Open back in business. To ensure safety protocols, attendees had vaccine requirements and the directive wore masks. Fewer international celebrities were able to attend due to the US border being closed to Europe and Asia. Billie Eilish, Photo courtesy of Cartier
Hosts of this year’s event include 23-year-olds Amanda Gorman, the breakout poet at Joe Biden’s presidential inauguration, tennis champion Naomi Osaka, singer Billie Eilish and actor Timothée Chalamet. A table at the event reportedly costs 100,000 dollars with single tickets costing 35,000 dollars each. In 2019 the event raised 15 million dollars.
Balenciaga was a popular red carpet choice, with Kim Kardashian in a full face-covered look and Michaela Coela in a purple glittering catsuit incorporated with high heeled leggings.
In the spirit of Lady Gaga, singer Lil Nas X wore a look of gold-plated armor which he later shed to reveal a sparkling, skintight gold body suit underneath. “It’s a metaphor for how I came out of my shell this year,” he told the Washington Post.
More looks from the 2021 Met Gala
Josh O'Connor & Aldis Hodge in Dunhill, courtesy of the brand Law Roach, Lewis Hamilton, Kehlani and Guests in Hublot, courtesy of the brand Hailey Bieber, Kit Harrington & Zoe Kravitz in Saint Laurent courtesy of the brand Serena Williams in Gucci, courtesy of Gucci Mindy Kaling, Kristine Froseth, and Chloe Fineman in Tory Burch, image courtesy of the brand Full image of Met Gala host Timothee Chalamet, courtesy of Angela Weiss-AFP Yara Shahidi & Cara Delevingne in Dior, courtesy of the brand Sharon Stone, Lee Pace & Pete Davidson in Thom Browne, courtesy of the brand Chance the Rapper & Jennifer Lopez in Ralph Lauren, courtesy of the brand
http://dlvr.it/S7bLzp
http://dlvr.it/S7bLzp
Tuesday, September 14, 2021
In Pictures: Louis Vuitton collaborates with six artists on Artycapucines Collection
Image: Louis Vuitton
For the third instalment of its artist partnerships, luxury design house Louis Vuitton has unveiled the new designs of its acclaimed Capucines bag made in collaboration with six contemporary artists.
As part of the houses’ ongoing Artycapucines Collection, Louis Vuitton asked international artists, Gregor Hildebrandt, Donna Huanca, Huang Yuxing, Vik Muniz, Paola Pivi and Zeng Fanzhi, to transform a blank canvas of the bag to represent their own signature style. Each bag is crafted in the brand’s ateliers by its artisans, with Louis Vuitton aiming to highlight both its own craftsmanship and the artists’ creativity.
In past collaborations, the luxury house has worked with a wide variety of artists from the likes of Zhao Zhao, Urs Fischer, Henry Taylor and Liu Wei on limited edition designs. The collection now includes a total of 18 bags, with the brand stating in a release: “Each bag embodies the House’s unending commitment to savoir-faire and craft, while affirming the Capucines as the ultimate expression of Louis Vuitton’s timeless elegance.” Image: Louis Vuitton, Donna Huanca Image: Louis Vuitton, Gregor Hildebrandt Image: Louis Vuitton, Huang Yuxing Image: Louis Vuitton, Paola Pivi Image: Louis Vuitton, Vik Muniz Image: Louis Vuitton, Zeng Fanzhi
All the bags in the third Artycapucines Collection will be available from the end of October, with a limit of 200 each available.
http://dlvr.it/S7X7Fc
http://dlvr.it/S7X7Fc
Harvey Nichols launches kidswear resale initiative
Image: Harvey Nichols
After launching a childrenswear department at the beginning of the summer, luxury department store Harvey Nichols is now offering a resale drop-off point for pre-loved kids’ clothing.
The British retailer has linked up with second-hand childrenswear marketplace Kids o’Clock for the new service, which will see Harvey Nichols customers receive vouchers of 20 pounds for dropping off garments.
The items will then be collected and re-sold globally from the Kids o’Clock website.
Harvey Nichols fashion director Laura Larbalestier said the new initiative provides customers with “a sustainable solution for pre-loved children’s clothing that closes the fashion circle”.
She continued: “Not only does it extend the life of items that are all-too-quickly grown out of, but a percentage of proceeds is given to charity and anyone donating a bag of clothes will receive a kidswear voucher to spend in-store.”
