Saturday, November 4, 2023

Asket launches ‘Impact Receipt’ highlighting environmental cost of purchase

Asket ‘Impact Receipt’ Credits: Asket



Swedish apparel brand Asket is launching an ‘Impact Receipt’ aimed at “curbing consumption” that accounts for the environmental cost of every purchase.


The new ‘Impact Receipt’ will provide consumers with a breakdown of CO2e emissions, water use, and energy consumption for every garment purchased, as well as the impact associated with the packaging and shipping choices.


It hopes that the move to be transparent regarding the environmental cost and impact of its garment will help customers see the associated environmental cost of their purchasing decisions and help them keep track of their consumption-based footprint.


August Bard Bringéus, co-founder at Asket, said in a statement: “Because we’ve only ever been told the price consumers pay for a garment, the industry has created a disconnect between our shopping habits and its impact.


“As a result, we’ve amassed an irrevocable environmental debt. And until we put a price on our planet’s resources and understand what our choices actually cost; we’ll never make concessions to the consumption we think we’re entitled to.”


Asket has partnered with Vaayu Tech to process and calculate the lifecycle impact assessments, with the ‘Impact Receipt’ being calculated on the foundation of the brand’s extensive garment traceability, with all facilities and processes that go into creating a garment taken into consideration, from farming to yarn spinning, fabric weaving, dyeing through to construction - as well as all the transports in between.


All Asket garments are displayed with their cradle-to-gate kg CO2e emissions, kWh energy use and m3 water consumption (relative to the water scarcity in the production locations, as opposed to absolute water consumption) broken down into four tiers: Raw Materials, Milling, Manufacturing, Transports and Trims.


http://dlvr.it/SyMlft

Better Cotton introduces Traceable Better Cotton

Cotton bales. Credits: Better Cotton



The non-profit organisation Better Cotton has launched a new traceability solution for the fashion and textile industry called Traceable Better Cotton, which has been developed over the course of three years. It will provide visibility of the journey of cotton through the supply chain by logging stakeholder input on the Better Cotton platform.


According to the organisation, it has worked closely with a network of member retailers and brands like the H&M Group, Marks & Spencer, Walmart, Target, Bestseller, Gap Inc and C&A to ensure that fashion companies can accurately trace and disclose the origin of raw materials and comply with emerging regulations. 


“At Marks & Spencer, 100 percent of the cotton we source for our clothing comes from more responsible sources, however, across the industry the global supply chain remains particularly complex. Since 2021, we have been proud partners working with Better Cotton to improve the traceability of cotton and we’re delighted to be able to be part of this first-of-its kind solution which will enable us to track our cotton at scale along the supply chain,” commented Katharine Beacham, head of materials and sustainability at Marks & Spencer.


Through the Better Cotton platform, operated by software company ChainPoint, suppliers can log transactional information from the cotton ginning stage to the retailer or brand, thus keeping track of where Better Cotton originated from and how much of it is within a product.


A “seismic shift” for supply chains




“Traceability at scale for cotton will drive a seismic shift within our industry’s supply chains. Better Cotton's traceability solution is poised to help the industry deliver that shift. Never before has transparency been as imperative as it is now to our retail and brand members. We’re grateful to every organisation that has helped shape the development of the Better Cotton Platform and stand committed to its constant improvement,” said Better Cotton CEO Alan McClay in a press release.


Not to mention that companies are now increasingly expected to verify the origin of the raw materials within their products to increase transparency and to address the potential adverse effects of their activities on human rights and the environment.


“Traceable Better Cotton will give member retailers and brands confidence that they are sourcing product from a specific country, and establish greater supply chain visibility, enabling them to incorporate insights into their own supply chain due diligence activities,” so the press release.


In the coming years, it is planned that Traceable Better Cotton would serve as the foundation for an Impact Marketplace that would compensate farmers for field-level progress. It is also expected to enable country-level life cycle assessments (LCAs) to calculate the environmental impact of Better Cotton in relation to conventional cotton and to provide credible consumer and business-facing claims.


http://dlvr.it/SyMlJY

Lenzing loss widens, revenues drop by 5.3 percent

Credits: Image: Lenzing Group



Lenzing revenue in the first three quarters of 2023 decreased by 5.3 percent to 1.87 billion euros, EBITDA decreased by 16.7 percent to 219.1 million euros, net result amounted to minus 96.7 million euros and earnings per share amounted to minus 4.90 euros.


