Image: Frankies Bikinis
Lingerie giant Victoria’s Secret & Co. has acquired a minority interest in women-founded beachwear brand Frankies Bikinis.
The Califonian label, founded in 2012 by Francesca Aiello, is widely known for its Malibu aesthetic, translating the laid back vibe of the beachy region into its apparel and identity.
In a release, Victoria’s Secret CEO, Martin Waters, said: “We are excited to be partnering with Francesca and the team at Frankies Bikinis. She has created an aspirational beachwear brand and trend leader in the swimwear category, with room to grow and extend into new categories and attract new customers in the direct-to-consumer channel.”
The company has invested 18 million dollars, which it has said should not have a material impact on its previously communicated first quarter 2022 outlook.
On its motivation for the acquisition, Waters commented: “Our investment in Frankies Bikinis is a continuation of our efforts to expand partnerships with culturally relevant brands founded by women entrepreneurs.”
It is this mission that the company has continued to embed into its strategy, with its most recent initiative also centred around bolstering women-led brands through a string of investments.
http://dlvr.it/SMN4zB
Women shirts & amp; Pajamas and versatile Fashion of Amazon and Alibaba., fashion, Facebook,youtube, instagram, tweeter and google
Friday, March 25, 2022
Podcast: Conversation with Schanel Bakkouche, Retaining Exclusivity via Social Media
Joshua Williams
In this episode, “Retaining Exclusivity via Social Media,” the final episode of a three-part series featuring Schanel Bakkouche, editor and stylist at Vogue International Publications and founder and creative director at the advertising agency, SFB Creative, we further discuss the strategies luxury fashion brands employ to engage current customers and to attract a new clientele. And stay tuned after this episode for a special add-on—to hear Schanel’s thoughts on brand collaborations.
http://dlvr.it/SMMb9y
http://dlvr.it/SMMb9y
Brother Vellies taps Behnaz Gharhamani as first CEO
Image: Brother Vellies, Facebook
US shoe and accessories brand Brother Vellies has appointed former Stuart Weitzman chief marketing officer Behnaz Ghahramani as its CEO.
It is the first time the New York-based brand has had a chief executive since it was founded in 2013 by Aurora James.
Ghahramani began her position at the helm of the business in February, according to LinkedIn, joining from high-end footwear label Stuart Weitzman where she has served as CMO since 2018.
Earlier in her career, Ghahramani spent two years at Ralph Lauren as vice president of global marketing - luxury collections, Lauren and licensing, and five years at Gucci as director of relational marketing.
Brother Vellies appoints first chief executive
“It’s official! So excited to be joining @aurorajames and the team @brothervellies as CEO,” Weitzman announced in an Instagram post.
She continued: “It is rare to find a partner that has the same drive, same passion, same unwavering determination to not only succeed but also to do things differently, to do better, and to have a positive impact in the world.
“Aurora is such an inspiration to me on so many levels, not only is she an incredibly talented designer and creative visionary, but she has been a critical leader in our industry championing for diversity.”
Brother Vellies founder Aurora James is the founder of the 15 Percent Pledge, which was established in the wake of the Black Lives Matter movement in 2020 and which calls on major retailers to pledge a commitment to buy 15 percent of their products from black-owned businesses.
James also made headlines in September after a dress she designed - embroidered with the bold red words ‘Tax The Rich’ - was worn by US congresswoman Alexandria Ocasio-Cortez at the Met Gala.
Ghahramani continued in her Instagram post: “[James’] work @15percentpledge is brilliant in its simplicity and monumental in its impact.
“I could not be more honored to be a partner to her as we take @brothervellies to its full potential.”
http://dlvr.it/SMM1w3
http://dlvr.it/SMM1w3
Mango enters metaverse and launches wearables
Image: Mango
Mango, the Spanish high street fashion group, is entering the metaverse through art. The brand launched three unique works created with Argentine-Hungarian crypto-artist Farka. The art will be exhibited within the Museum District of Decentraland, as part of the first edition of the Metaverse Fashion Week.
Along with Farkas, who is based in Buenos Aires, Mango will exhibit the pieces Mango Metagirl, Mango Ad Astra and Hanna in the Clouds for a month. The art is inspired by the brand's garments (Lupi, Cinema and Mónica models, respectively) and aim to project the metaverse into the future and the artist's own vision.
“Mango Metagirl is inspired by the concepts of self-confidence and freedom. In the metaverse you can be whatever you want, but the Mango girl trusts herself and presents herself as she is in real life”, saidFarkas. “Mango Ad Astra, on the other hand, represents the path to the future of the woman starring in the piece, while Hanna in the Clouds conveys that the metaverse may be totally customised”, added the artist.
The three NFTs will be exhibited at the coordinates 13.82 in the Museum District of Decentraland, where Mango will have its own area in which it will reproduce a museum. It is an open space, circular in shape and with columns, which will allow the three framed art works to be displayed.
Likewise, the NFTs will be uploaded to the OpenSea platform, one of the main marketplaces for non-fungible tokens, by using blockchain technology, but they will not go on sale. For the development of the pieces, the artist used technological tools such as the free software Blender and he has collaborated with Mango's technology and 3D product design teams.