The news comes a month after Harvey Nichols announced its first re-commerce offering after teaming up with resale company Reflaunt.
http://dlvr.it/S7X7Bp
http://dlvr.it/S7X7Bp
Miu Miu premieres Women’s Tales film at Venice Film Festival
Image: Miu Miu
I and the Stupid Boy, the 22nd commissioned film for Miu Miu’s ongoing Women’s Tales series, examines 21st-century femininity as it premieres at Venice Film Festival.
Directed by the Academy Award-nominated Kaouther Ben Hania, the film explores communication in a relationship, observing two individuals as they try to navigate power, femininity and sexuality.
“I wanted to create an impossible love story,” says the Tunisian director, in a statement. “The girl in my story is very empathetic, whereas the boy sees everything from his own perspective.”
Nora, the main character played by French actress Oulaya Amamra, is styled in Miu Miu apparel, which plays a substantial role in the storyline. Based on the director’s personal experiences, the film follows a fusion of contemporary themes that young women can possibly relate to today, including toxic relationships, intimacy and technology.
Kaouther adds: “Nora has sex appeal, she wants to be cool. When she’s stopped by Kevin (her ex), her costume doesn’t help her. I love this contradiction. Costumes are a very powerful tool in cinema, like scenery and lighting.”
Miu Miu’s ongoing Women’s Tales series works with female directors on the exploration of modern-day vanity and femininity. Previous storylines have examined forbidden love, gender and identity and careers of females.
The film premiered at Venice Film Festival alongside the previous Women’s Tales film Shangri-La, directed by Isabel Sandoval.
http://dlvr.it/S7Wgxb
http://dlvr.it/S7Wgxb
Monday, September 13, 2021
Re-thinking the traditional department store format
Image: Harrods department store via Pexels Opinion
A visit to a traditional department store often goes something like this: entering the building into a vast beauty hall, an emporium of brands selling makeup and fragrances behind counters, spritzing customers with their latest perfumes, pushy sales advisors at the ready. The adjacent aisles feature displays of handbags, accessories and gifts, mostly targeted at tourists and out-of-towners. Up the escalator is men’s or women’s wear, vast floor spaces of shop-in-shops retailing collection after collection. Above the fashion floors there may be homeware or tech or books, often the quietest spaces, bar the restaurant on the top level. So far so traditional, perhaps, but this format is quickly dating and no longer drawing customers like in its halcyon days.
The pandemic fuelled a seismic shift in consumer demand, which is why since economies reopened, department stores have been slower to recover. The disruption and challenges to the format have been felt for years, which is why legacy players from BHS, Debenhams, JC Penney, Sears, Barneys, Neiman Marcus, Hudson’s Bay, and a long list of others, have all faced bankruptcy, liquidation, closures, new ownership, re-financing or new management. Dubbed the legacy laggards, departments saw an average of -18 percent decline during the pandemic, one of the highest in the sector. As for those overly stuffed fashion floors, apparel saw sales plummet -25 percent. Image: Barneys closing sale via Shutterstock
Best days behind them?
Despite re-openings, traffic to department stores remains down. The question to ask is how will these stores, in a post-Covid era, meet the needs of the new normal? Shopping behaviour will settle after the pandemic becomes less of a day-to-day conundrum, but it remains to be seen which retailers will attract the most interest.
The original marketplace
Department stores were once great marketplaces and one-stop shopping destinations. But as e-commerce continues to grow, most products found in department stores can easily be bought online, not to mention in other stores, often on the same high street. Without a significant level of product differentiation, there is too much sameness and not enough innovation. Gen Z and Gen Y are the value-focused generation, who care about experiences, sustainability, authenticity and value. They should be a significant focus of any retailer’s strategy.
A new era of retailing
Shoppers have increased expectations for omni channel experiences, from same day delivery to choosing when, where and how to receive goods, even if shopping in-store. Innovative retailers are testing new formats, using floor space to launch new concepts stores, curating traditional departments into hybrid showrooms and most importantly offering a superior mix of products in order to drive traffic back to stores.
Less fashion
Not everything a retailer sells needs to be found in a physical store. By shifting to a digital-first strategy companies can test if customers are brand or category loyal. Marks & Spencer reduced selling formalwear, but instead of shifting it to online, acknowledging the category has ebbed for many but will always be needed, customers are choosing to shop elsewhere because it is no longer available.
Additionally, the pandemic was a wakeup call for eliminating what we do not need: wardrobes stuffed with too many clothes that are rarely worn. Buying into every high street trend, lured by cheap prices, has lost its gloss and is proven to be unsustainable consumption that harms both people and planet.