The company said in a release that the reduction was primarily due to lower fibre revenues, while pulp revenues were up, while the earnings trend was mainly influenced by the market environment.


The Lenzing Group continues to expect that EBITDA for the 2023 financial year will be in a range between 270 million euros and 330 million euros.


“The recovery that has been expected for the second half of the year in the markets relevant for us, so far failed to materialise. As a consequence, the measures we took at an early stage have proved all the more correct. We already launched an ambitious cost-cutting program at the end of 2022, which has delivered the expected results ahead of schedule,” said Stephan Sielaff, Lenzing Group CEO.


Lenzing implemented a reorganisation and cost reduction program with a volume in excess of 70 million euros, while also implementing further measures to strengthen free cash flow. In the third quarter of 2023, Lenzing generated positive free cash flow of 27.3 million euros and the balance sheet and liquidity position were significantly strengthened through capital increase of around 400 million euros and the extension of the debt terms in the reporting period.


The company added that global personnel costs will be reduced by up to 30 million euros or around 500 full-time equivalents (FTE), by not filling positions that fall vacant due to retirements and natural attrition, as well as by staff reductions.


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SS24 season: Paris, Milan, London and New York key trends

SS24 key trends/ main image Credits: SS24 key
trends/Launchmetrics Spotlight
With all four major fashion weekscompleted,
there is an opportunity to review the major trends. Seasonal trends
reflect the way consumers see the world at the macro level. The
‘Barbie’ movie not only grossed well over a billion dollars; it
married feminist ideals with ‘girlie’ fashion. This was a clear
influence on the ss24 collections. After the casual years of the
Pandemic, designers were keen to show tailored styles with an elegant
twist; either in a classic way, or with jackets and sweaters over
floaty sheer skirts that revealed the shape of the legs. Finally, with
a nod toward street style, utilitarian looks continue to sell. At the
high-end, designers show elevated versions in luxe fabrics.
Here are four highlights.

Living doll


Adeam: designer, Hanako Maeda

Adeum ss24/ look 19 Credits: Adeum
ss24/Launchmetrics Spotlight


Look 19: a silk pleated baby doll dress in pale green over a ribbed
sheer top and a chiffon floor length skirt. Cream platform gladiator
sandals completed the look.


Aknvas: designer, Christian Juul Nielsen

Aknvas ss24/ look 18 Credits: Aknvas
ss24/Launchmetrics Spotlight


Look 18: a bright red off-the-shoulder ruched dress with a ruffled,
bubble hemmed skirt and white floral embellished flats.


Antonio Marras

Antonio Marras ss24/ look 29 Credits: Antonio Marras
ss24/Launchmetrics Spotlight


Look 29: a beige satin halter neck top with a black trim and layered
yellow bubble hem skirt and platform boots.


Carolina Herrera: designer, Wes Gordon

Carolina Herrera ss24/ look 44 Credits: Carolina
Herrera ss24/Launchmetrics Spotlight


Look 44: a short pink sundress with black dots, accessorized with
black and white spectator pumps, a black bag and large gold hoop
earrings.


Michael Kors

Michael Kors ss24/ look 11 Credits: Michael Kors
ss24/Launchmetrics Spotlight


Look 11: a white lace empire waist mini dress with a deep vee and a
cream-colored belt, white woven basket bag and white thong sandals.


Simone Rocha

Simone Rocha ss24/ look 29 Credits: Simone Rocha
ss24/Launchmetrics Spotlight


Look 29: a pink satin tunic with folded neckline tied with a red
ribbon and matching short shorts, a red sequined bag and clear vinyl
sandals.



Lady luck


Joseph Altuzarra
Altuzarra ss24/ look 23 Credits: Altuzarra
ss24/Launchmetrics Spotlight


Look 23: a cream satin cropped blouse with a hidden placket and light
brown midi skirt over a white muslin layer, a red bag and satin flats.


Alaia: designer, Pieter Mulier

Alaia ss24/ look 10 Credits: Alaia
ss24/Launchmetrics Spotlight


Look 10: a mauve overcoat with multiple buttons over a matching
jacket, a peach pencil skirt, a black clutch and gloves and white
ankle strap pumps.


Balmain: designer, Olivier Rousteing

Balmain ss24/ look 8 Credits: Balmain
ss24/Launchmetrics Spotlight


Look 8: a black sharp shouldered tuxedo jacket over a pin dot
patterned blouse and pleated polka dotted full skirt; a black bag
embellished with flowers and red and black spectator pumps.