Image: Mango
Mango debuts wearables
In addition to the art works, Mango will also launch its first three wearables to commemorate the Metaverse Fashion Week. The first, in collaboration with Farkas, will be a virtual reproduction of the Lupi dress, which reflects the Mediterranean values and culture that characterise Mango. This NFT will not go on sale, but it will become part of the company's historical catalogue.
The group will also create two t-shirt NFTs (man and woman models) to commemorate the first edition of the Metaverse Fashion Week, considered as collectibles. 50 units of both man and woman models will be created: 49 of them will be given away to virtual event attendees and one will remain as property of the company.
Mango's entry into the virtual environment of the metaverse represents a step further in strengthening the ecosystem of channels and partners on which Mango's business model is based. It also reaffirms the company's commitment to digital innovation and exploring new customer channels.
Jordi Álex, Director of Technology, Data, Privacy and Security at Mango, points out that “Mango's development in the metaverse environment is yet another example of the company's innovative character and its strategy based on constant innovation. We have created a specific team dedicated to the development of digital content, where new professionals will be joining in the coming months, in order to develop new projects in the future that will allow us to add the virtual environment to the digital and physical environments in our channel ecosystem”.
Metaverse Fashion Week
The Metaverse Fashion Week (MVFW) is a global fashion event taking place from 24-27 March virtually on Decentraland, a VR-oriented metaverse platform. Considered the virtual version of the great Fashion Week, in this first edition leading brands will present their NFT fashion collections in virtual catwalks and shopping experiences, in addition to organising a wide variety of parallel events and activities.
http://dlvr.it/SMLTrx
http://dlvr.it/SMLTrx
Thursday, March 24, 2022
MetaTokyo brings Japanese culture to Metaverse Fashion Week with digital collection and exhibition
Interview
Image: MetaTokyo x Amiaya
As the highly anticipated Metaverse Fashion Week (MVFW) launches today, from March 24 to 27, brands from all over the world are preparing to take part in the industry’s first large-scale digital fashion event. While many big names, like Tommy Hilfiger and Etro, have revealed to be part of the line up, its international reach and accessibility have allowed MVFW to be open to a wider variety of talents, emerging designers and cultural sectors.
The MetaTokyo project is among those looking to bring its own take on the metaverse, joining MVFW’s line up in collaboration with famed Japanese twin duo Amiaya. Started as a joint venture between Tokyo-based firms Asobisystem Co., ParadeAll Co. and Fracton Ventures, the real estate development in Decentraland was launched last year, with plans to implement Japanese culture into the virtual world and draw inspiration from Harajuku, Tokyo’s famous fashion district.
The group’s own Decentraland ‘district’ is now preparing to open its doors through the platform, following its ultimate mission of connecting the digital landscape with new global entertainment and developing cultural cities in the metaverse.
Talking with FashionUnited, MetaTokyo’s CEO and leader of the MVFW project, Takayuki Suzuki said he hopes the activation will help visitors realise the uniqueness of Tokyo culture.
When asked about the importance of the metaverse to the fashion industry, Suzuki said: “From my point of view, fashion in the metaverse has three beautiful points. It can unlock the designer’s creativity to make clothes, even though people are not able to wear them in real life. It can open the door to wider creators who love fashion but do not have the skill set to make real clothes and it's sustainable - no garbage, no environmental degradation.”
Image: MetaTokyo x Amiaya
Developing cultural cities in the metaverse
For the project, Suzuki said the group envisioned involving Amiaya in its metaverse world and MVFW was the “perfect entry point for them”. Alongside MetaTokyo’s district opening, a virtual pop-up museum at the site will showcase who Amiaya is and the work they have produced. The exhibition will have a particular focus on the sibling’s photo book Amiaya x Street, which was produced in a collaboration between the DJ/model twins and a Japanese photography magazine founded by Shoichi Aoki. The photography featured at the event will be translated into non-fungible tokens (NFTs), set to be available through OpenSea.
In addition to the exhibition, an Amiaya-inspired collection will also be available through the platform, including a version of the duo’s iconic pink bob. Suzuki said on the drop: “Decentraland doesn’t have an item like that, so we started to make the pink bob wearable. We also produced various sunglasses inspired by Amiaya to make their style even more stylish, and produced t-shirts to celebrate the collaboration and MVFW.”
In total, 330 NFT items will be made available through OpenSea, with a set of 10 editions. The collection will be exclusive to MetaTokyo Pass holders, which are essentially considered ‘residents’ of the district and members of the project’s Discord. However, those interested in the launch can also purchase a physical photo book at the venue, as well as artwork by Amiaya.
It seems MetaTokyo’s plans do not stop here either. On the potential of future upcoming projects, Suzuki confirmed there were more metaverse collaborations in the works, with both Amiaya and other fashion brands.
Read more:
* Everything to know about Decentraland’s upcoming Metaverse Fashion Week
* Hogan to debut virtual store and NFT drop at Metaverse Fashion Week
* Kollectiff to host virtual catwalk events during Metaverse Fashion Week
http://dlvr.it/SMJ6gr
http://dlvr.it/SMJ6gr
Podcast: Conversation with Schanel Bakkouche, Retaining Exclusivity via Social Media
Joshua Williams
In this episode, “Retaining Exclusivity via Social Media,” the final episode of a three-part series featuring Schanel Bakkouche, editor and stylist at Vogue International Publications and founder and creative director at the advertising agency, SFB Creative, we further discuss the strategies luxury fashion brands employ to engage current customers and to attract a new clientele. And stay tuned after this episode for a special add-on—to hear Schanel’s thoughts on brand collaborations.
http://dlvr.it/SMHXNg
http://dlvr.it/SMHXNg
On unveils its weirdest sneaker yet
Image: On Cloudmonster
In Pictures
Swiss running and apparel brand On has launched what it is calling its weirdest creation yet, the Cloudmonster, a maximalist sneaker with more cushioning and a big rebound.