Assortments much change in order to woo back customers, both old and new. Changing category demands, like increasing home furnishings, experiential retail spaces, less old-fashioned over the counter beauty but more wellness and clean personal care will resonate with a new age consumer. In short, offer less of the same.
For fashion, interesting capsule ranges and partnerships with brands focusing on exclusivity will be more impactful than legacy retailing. With luxury brands reducing wholesale accounts, finding novel ways of working together with established houses is also an opportunity to focus on new channels, lesser known designers, smaller ranges and own-brand collections.
Focus on local
Local shoppers are triggered by convenience and many department stores have enormous amounts of goodwill with local communities and loyal customers. By utilising their strong positioning and listening effectively to what customers want will exceed expectations and secure a post-Covid future.
The shift to e-commerce has seen the Amazon’s, Alibaba’s and Wallmart’s of the world outspend any retailer on innovation and technology, creating sticky shopping experiences and capturing extraordinary amounts of data to continually improve customer service.
What they don’t have, however, is a personal relationship and the physical draw that our beloved high street department stores have in spades. Convenience aside, department stores offer a place of connection, discovery and experiential satisfaction that can’t be had from clicking on an add to cart button. Image: Pexels
http://dlvr.it/S7SXKl
http://dlvr.it/S7SXKl
NYFW: threeASFOUR - spring/summer 2022
Image: Randy Brooke
threeASFOUR’s tech-fused collaboration was an exploration of how our chakras could be infused to our fashion sense. The collection was titled “Kundalini”, named after Hindu concept of the form of divine feminine energy believed to be located at the base of the spine. The collection encompassed, quite literally, every shade of the rainbow. Each color was meant to represent a different mood and elements like air, fire, and water.
The collection was a collaboration between threeASFOUR and printing company Kornit, so seven different prints were developed to represent each chakra. “Chakras are something very universal,” said one of Kornit’s three designers, Adi Gil, to FashionUnited. “The other designers and I are always looking for inspirations that are very universal and can connect all nations using color. We believe that we are all connected as human beings. We need this idea now more than ever in our present times.”
Gil said the theme of this collection is so important after the aftermath of 2020 because, “It’s important to remind ourselves that we are connected to our planet. Things are happening for us, and sometimes things like COVID-19 lockdowns happen to remind us to respect our planet and connect to nature and each other.”
The technology used to create this collection was very sustainable because the printing technology for the prints is very low waste and uses a minimal amount of water. threeASFOUR continues to be on a quest for new ways to make production more sustainable to save the planet.
The collection featured laser cut fabrics, origami pleats, mixed textures and garments sculpted from grosgrain ribbon. Pieces were created in structural avant garde shapes as well as form fitting styles and loose-fitting silhouettes. Variety and color were the mothers of invention throughout the collection. Image: Randy Brooke Image: Randy Brooke
http://dlvr.it/S7SXJT
http://dlvr.it/S7SXJT
NYFW: threeASFOUR - spring/summer 2022
Image: Randy Brooke
threeASFOUR’s tech-fused collaboration was an exploration of how our chakras could be infused to our fashion sense. The collection was titled “Kundalini”, named after Hindu concept of the form of divine feminine energy believed to be located at the base of the spine. The collection encompassed, quite literally, every shade of the rainbow. Each color was meant to represent a different mood and elements like air, fire, and water.
The collection was a collaboration between threeASFOUR and printing company Kornit, so seven different prints were developed to represent each chakra. “Chakras are something very universal,” said one of Kornit’s three designers, Adi Gil, to FashionUnited. “The other designers and I are always looking for inspirations that are very universal and can connect all nations using color. We believe that we are all connected as human beings. We need this idea now more than ever in our present times.”
Gil said the theme of this collection is so important after the aftermath of 2020 because, “It’s important to remind ourselves that we are connected to our planet. Things are happening for us, and sometimes things like COVID-19 lockdowns happen to remind us to respect our planet and connect to nature and each other.”
The technology used to create this collection was very sustainable because the printing technology for the prints is very low waste and uses a minimal amount of water. threeASFOUR continues to be on a quest for new ways to make production more sustainable to save the planet.
The collection featured laser cut fabrics, origami pleats, mixed textures and garments sculpted from grosgrain ribbon. Pieces were created in structural avant garde shapes as well as form fitting styles and loose-fitting silhouettes. Variety and color were the mothers of invention throughout the collection. Image: Randy Brooke Image: Randy Brooke
http://dlvr.it/S7S6df
http://dlvr.it/S7S6df
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