Daniel Del Core

Del Core ss24/ look 25 Credits: Del Core
ss24/Launchmetrics Spotlight


Look 25: a yellow midi length dress with detachable long sleeves and a
corseted waistband. Black strappy sandals completed the look.


Elie Saab

Elie Saab ss24/ look 2 Credits: Elie Saab
ss24/Launchmetrics Spotlight


Look 2: a white suit with black dots including a cropped jacket,
bandeau and midi skirt. The model wore black ankle strap platform
sandals and carried a basket weave handbag.


Versace

Versace ss24/ look 42 Credits: Versace
ss24/Launchmetrics Spotlight


Look 42: A cropped jacket in lemon and white checks with a mini skirt
in small checks of the same color. Accessories included lemon-colored
loafers, a handbag and sunglasses.


Alessandra Rich

Alessandra Rich ss24/ look 7 Credits: Alessandra
Rich ss24/Launchmetrics Spotlight


Look 7: an ivory fitted jacket and pencil skirt with side slit; black
Mary-Janes and pink satchel.



Precious cargo


JW Anderson

JW Anderson ss24/ look 7 Credits: JW Anderson
ss24/Launchmetrics Spotlight


Look 7: Olive khaki cargo pocket pants with a black leather hooded
moto jacket and crochet clogs.


Max Mara, designer, Ian Griffiths

Max Mara ss24/ look 31 Credits: Max Mara
ss24/Launchmetrics Spotlight


Look 31: a khaki all-in-one flight suit with multi-pockets, a brown
belt, cross body bag and strappy sandals.


Ottolinger: designers, Christa Bösch and Cosima Gadient

Ottolinger ss24/ look 13 Credits: Ottolinger
ss24/Launchmetrics Spotlight


Look 13: khaki low-slung cargo pocket pants with long under layers in
olive, a red and white bra top and a deconstructed jacket worn as a
scarf.

Undercover: designer Jun Takahashi

Undercover ss24/ look 22 Credits: Undercover
ss24/Launchmetrics Spotlight


Look 22: a pale green silk knit 3-button shirt with slit sleeves and
mauve silk cargo pocket pants. Earrings with a large stone and nude
vinyl platform sandals completed the look.

Victoria Tomas: designers, Victoria Feldman and Tomas Berzins

Victoria Thomas ss24/ look 13 Credits: Courtesy/
Victoria Thomas ss24


Look 13: a sleeveless shirt in olive khaki with tan collar and patch
pockets over a tan ruffled skirt with an olive peplum, long silver
earrings, brown ankle boots and an orange mini bag.


Nicky Zimmermann

Zimmermann ss24/ look 8 Credits: Zimmermann
ss24/Launchmetrics Spotlight


Look 8: a khaki wool blend shirt with patch pockets and a matching
pencil skirt with a slip, a cream belt, sheer lilac socks and patent
booties.



Clearly defined


Christian Dior: designer, Maria Grazia Chiuri

Dior ss24/ look 2 Credits: Dior ss24/Launchmetrics
Spotlight


Look 2: a black double-breasted wool blazer was belted and shown over
a white shirt and black sheer skirt. A single hoop earring, a black
bag and flats with ankle straps completed the look.


Erdem Moralioglu

Erdem ss24/ look 31 Credits: Erdem
ss24/Launchmetrics Spotlight


Look 31: a teal blue motorbike jacket with pink and silver trim and
fringe over a white shirt and a pink sheer skirt with embroidered
flowers. Accessories included pink satin slingbacks with large bows.


Ermanno Scervino

Scervino ss24/ look 22 Credits: Scervino
ss24/Launchmetrics Spotlight


Look 22: a camel-colored short sleeved sweater and sheer layered
skirt, both with crystal and sequin embellishment. Suede peep-toe
clogs and tortoise cat-eye sunglasses finished the look.


Louis Vuitton: designer, Nicolas Ghesquière

Louis Vuitton ss24/ look 2 Credits: Louis Vuitton
ss24/Launchmetrics Spotlight


Look 2: a leather yellow and brown blouson jacket and double layered
sheer chiffon skirt, a logoed belt, small satchel and pleated white
flats.


Prada: designer, Miuccia Prada and Raf Simons

Prada ss24/ look 14 Credits: Prada
ss24/Launchmetrics Spotlight


Look 14: an oversized denim jacket over a fringed blouse and a black
sheer skirt with a black belt and pointed toed shoes.


http://dlvr.it/SyMkjy

Item of the week: the belt bag

Karl Lagerfeld, Ted Baker and Desigual. Credits:
FashionUnited Marketplace.