Designed for a “truly monster ride,” the On Cloudmonster has the thickest CloudTec midsole in the entire On range, providing more cushioning than ever before, with two layers of thick cloud elements to offer the wearer super-soft landings and maximum rebound.
On explains that the unique “radical rocker shape,” delivers a high energy return for long runs, as the Speedboard sandwiched between the layers of soft Helion cushioning propels you forward. During landing, the Cloud elements compress to reduce impact, while the Speedboard is loaded with energy, ready to release and drive forward again, technology which On states encourages runners to always be on the move.
Image: On Cloudmonster
“On shoes have always felt different, but this one is next level. It's the perfect shoe for energising easy everyday running or adding fun to the longer Sunday run; and it's a great choice, too, for recovery runs or gentler days when the mood just calls for a little exercise and air,” adds On in the press release.
The playful design also features a breathable mesh upper, engineered to offer feet a soft but secure structure and the shoe has been crafted from more than 30 percent recycled materials, as part of On’s ongoing commitment to support the sustainability of the planet.
The On Cloudmonster launches on March 31, priced 150 pounds from On-running.com and selected retail partners worldwide. On is available at 7,800 retailers in more than 60 countries in Europe, North America, South America, and Asia-Pacific.
Image: On Cloudmonster
Image: On Cloudmonster
Image: On Cloudmonster
http://dlvr.it/SMGz4f
http://dlvr.it/SMGz4f
Wednesday, March 23, 2022
Michael Calbert to join PVH board of directors
Image: Tommy Hilfiger, Facebook
Michael Calbert, chairman of the board of Dollar General Corporation, will join PVH Corp. board of directors, effective May 2, 2022. PVH also announced that Henry Nasella, its non-executive chair, will not stand for re-election at its June 16, 2022 annual meeting of stockholders.
Nasella, the company said in a release, has served on the board for 19 years, including as presiding director since 2007 and chair since 2021 when it first became an independent, non-executive role. Nasella had been nominated to serve for his last three terms by virtue of a waiver of the board’s mandatory retirement age, as permitted under its corporate governance guidelines. Calbert is expected to succeed Nasella as chair if he is re-elected at the annual meeting.
Commenting on the development, Stefan Larsson, chief executive officer of PVH, said: “Michael is a highly experienced public company director with extensive chair experience, and he brings deep expertise in the retail and consumer sectors”
“On behalf of the board of directors and the whole management team, I want to thank Henry for his unique contributions and many years of wise counsel, as well as his incredible leadership of the board,” Larsson added.
Calbert, the company added, has served as chairman of Dollar General since 2016 and formerly was a member of the private equity firm KKR & Co. L.P., where he led the retail industry team from January 2000 until his retirement in 2014. He was previously chief financial officer of Randall’s Food Markets, and started his career as a certified public accountant with Arthur Anderson Worldwide.
“I look forward to working with my fellow board members in supporting Stefan and the management team to realise the company’s long-term growth opportunities, deliver strong stockholder returns, and do it in a way that stays true to PVH’s purpose to drive fashion forward for good,” added Calbert.
http://dlvr.it/SMDb0D
http://dlvr.it/SMDb0D
How a pandemic, inflation, and war affects the business of luxury goods
Russian money. Image by Anna Tis from Pexels
There may be little that economic sanctions can do to aid the valiant efforts of Ukrainians on the ground as they defend their country from Russia’s increasingly brutal invasion tactics. Still, the coalition of governments representing the West that includes members of NATO and the European Union are continuing to impose further economic hardship wherever it can and disrupt trade with the Russian Federation that could have long-term implications for many industries going forward.
Analyst Luca Solca from the Wall Street research and brokerage firm, Bernstein, told the BBC that luxury fashion in Russia makes up only about 2 percent of global revenues for most companies. But the Russians are a sybaritic people, dedicated luxury consumers, and valuable to businesses around the world. However, events of the war may prove doing business on that part of the continent to be untenable—especially if they lead to a severance of diplomatic relations and a reimplementation of an Iron Curtain between the East and the West. With the help of expert opinions offered in a Luxury Daily panel discussion on the matter earlier this month, here is a look at the current sanctions and how they will affect the luxury goods business in the short-term, in the long run, and compare the impacts of this tragedy to those of the pandemic.
US, UK, and EU luxury goods exports to Russia now officially banned
In the latest round of sanctions announced last week, the US, UK, and the EU committed to banning luxury goods exports to Russia from fashion to cars to watches. This comes in addition to the top Western economic powers, the Group of Seven (G7) and the EU, revoking Russia’s “most-favored-nation” trade status, which means Russia will face much higher tariffs on imports that are not already completely banned. The luxury goods export bans are intended to deprive Russian elites, as stated in the EU’s announcement on the new measures. While an exact list of brands or goods banned from export has yet to be defined, the EU has designated a minimum threshold of 300 euros, which can serve as a guideline for companies exporting clothing and accessories.