What it is:



The belt bag as a concept has many origin stories. Also known as a ‘fanny
pack’, the piece’s first appearance, however, is typically considered to
have been about 5,000 years ago and was discovered on the body of a
mummified Ötzi. Fast forward to the 80s and, following a string of various
uses, it finally became a commercialised product, offering users
functionality and, only sometimes, style. It wasn’t until the mid-90s when
the look finally became a fashion hit in its own right, bolstered by Karl
Lagerfeld, who created his own take on the bag for Chanel.

Timberland. Credits: FashionUnited
Marketplace.

Why you’ll want it:



The belt bag is a continuation of the outerwear trend, which has seen
rising demand post-pandemic as consumers look to stretch their legs and
experience the great outdoors. This has naturally had a knock on effect in
fashion itself, seeing the fanny pack seep into the luxury category through
more refined, elevated iterations for the trend-led consumer who is looking
for a stylish yet functional bag type. And its two-way use certainly
delivers on these demands, providing an adaptive wardrobe addition that now
comes in a wider span of materials, patterns and shapes.

Adidas. Credits: FashionUnited
Marketplace.

Where we’ve seen it:



As the leather and accessories categories continue to bolster fashion
houses’ financials, it is clear that belt bags are among the pieces that
designers are banking on to cater to this demand. The likes of Givenchy and
Dion Lee adopted the look with multi-layered pockets and zip-up sections,
bulking out bags that spanned the wearer’s entire waistline. At Rains and
Proenza Schouler, however, styles were more subtle, with minimalist bags
attached to a pared down belt. While Craig Green offered up
multi-functional, cross-body bags that could also act as belts, Fendi took
this concept to the next level. Its wide-set interpretation came in the
form of an upscale crafting belt, with hooks and holders for all manners of
tools.

Burberry. Credits: FashionUnited
Marketplace.

How to style it:



To bring the belt bag into a more fashion-forward arena, pair a leather
iteration of the piece with tailored trousers, adding to the waist and
therefore utilising both of the bag’s functions. This can be tied together
with a loose-fit, short-sleeved shirt and sleek leather shoes for an outfit
that can work well both formally and in a more casual setting. If the belt
bag comes in a playful print or experimental materials, add it to a
streetwear-inspired look, pairing with cargo pants or wide-legged trousers
and a printed hoodie or t-shirt, alongside a set of sneakers.

Madewell. Credits: FashionUnited
Marketplace.

Functionality would seemingly take the reins when it comes to the belt bag,
however with its increased adoption in designer collections, it is clear
that this two-use accessory no longer falls into simply the outerwear
category. Despite the sometimes avant garde upgrades, however, the look has
sustained its useful purpose and therefore continues to appeal to the
masses.

Palladium. Credits: FashionUnited
Marketplace.



Similar items available for (pre)order can be found in the FashionUnited
Marketplace. You can
find them by clicking on this link.


http://dlvr.it/SyMkJS

Friday, November 3, 2023

First Look: Cristóbal Balenciaga drama series coming to Disney+

Still from ‘Cristóbal Balenciaga’ TV show Credits: Disney+/David Herranz



In Pictures


Streaming service Disney+ is bringing an original scripted drama series inspired by the life and legacy of iconic Spanish fashion designer Cristóbal Balenciaga in January 2024.


Hitting screens on January 19, the ‘Cristóbal Balenciaga’ will star Spanish actor Alberto San Juan in the role of the Spanish designer from Guetaria, who creators call “an enigmatic and extraordinarily talented man who defied the social conventions of the time and revolutionised the world of fashion”.


Still from ‘Cristóbal Balenciaga’ TV show Credits: Disney+/David Herranz



The drama will begin in 1937, the year the designer presented his first Parisian Haute Couture collection, charting his move to the French capital and leaving behind a successful career in his ateliers in Madrid and San Sebastian, dressing the Spanish elite and aristocracy.


Created by Lourdes Iglesias and 12-time Goya award winners Aitor Arregi, Jon Garaño and Jose Mari Goenaga, leading actor San Juan will be joined by an international cast, including Anna-Victoire Olivier as actress Audrey Hepburn, who was a client of the designer, Patrice Thibaud as Christian Dior, and Anouk Grinberg as Coco Chanel.