The minimum price was set with the intention of allowing the regular population of Russia to meet their basic needs, of which clothing is one. But of course many parent companies of fast fashion and off-price retailers, like TJ Maxx, to luxury brands, like Gucci, have halted business operations with Russia on their own. Fast Retailing, the Japanese retail holding company that owns Uniqlo, had originally announced on March 9 that they would continue doing business in Russia. The company’s founder, Tadashi Yanai, stated that "Clothing is a necessity of life. The people of Russia have the same right to live as we do." But after a strong backlash, the company reversed course the following day citing operational difficulties as the reason for suspending business. Fast Retailing announced a donation worth 10 million US dollars as well as clothing to the United Nations High Commissioner for Refugees (UNHCR) and included in their statement on the matter that the company’s European employees have been helping to deliver clothing to affected people fleeing from Ukraine.
Possible short-term effects from Inflation
“This conflict has ripple effects on several industries—it starts with energy,” Mickey Alam Khan, Chairman and Editor-in-Chief of Luxury Daily, led the panel discussion as moderator. Oil prices soared on Monday with Brent crude reaching 115 dollars a barrel as Europe considers matching the US in a Russian oil embargo. This contributes to inflation already heightened by supply chain issues from the pandemic and will continue to impact the discretionary spending of many consumers in the short-term as prices increase on essentials from groceries to vehicle fuel. Managing Director for Luxury and Retail at Coresight Research, a data-driven company focused on innovations in retail and technology, Marie Driscoll acknowledged, “For the near term, luxury is going to take a hit, as is everything. We came into this year—before we were concerned about Ukraine—worried about inflation and how that was impacting the consumer generally,” she noted. “Luxury brands are raising prices, prices are being raised across the board, and now you have this whammo effect of one hundred dollar oil, perhaps for three or four months, perhaps longer. If this doesn’t resolve itself within a month or two, I think that the growth we projected coming into the year is going to be muted.”
Driscoll also pointed to the collective psyche as an important factor; the tragic nature of the war and the uncertainty it breeds may create more conservative spenders. Omar Saad, a consumer and luxury analyst at Evercore ISI, the global investment banking advisory firm, was more skeptical that luxury businesses will feel any change. “European local spending—that’s probably going to be a little bit shakier near term because it’s so much closer to home there,” he said, but mentioned that if the war becomes drawn out over time, any hesitancy in the market will become more of a blip. “I think it’s too many degrees of separation to have any meaningful impact. If you look at the direct businesses of the companies that we cover—whether it’s luxury firms or sports companies like Adidas and Nike—the actual direct exposure to Ukraine and Russia is less than five percent and really closer to two or three percent at most."
Saad did note the interesting short-term development of Russians panic buying luxury goods, especially jewelry, to invest in as a safety net while their currency diminishes. “It's an easy way to capture some value of that ruble that’s already been devalued so much. Of course, that’s just the inventory that is in state there and that will get soaked up quickly. In the law of unintended consequence, luxury goods become currency.” Bulgari reported a spike in sales at their Russian stores since the start of the war, but its parent company, LVMH, eventually decided to close stores for all its brands within the country.
The Pandemic vs Sanctions
The discussion moderator, Khan, also challenged the notion that luxury goods businesses would see any adverse effects because during the pandemic when economic stresses were much more widespread, people still spent plenty of money on luxuries. “In fact, LVMH, Richemont, Kering—they posted record results in the midst of global misery,” he said.
“Luxury is the best experience when you can’t have an experience,” Driscoll explained. “I think once we got beyond those first few months of Covid, then it was like okay, what do I want to buy? There was so much money that wasn’t being spent on experiences that consumers who had a job funneled money into luxury goods—things that maybe they didn’t normally buy. The luxury shopper was there and then there were new shoppers.” The US government also distributed several stimulus checks that likely contributed to the growth in luxury purchases. “People that shouldn’t be buying 300 dollar sunglasses were all of a sudden buying 300 dollar sunglasses.”
But without stimulus checks and with high inflation, Marci Rossell, a chief economist at Luxury Portfolio International, a network of luxury real estate brokerages, argues that businesses will see that reflected in their bottom line. “The biggest impact is energy markets and commodity markets. So as those things become more expensive, that has less of an impact on the luxury buyer, but it does filter down to that aspirational buyer. If it costs you every single day ten dollars extra to fill up your gas tank over the course of a month, that's 300 dollars that you’re not spending on the expensive sunglasses.”
Long-Term effects and the China wild card
“China is an energy intensive economy and while they may be left as the only buyer of Russia’s oil and gas by the time this is all said and done, expensive energy is going to be a further drag on the Chinese economy,” Rossell continued. CNBC reported in January that mainland Chinese consumers spent almost 74 billion dollars on luxury goods from home in 2021, although that was still below pre-pandemic levels. Leather goods was the fastest-growing category, but even that wasn’t immune to a spending slump in the second half of the year from additional Covid outbreaks.
Astrid Wendlandt, a former European luxury goods reporter at Reuters and former Financial Times Moscow correspondent, spoke to the geopolitical ripple effects of Russia’s war on the Western alliance’s relationship with China—who has notably avoided using their influence so far to push for a ceasefire. “What if China uses this as an opportunity to move into Taiwan while the West is busy with Ukraine and Russia?” Wendlandt hypothesized. “Russian business is significant but really the bottom line is, they’re not the biggest spenders. The biggest spenders are the Chinese, that's really at the top of luxury goods investors minds.”
Khan noted that the Chinese are more pragmatic, have stronger economic ties with the West and may be less willing to jeopardize the stability of their economy for a Taiwan takeover. But that is all speculative. The US continues to warn China against helping Russia bypass sanctions or aid Russia militarily—any sign of which would unravel ties with Washington even more. Rossell added, “A worst case scenario is a world where a few years from now, Russia’s only partner is China, the world reestablishes that East-West divide that we’ve all forgotten about from thirty years ago. From a brand perspective, I think we have to entertain the idea that there’s a world that used to exist that we could gravitate back toward regardless of what governments do around sanctions.”
But for now, the long-term prognosis, especially for the iconic luxury fashion brands, is positive. “This industry is resilient. They’ve weathered three centuries of wars, depressions, recessions—they’ll overcome this,” Khan said. “Luxury is one of the safer long-term bets,” Saad added. “Our entire global society is designed to create wealth—war or no war. We've been through many wars. I’ve been through many wars in my career on the stock market. There’s a fixed number of luxury brands—I don’t care what they say about Chinese luxury brands—there’s just no new luxury brands and this is the entire thesis of Bernard Arnault of LVMH: Unlimited demand over time and limited supply. We know the retail experience, especially in luxury, is super important so even in an e-commerce era, in a digital era, the stores are not going away.”
But Khan ended with words of caution. “At some point, I hope this makes us think. I hate to say this, I am a diehard capitalist, but at some point you know…be careful of the deals you make. China is watching. And if China does something like this, we won’t be so upbeat about the future of luxury.”
http://dlvr.it/SMD0KG
http://dlvr.it/SMD0KG
LiveBuy: “Live shopping makes online shopping less lonely”
Alex von Harsdorf. Photo: LiveBuy
InterviewOnline shopping
has been growing for years, but is it fun? Live shopping specialist
LiveBuy from Berlin doubts this and wants to help online retailers
conquer a new sales channel with live streaming, which turns shopping
on screen into an event.
In China, live shopping is already a mass phenomenon. Chinese live
shopping superstars like Viya and Austin Li Jiaqi sell goods worth
several billion US dollars within a few hours live on TaoBao. Now
online sales campaigns via livestream are also picking up speed
elsewhere. LiveBuy from Berlin is right at the forefront. Launched two
years ago, its customer base already includes brands like Douglas,
Sheego, Tamaris and Kadewe - Douglas already broadcasts daily. Founder
Alex von Harsdorf explains what the special opportunities of the new
channel are and how the tech start-up helps customers to better
exploit the potential of online retail.
What exactly does LiveBuy do? How do you support a retailer or brand?
If we’re honest - and now with the pandemic we all know this
feeling quite well - there is no online “shopping” in the true sense
of the word, but only need fulfilment online. There is no real
browsing, no inspiration; all this cannot be realised online like in
brick and mortar store. That is exactly our approach. We want to
increase the joy of online shopping and support our customers in
implementing live shopping. In essence, this means that we provide the
technology to enable live shopping in a brand’s own shop or in
combination with other online retailers. Basically, all you need is a
smartphone.
Why do you think live shopping has a future in Germany?
The big role model is China. There, shopping live from one’s
smartphone is already big and has leapfrogged QVC, so to speak. There,
20 percent of online retail already takes place via live shopping, and
the trend is rising. All this has only established itself within the
last five to six years. Live shopping is the future of online retail.
Online retailers have so many opportunities to get in touch with
their customers, to talk about their products. It's not just about
doing live shopping with influencers, but also the CEOs or the
designers. It's about telling the story behind the product, and the
companies themselves can do that very well. It's the opposite of
glossy, it's authentic and much more credible. For viewers, that is
the most interesting.
Photo: LiveBuy Live shopping still has an image problem in some parts of the
world, you have already mentioned QVC. How do you want to change that?
It depends on the target group. The idea is to sell products via
moving images, but live. And that means you experience it together and
it's interactive, that's a big difference. All viewers can
participate, can ask questions, give suggestions, can give each other
tips. Everyone gets a seat in the front row. Live shopping has taken
on a game character, and retailers know exactly who is watching.
Which brands and retailers are already using live shopping?
In Germany we are still at the beginning. But retailers like
Douglas, for example, already broadcast every day. Other customers who
already broadcast regularly include Tamaris, Sheego, Eterna, Kadewe
and Impressionen.
How does live shopping benefit sales? What sales figures can one
expect?
We already reach up to five-figure viewer numbers, but it's not
yet the case that millions are converted within minutes. The
conversion rate is between 10 and 30 percent, in some cases even
higher. During the one hour that an event is live, 40 percent of the
daily turnover is generated. That means it is extremely well received
among viewers. Customers also buy more often and visit the webshop
more often, they build up a relationship. Success also depends on how
aggressively the event is promoted and how it is presented on the
website.
In your experience, live shopping is suitable for whom?
Before racking one’s brains too much, the goal should always be to
stream regularly. That's the crime show principle, every Sunday night.