Still from ‘Cristóbal Balenciaga’ TV show Credits: Disney+/David Herranz



Still from ‘Cristóbal Balenciaga’ TV show Credits: Disney+/David Herranz



Still from ‘Cristóbal Balenciaga’ TV show Credits: Disney+/David Herranz



Still from ‘Cristóbal Balenciaga’ TV show Credits: Disney+/David Herranz



Still from ‘Cristóbal Balenciaga’ TV show Credits: Disney+/David Herranz


http://dlvr.it/SyKQj3

Blumarine names Walter Chiapponi as creative director

Walter Chiapponi, creative director at Blumarine Credits: Blumarine by Julia Von Der Heide



Italian luxury label Blumarine has appointed designer Walter Chiapponi as creative director following the departure of Nicola Brognano last month.


Chiapponi, who was creative director at Tod’s, departing the Italian luxury group in July, will present his first collection for Blumarine during Milan Fashion Week in February 2024.


The Milanese designer studied at the European Institute of Design and made his debut in the fashion world in the late 1990s with Alessandro Dell’Acqua. He has also collaborated with some of the most prestigious fashion brands, including Givenchy, Valentino, Gucci, Miu Miu, and Bottega Veneta.


Commenting on the appointment, Marco Marchi, sole director of Eccellenze Italiane, the holding company that owns Blumarine, said in a statement: “I am confident that Walter Chiapponi, with his internationally recognised talent and his fine stylistic sensibility will bring new energy to Blumarine while honouring the brand’s extraordinary heritage. I am proud to write a new and important chapter with Walter.”


Chiapponi added: “I am delighted to have been appointed creative director of an iconic Italian brand that has outlined over time an idea of femininity that is defined by lightness and creativity.


“The possibility of contributing to establishing a new phase for Blumarine is for me an opportunity to embrace new thrilling and important horizons, to expand my vision and to restore sense to artistic expression.”


http://dlvr.it/SyKQNW

Evercreatures parent company Astbury Collections acquired by Rouchette

Rouchette footwear Credits: Rouchette



UK-based Astbury Collections, which includes welly boot brand Evercreatures, has been acquired by French footwear company Rouchette.


Rouchette, which had previously been a supplier to Evercreatures, said that the purchase is part of its strategy to bolster its presence in the UK and it will “bring significant inward investment” of up to 500,000 pounds to the Lincolnshire-based business.


Tony Bailey, a co-director of Astbury Collections, will join Rouchette as its sales and marketing director in the UK, said in a statement: “This is a great deal for both brands. Rouchette wants to expand faster into the UK and approached us last year about a sale to use the infrastructure already in place. Now the deal has been completed, it will see considerable investment in new products, innovation, infrastructure and staff.


“For current UK customers, they will see the benefit with a new range of stock and new designs for Evercreatures. I am already engaged in talks with major retailers, predominantly garden centre chains, who are looking to secure stock in 2024.”


The acquisition marks the first overseas purchase for Rouchette, which is known for its robust rubber footwear for the garden, maritime and lifestyle sectors.


Commenting on the deal, Sébastien Rouchette, managing director and son of the founder, added: "I'm proud to announce our first overseas acquisition with the purchase of Astbury Collections and its flagship rain boot brand Evercreatures.


“It was quite natural for is to buy a well-known brand in the world of footwear. This is a new stage in the company’s life, which promises to be an exciting and extremely rewarding project.”


Evercreatures was founded in 2004 and offers eye-catching fashionable wellies for men, women and children as well as a range of accessories.


http://dlvr.it/SyKQ09

Searches for seasonal retail jobs highest in five years

High street Christmas Credits: Cath Kidston



Recent data from the global hiring and matching platform, Indeed, reveals a surge in searches for Christmas jobs, with a 31 percent increase compared to the same period last year. The heightened interest in Christmas employment is primarily driven by businesses gearing up for the festive season. Prominent retailers like New Look, River Island, The Perfume Shop, and H. Samuel are among the top ten companies witnessing substantial volumes of Christmas job hires.


These seasonal job searches are currently at the highest level since 2018, just 3 percent below the levels recorded in October 2018. The pressures of the cost of living may be a contributing factor fueling the increased interest among job seekers to secure Christmas employment, as individuals seek opportunities to bolster their income during the holiday season.


As of October 13, approximately 0.6 percent of all job postings on Indeed in the UK pertained to holiday jobs. Comparatively, this share of Christmas job listings is higher than the same period in 2022, when businesses were already actively hiring as the economy rebounded from the pandemic. However, these job postings are still below the levels observed from 2018 to 2021.


High street retailers are the driving force behind seasonal job postings, with the top ten businesses for seasonal job listings encompassing retailers specializing in homeware, cosmetics, perfume, jewellery and fashion.


Jack Kennedy, Senior UK Economist at Indeed, said in a statement: "Seasonal hiring ahead of the festive period is well underway. Recruitment for Christmas jobs typically begins in August, gains momentum through September and October, and peaks in November, well before Christmas festivities commence. This year's hiring efforts are stronger than the previous year but fall short of levels seen in the years preceding 2022. There is still time for these numbers to catch up; however, the current trend suggests that employers may be exercising caution due to economic uncertainty and expectations of sluggish economic growth. Nonetheless, the high interest among job seekers in seasonal positions is promising for employers seeking to fill these roles as seasonal hiring accelerates."


http://dlvr.it/SyKPck

Unilever Ventures and True Beauty Ventures invest in The 7 Virtues

The 7 Virtues hero perfume, Vanilla Woods Credits: The 7 Virtues



Unilever Ventures, the venture capital arm of the Unilever Group, has joined forces with US-based investment firm True Beauty Ventures to invest in clean fragrance pioneer The 7 Virtues for an undisclosed amount.


The joint investment marks the first time either company has invested in the fragrance category, with both Unilever Ventures and True Beauty Ventures stating the funds will be used to assist The 7 Virtues with opening a New York office to bolster its team and drive its global expansion with Sephora to create significant inventory “to keep up with the rapid demand”.


The two companies also added that they will help The 7 Virtues open a ‘Maison’ in Nova Scotia, Canada, where clients can come visit and create their own bespoke perfume with classics like Vanilla Woods and Cherry Ambition.


Commenting on the investment, Anna Ohlsson-Baskerville, partner at Unilever Ventures, said in a statement: "The 7 Virtues has cracked the code on creating long-lasting, perfumes using sustainable ingredients that their loyal customers love, along with their empowering and authentic story. Driven by its philosophy, The 7 Virtues is elevating from an exciting indie brand to a legacy brand and we're delighted to be a part of its growth journey."


The 7 Virtues fragrance products Credits: The 7 Virtues



The 7 Virtues was founded in Canada in 2010 by entrepreneur, author and activist Barb Stegemann and offers clean and sustainably sourced contemporary aromatherapy fragrances made with a high 22 percent fragrance oil concentration. Each scent is also cruelty-free, hypoallergenic, and free of phthalates, parabens, formaldehyde, and sulfates.


The 7 Virtues looking to drive global expansion following joint investment from Unilever Ventures and True Beauty Ventures




The fragrance brand is available via its own direct-to-consumer website, as well as at Sephora in 18 countries, including Canada, the US, the UK, Europe, Australia and New Zealand, and its global sales are currently outpacing the fragrance industry's growth with year-on-year revenue growth surging by more than 80 percent in FY 2023.


Rich Gersten, co-founder and partner at True Beauty Ventures, which specialises in scaling beauty and wellness brands, said: "When an indie brand like The 7 Virtues outpaces brands with million-dollar budgets, they prove the revenue potential is explosive with the right type of support, which we are excited to provide as this team takes The 7 Virtues to the next level.


“We were incredibly impressed by the brand's strong productivity in fragrance, due in part to the most innovative, authentic guerilla marketing tactics that resonate with clients."


The 7 Virtues - Cherry Ambition Credits: The 7 Virtues



Stegemann, chief executive of The 7 Virtues, who remains the majority shareholder, added: "We set out to change the world through fragrance, to sow the seeds of prosperity over conflict, and now our perfumes are peace. When Sephora took a chance on our little-known brand in 2018, they told us they loved that we take on serious world issues, but we don't take ourselves too seriously.


"Our goal to advance period equity as a means to build peace by empowering women at home and abroad and giving them back control over their reproductive rights is the path to lasting change."


http://dlvr.it/SyKPB1

Thursday, November 2, 2023

Why Bangladesh’s minimum wage demand of 23,000 taka is justified

Credits: Garment workers at the recent minimum wage protests in Bangladesh. Credits: Sommilito Garments Sramik Federation (SGSF)



Bangladesh has been in the news recently — minimum wage discussions have turned sour with enraged garment workers taking to the streets for the second week. Two workers have died and sentiments are flaring up on both sides. What is the issue?