If every show has to be marketed as a single event, it can quickly
become expensive. If, on the other hand, I manage to stream regularly
at the same time, customers can adjust to that. From there, one can
expand if one wants to. With LiveBuy, you even have the choice of
broadcasting the
content in your own online shop or on connected retailer or
marketplace sites - for more reach.
What is the best way to get started?
That would be my second tip: You don't have to reinvent the wheel.
It makes sense to start the service with a new campaign and then
maintain it every season, whenever new collections come out. ‘Behind
the Scenes’ is also suitable as a theme, or you explain processes, the
production, introduce people. There is so much to tell, so much more
than just showing a garment on the hanger. All this is nothing new,
it's just a new channel. And it is much more authentic than glossy
magazines. This is especially important for the younger target group
who want to understand better how the product came about.
How do you get paid? And do you also extend a brand’s or
retailer’s reach?
We provide the infrastructure, consisting of a video feed for the
shop frontend - which enables swipe browsing similar to Tiktok - a
creator app, a dashboard and hosting. Payment is per view. So there's
no monthly fee, it's paid by the number of views. We are currently
working on taking care of the reach as well. Firstly via live banner
ads, and secondly via Instagram, but without the shopping function
there. This is called simulcasting, i.e. simultaneous broadcasting via
several platforms.
Photo: LiveBuy
How did you come up with the idea for LiveBuy?
My partners and I have established other companies before. Our
goal was to make online shopping less lonely and more fun. In the
2010s, we observed the trend in Asia and shared the belief that online
shopping could be much improved.
Then in March/April 2020 we put all our eggs in one basket,
interestingly enough in the middle of the pandemic. In August we
founded LiveBuy, and in October the first live shopping took place at
Douglas. Since then, we have broadcast almost 1,500 livestreams and
have 17 employees spread all over Europe. We work fully remotely, we
just kept that from the founding phase when everyone worked from home.
Did you already see much more live shopping as part of the
Christmas business than the previous year?
Absolutely! We are now seeing many many more brands and higher
viewership. Live shopping is a phenomenon that is starting now. The
more people join in, the more it moves into customers' everyday lives,
the more it becomes a trend.
This article was originally published on FashionUnited.de.
Edited and translated by Simone Preuss.
http://dlvr.it/SMCRYl
http://dlvr.it/SMCRYl
Tuesday, March 22, 2022
Canada Goose launches joint venture in Japan
Image: Canada Goose
Canada Goose has entered into a joint venture with longtime retail partner Sazaby League to expand its business in Japan and accelerate its DTC growth in the market, which includes the opening of new stores.
The Canada Goose Japan joint venture, of which each partner will own 50 percent, will replace an exclusive national distributor arrangement between Sazaby League and Canada Goose.
Current distribution includes a permanent Canada Goose retail store in Tokyo, a national e-commerce site, and wholesale points of distribution across the country.
Untapped potential
Canada Goose said the new operating model is expected to “significantly” increase revenue and gross profit per unit from the existing business.
In the fiscal year 2023, the venture is expected to generate between 60 and 65 million Canadian dollars in total revenue - or roughly double the contribution from the market in fiscal 2022.
“Japan is one of the world’s largest and most influential luxury markets and has long been an important consumer market for Canada Goose,” said Canada Goose CEO and president Dani Reiss.
He said the agreement “sets the stage for the acceleration of our growth in Japan, across both DTC and wholesale”.
http://dlvr.it/SM93Fs
http://dlvr.it/SM93Fs
THG taps former ITV boss as new chair
Image: The Hut Group
The Hut Group (THG) has named former ITV CEO Charles Allen as its new chair to “drive growth” at the company which has seen its share price stumble in recent months over investor uncertainty.
Allen was at the helm of ITV from its formation in 2004 until 2007, and has also previously held the same position at Granada Group, and been chief advisor to the British Home Office.
He is currently chair of FTSE 250 infrastructure group Balfour Beatty and privately-owned Global Media and Entertainment.
The news comes after THG announced in October that founder, CEO and chair Matthew Moulding would stay on as chief, but would no longer serve as chair.
It was a move to reassure investors following a sharp drop in the THG’s stock price in the past year on concerns over the group’s corporate governance.
‘Clear mandate to improve governance and transparency’
Allen will take up the new position of independent non-executive chair immediately and will work with CEO Matthew Moulding to “drive growth and long-term value creation”, THG announced Tuesday.
Allen commented: “It is a privilege to be joining THG as the board's chair with a clear mandate to improve governance and transparency, strengthen the board by improving its independence and diversity, review and develop the strategy and support management as it seeks to further strengthen its talented leadership team.
“The group has announced a number of strategic options for 2022 and beyond, I look forward to working with Matthew and the team to review these and I will update on progress over the next six months as the plans take shape.”
Moulding said: “Charles's consumer, retail, digital and media expertise, knowledge and skills will help THG to continue to drive profitable and sustainable growth, deliver for all our stakeholders and to meet the highest standards of corporate governance.
“Furthermore, on a personal note, his appointment will enable me to focus my attention on delivering the Group's plans for growth.”
http://dlvr.it/SM8S0p
http://dlvr.it/SM8S0p
Spring Studios X Fashinnovation: Tech, Fashion and Business Dinner Series Launch
The kick-off to the Dinner Series will take place on March 24th, 2022 where conversation will take place regarding the metaverse and its possibilities for fashion with guests including Frederic Fekkai, Echo Mah (Creative Director, Tiffany), Google, Amazon Fashion, Forbes 30 under 30 Larry Milstein, Andras Forgacs (Founder, Modern Meadow), amongst others.
Fashinnovation, the global platform that promotes connection via Technology/Innovations & Sustainability for the Fashion & Lifestyle Industries,launches a “dinner series” with partner Spring Studios in NYC. The dinner will be for 25 selected guests, from the fashion, technology, business and design worlds, to debate specific relevant topics for the industries and promote positive change.
Programed to happen every other month, the dinner series will kick-off on March 24th from 5:30 PM to 8 PM at Spring Studios, where the metaverse will be discussed.
A few of the guests will include Frederic Fekkai, Larry Milstein (Co-Founder at PRZM), Echo Mah (Creative Director at Tiffany), Frances Solá Santiago (Fashion Writerat Refinery29), Joan Myung (Head of Strategic Planning at Samsung Fashion), Andras Forgacs (Founder at Modern Meadow), Juana Burga (Model, Actress and Activist), Lisa Green (SVP at THE YES) and Marck Beckman (CEO at DMA United and writer). Other guests will include Google, Amazon Fashion, and others.
Fashinnovation's Founder, Marcelo Guimarães, and Co-Founder, Jordana Guimarães will join the evening, together with Spring Studios Global CEO, Giuseppe Stigliano. The main goal of the Dinner Series is to promote a close contact between today's leaders from diverse creative industries, in order to trade strategies, knowledge and unique experiences that will clear the path for the future of fashion.
Fashinnovation's Co-Founder, Jordana Guimarães - who'll also host the dinner - states: ”it's a privilege having the chance to meet personally with so many important decision-makers from the fashion and innovation sectors. The Dinner Series in partnership with Spring Studios will generate once-in-a-lifetime opportunities to discuss relevant issues for our present - and future - with the founders, CEOs, editors, artists and special guests, that we can then share with everyone so that we’re all a part of the change”.
http://dlvr.it/SM7w1l
http://dlvr.it/SM7w1l
Monday, March 21, 2022
Video: Esther Perbandt FW22 collection
Image via MBFW.berlin on YouTube
In this video, fashion designer Esther Perbandt has presented
its FW22 collection at Mercedes-Benz Fashion Week Berlin (MBFW).
Watch the video below.
Video: MBFW.berlin via YouTube
http://dlvr.it/SM64cq
http://dlvr.it/SM64cq
Vestiaire Collective launches new campaign to highlight future-friendly fashion
Image: Vestiaire Collective
Vestiaire Collective, the B Corp certified app for pre-loved fashion, is relaunching its brand identity with a new ‘Long Live Fashion’ mindset that highlights why pre-loved is the indisputable future of sustainable fashion.
The future-friendly fashion brand philosophy is being showcased in a new campaign featuring five puppet style icons made from recycled clothing, which have been styled to represent the Vestiaire collective. The campaign aims to show how it is possible to love fashion and the planet and that there is a better way to shop, explains the resale platform, while also not taking itself too seriously.
Vestiaire Collective’s new ‘Live Long Fashion’ approach is part of the company’s plan to double down on its ambitions to inspire a step-change in the fashion industry and reflect the way fashion consumers are “recalibrating for a more conscious future”.
Image: Vestiaire Collective
Fanny Moizant, co-founder and president at Vestiaire Collective, said in a statement: “Since the inception of Vestiaire Collective, we have always been driven by a desire to break the rules and offer our global community another point of view on fashion. It is part of our DNA to challenge the status quo and rethink the way people consume fashion for now and for a better future.
“Today, we want to celebrate our global community of committed fashion lovers as they help transform the fashion industry for a more sustainable future.”
Vanessa Masliah, vice president of marketing and branding at Vestiaire Collective, added: “Long Live Fashion” is at the heart of everything we do. It is a rallying cry for all of us who live for fashion, but also want to take care of it for life. It’s an innovative, disruptive, creative approach to raise awareness of our mission. Our goal is to engage with our global community and collectively make a positive impact.”
Vestiaire Collective launched in 2009 and is a Certified B Corporation company with offices in Paris, New York, Los Angeles, Hong Kong, Seoul, Singapore and a tech hub in Berlin. It currently has more than 15 million global members and has an inventory of 3 million items from over 80 countries. The fashion resale platform also recently acquired US competitor Tradesy for an undisclosed sum.
Image: Vestiaire Collective
Image: Vestiaire Collective
Image: Vestiaire Collective
http://dlvr.it/SM5XsX
http://dlvr.it/SM5XsX
Pure London to bolster jewellery with new appointment
Image: Pure London/Pure Jewel; Andrew Martyniuk
Fashion trade show Pure London has appointed Andrew Martyniuk to the position of head of jewellery – fashion, to support the growth of the newly created Pure Jewel space.
Pure Jewel will showcase fine and precious jewellery, silver jewellery, and branded jewellery. There will be a focus on contemporary, ethical, and sustainable designers, such as Cartergore and Georgia Wang.
It will be a new separate destination within Pure London, joining the new floorplan edit at the event running from July 17 to 19, that will include womenswear, footwear and accessories, alongside the design lab and Pure Origin.
Martyniuk has been appointed to drive the development of the jewellery sector of the show, with a focus on attracting new and inspirational brands to Pure London. He will also work alongside key partners including the National Association of Jewellers (NAJ) "to ensure the show delivers what the industry needs".