While garment workers and their unions demand a minimum wage of 23,000 Bangladeshi taka (around 209 US dollars) - a figure unions agreed on unanimously in a historic first - the government’s wage board, comprised largely of garment factory owners, proposes a minimum wage of 10,400 taka (around 94 US dollars). The current minimum wage stands at 8,000 taka (almost 73 US dollars) and was last reviewed in 2018. Since then, Bangladesh’s annual inflation rate has been around 5.5 percent, with a spike in 2022 to 7.7 percent.


How was the proposed minimum wage calculated?




A recent press conference with garments workers and representatives of various labour organisations, organised by non-profit organisation Remake, shed light on how unions arrived at the figure.


Thirty-wo-year-old garment worker Jahanara Begum illustrated her earnings during her 18-year career as an operator in the swing sector for Ashiq Jeans Apparels Ltd., a member of the Bangladesh Garment Manufacturers and Exporters Association (BGMEA). When she joined, her wage was only 700 taka (6.35 US dollars) a month; over the years it has gradually increased to 11,700 taka (106 US dollars). She works 10 to 12 hours a day.


Her husband works 12 to 14 hours as a supervisor at a different garment factory and earns 18,000 taka a month, thus bringing the family income to 29,700 taka per month. The family consists of Jahanara and her husband, their children and their ageing parents. The list below shows how the income is spent:



* food: 19,000 taka

* children’s education: 7000 taka

* rent: 6,000 taka

* expenses for parents: 4,000 taka

* medicines: 1,000 taka

* Total: 37,000 taka






As the list shows, more than one full income is spent each month on food, followed by school fees for the children, rent, expenses for the parents and medicines that have to be taken regularly. Each month, the couple exceeds their budget by 7,300 taka without taking into account expenses for electricity, water and fuel. This money has to be borrowed from relatives or colleagues and re-borrowed to pay off these loans. It is a vicious cycle.


“Even after giving 18 years of my life to the garment industry, I could not save even 18,000 taka for the future,” is Begum’s sad conclusion. But that is not all - everyone’s health and especially hers is affected due to poor nutrition.


Food prices have risen




“Mainly due to the increase in food prices, it is not possible to ensure enough nutritious food for all members of the family. Due to lack of income, I am currently forced to reduce the amount of food I purchase. In order to meet the nutritional needs of the family, I am taking less food every day,” she adds.


The price for a kilogram of potatoes has risen from 30 taka to 70 taka in just one year; the price for a kilogram of onions even more dramatically from 50-60 taka to 130 taka.


When borrowing and further cutting essentials does not work anymore, the next step is to increase income by having those chip in who are currently in school: “If the salary is not increased, I will have to let my child engage in child labour instead of education to meet household expenses,” fears Begum.


Minimum wages in comparison




Bangladesh is the second largest RMG exporter after China, employing over 4.4 million workers, of which 70 percent are women. The country’s RMG sector accounts for over 80 percent of its total export earnings and contributes more than 11 percent to the national GDP.


In comparison, minimum wages in other garment-producing countries are higher, with Cambodia leading the way with 200 US dollars per month, followed by Vietnam with 192 US dollars, India with 165 US dollars, China with 161 US dollars and Pakistan with 110 US dollars.


The wage board decision was due today, 1st November 2023. FashionUnited will keep updating this article as further news come in.


http://dlvr.it/SyGxkh

Kurt Geiger sales and profits increase driven by record handbag sales

Kurt Geiger AW23 campaign Credits: Kurt Geiger



British footwear and accessories retailer Kurt Geiger, which this year celebrates its 60th anniversary, has reported a 31 percent increase in annual turnover to 329.5 million pounds, while EBITDA increased by 49 percent to 30 million pounds.


The strong growth was fuelled by global demand for affordable luxury, explains Kurt Geiger, as well as its continued international expansion and the record-breaking year for its handbags.


The retailer claimed that its handbag division had been a “huge driver for growth” in all markets, and handbag sales for the 12 months ending January 28, 2023, had risen to a record 91.6 million pounds, an uplift of 72 percent compared to the previous year.


Kurt Geiger AW23 campaign Credits: Kurt Geiger



Handbags were especially popular in the US, where they are now the brand’s best-selling category, while in the UK, handbags represent 50 percent of its UK sales.


Kurt Geiger has also added that growth is linked to the group evolving the brand into a full accessories brand, as in the last 18-month period, it has expanded into jewellery and swimwear.


The accessories brands' international expansion strategy has also led to significant increases in both turnover and brand recognition. This year, the company's wholesale turnover soared to 70.1 million pounds, marking a 62 percent year-on-year increase, while wholesale EBITDA more than doubled.