He has strong relationships within this sector, serving as commercial director at ITP Promedia, publisher of business-to-business magazines including Professional Jeweller, WatchPro and Lingerie Insight for six years. Martyniuk is also co-founder of The Jewellery Cut, a platform to elevate and support contemporary jewellery in the UK helping talented jewellery designers.
Commenting on his new role at Pure Jewel, Martyniuk said in a statement: “It is exciting to work with Hyve on Pure London and Pure Jewel to help push and promote jewellery brands and designers to a larger audience. Pure Jewel is a very exciting opportunity for jewellers as the show offers so much more than just jewellery.
“Its long-standing heritage and focus on fashion can really help open these jewellers up to a wider audience of retailers, influencers and press that they might not usually get to meet. Olympia is also a prime location and it will be exciting to see jewellery on show again at this famous location.”
Gloria Sandrucci, event director at Pure London, added: “I am delighted to welcome Andrew to the Pure London team, his knowledge and experience in the jewellery sector is second to none and he will be a great asset to the show.
“Pure London is renowned globally as the most inspirational and trend-led fashion trade show and we’re looking forward to the buzz of the show coming alive again at Olympia with much-loved brands and designers returning.”
http://dlvr.it/SM4yg0
http://dlvr.it/SM4yg0
Sunday, March 20, 2022
Highlights: Rakuten Fashion Week Tokyo and Shibuya Fashion Week FW22
Rakuten Fashion Week Tokyo fall and winter 2022 is taking place from
March 14 to 19, at the main venues of Shibuya Hikarie, the Omotesando
Hills, and various other locations chosen by individual brands. Japan has
been working on slowly returning to a post-pandemic world as Tokyo Fashion Week returned to mostly in-person shows
for the first time in two years. A total of 54 mostly homegrown
brands unveiled their fall collections with 30 designers holding physical
shows including Toga which celebrated its 25th anniversary Masatomo Agari
which held its first ever runway, and globally renowned brand Tomo
Koizumi. Since international travel is still limited, brands such as Bed
J.W. Ford collaborated with Launchmetrics on a show using 4D volumetrics
that enhanced the experience for those joining virtually. FashionUnited
rounded up notable FW22 collections from Rakuten Fashion Week Tokyo and
Shibuya Fashion Week.
Living in a futuristic dystopia
For the first time ever, Rakuten Fashion Week Tokyo has made a season
promotion movie, created by an aspiring new artist, Nishina, and her latest
single, Slow Motion, along with the illustrations by Gaako, an illustrator
gathering attention with her unique worldview. In one scene, the animation
depicts Shibuya in the background, depicting a girl living in a futuristic
dystopia, always changing. Accompanied by an official statement released on
its YouTube channel, the theme for TFW FW22 encapsulates this feeling:
“Today, as the world surrounding us continues to change daily, conventional
ordinary has become unordinary, with the way one carries themselves, the
way one faces others, each personʼs sense of distance is changing at the
pace of each individual.”
Malion vintage: upcycled and unisex
Designers Eriko Ishida and Aki Shimizu created their brand Malion
vintage drawing from the names ‘Maria’ and ‘Mario’ to signify the unisex
aesthetic their label embodies. They both met while working at an apparel
brand called Cher where Ishida was a buyer and store manager. Together they
realized their passion for breathing life into the good old things that
someone has treasured before, thus establishing their upcycle label Malion
vintage in 2016. The brand’s FW22 collection opened with a genderless
sheer top and an array of fabrics ranging from crochet and pleats to
patterns sewn together, giving these once cherished clothing a rebirth.
Worldly and classic tailoring by Hiroko Koshino
An internationally known designer, Hiroko Koshino was the first Japanese
designer to participate in the Alta Moda in Rome in 1978. Today, she has
six women’s ready to wear lines - Hiroko Koshino Couture, Hiroko Koshino
Premier, Hiroko Koshino, Trunk, and Hiroko BIS, re: edition project 165 -
and her creations retail in 170 stores within Japan and overseas. For the
FW22 collection, Koshino’s designs are sophisticated and classic, drawing
from traditional Japanese geometric tailoring with a contemporary flair.
Knits, kimono inspired fabric and ethnic accents added a worldly ambience
to Koshino’s fall 2022 collection.
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“Bosozoku” biker gang style by Maison Shun Ishizawa
Established in 2012 by designer Shun Ishizawa, Maison Shun Ishizawa
draws its inspiration from the pursuit of sophisticated martial arts by
discovering the refined elegance hidden in masculine ruggedness that he
hopes fascinates people. From Ishikari City, Hokkaido, Ishizawa has won
awards such as the YKK Fastening Award and Soen Award as a student at the
Hokkaido Bunka Fashion College. This season’s collection is a mix of
leather, traditional Japanese embroidery, denim and rockabilly hairstyles
which pays homage to the “Bosozoku” biker gang subculture from 1950s
Japan-Maison Shun Ishizawa’s FW22 collection is aptly named Bontang Hanter.
The designer’s exhibition will be held at Rental space Sakura Harajuku
Takeshita exit BF from March 22 to 24.
Photos: Rakuten Fashion Week Tokyo's website, Hiroko Koshino's website
http://dlvr.it/SM42r7
http://dlvr.it/SM42r7
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