Kurt Geiger planning to open 6 stores in the US in 2024




Kurt Geiger, 272-274 Oxford Street Credits: Kurt Geiger / Hufton+Crow



Over the last year, the retailer has also opened 12 new stores in the UK, including its flagship store on London’s Oxford Street in September. The new concept store was envisioned by Kurt Geiger’s chief creative officer Rebecca Farrar-Hockley and brought to life by architect Stefano Ripoli, formerly of David Collins Studio to celebrate “London’s creativity and individuality”.


Kurt Geiger has also established itself with the US market and has become one of the fastest-growing accessories brands in North America, due to its presence in department stores such as Bloomingdale's, Nordstrom, and Dillard’s.


This year alone, US online sales increased by 171 percent year-on-year growth. To capitalise on growth, the footwear retailer is planning to open six new stores in the US over the next 12 months. These will add to the three stores it opened in Mexico with its local partner El Palacio de Hierro this year.


Kurt Geiger AW23 campaign Credits: Kurt Geiger



Kurt Geiger sales were uplifted by strong growth in handbags




Neil Clifford, chief executive of Kurt Geiger, said in a statement: "Our outstanding financial results this year are a testament to the hard work, dedication, and innovation of our entire Kurt Geiger family. We are celebrating our 60th anniversary this November and I am extremely proud of the exceptional growth we have achieved internationally this year, especially in North America, as we are now recognised as a truly global accessible luxury accessories brand.


“We firmly believe in bricks and mortar as the cornerstone of our omnichannel retail offering and following successful store openings across the UK and now North America, we will continue to open more stores in the US and across Europe in 2024.”


Kurt Geiger AW23 campaign Credits: Kurt Geiger



Kurt Geiger has more than 80 standalone shops across the UK and over 2,000 employees, as well as hundreds of locations in global department stores, including Bloomingdale's, Galleries Lafayette, El Corte Inglés, El Palacio de Hierro, Harrods, Selfridges, Dillard’s and Nordstrom. It also operates global e-commerce at kurtgeiger.com with a growing customer base across North America, Europe, the Middle East, China, and Australia.


Kurt Geiger AW23 campaign Credits: Kurt Geiger


http://dlvr.it/SyGxLW

The Fold launches collection with artist Sue Arrowsmith

The Fold x Sue Arrowsmith collection Credits: The Fold



In Pictures


British women’s tailoring brand The Fold has unveiled a limited-edition collection with contemporary British artist Sue Arrowsmith for autumn/winter 2023.


The six-piece capsule collection has been designed in-house at The Fold’s London atelier and offers dresses, blouses and suits crafted in luxury silk chiffons and jacquards woven in Lake Como, Italy, in a shimmering winter palette inspired by Arrowsmith's painting ‘Dance Through the Darkness’.


Commenting on the collection, Polly McMaster, founder and chief executive of The Fold, said in a statement: “We love to offer our customer beautiful, quality clothing to make her feel special and look her best, whatever the occasion.


“This unique collection that we’ve created with Sue Arrowsmith is no exception and I really believe our community will adore and treasure these limited-edition styles for years to come.”


The Fold x Sue Arrowsmith collection Credits: The Fold



Highlights include The Fold’s ‘Alvescot’ jacket reimagined in an intricate silver willow jacquard, styled with matching trousers for the full metallic suit effect, alongside a navy and gold jacquard midi dress and a floaty maxi dress in premium silk chiffon in a cobalt blue and gold willow pattern.


Arrowsmith added: “Going to The Fold’s family-run fabric mill in Lake Como was one of the most amazing experiences of my life. It was incredibly special to see my work woven into fabric on the loom, and I loved seeing how much care and detail goes into each piece. It’s been a privilege to work with such a talented team of designers to create a unique and beautiful capsule collection.”


The Fold x Sue Arrowsmith collection Credits: The Fold



The Fold launched in 2012 with a focus on women’s workwear and has since expanded to incorporate sophisticated and timeless occasionwear to “empower women to achieve their ambitions and feel their best for those big moments that matter the most”.


The Fold x Sue Arrowsmith collection is priced from 350 to 895 pounds and is available from the brand’s website and flagship London store in Chelsea.


The Fold x Sue Arrowsmith collection Credits: The Fold



The Fold x Sue Arrowsmith collection Credits: The Fold



The Fold x Sue Arrowsmith collection Credits: The Fold


http://dlvr.it/SyGwth

Kipling launches collaboration with Peanuts

Kipling x Peanuts collection Credits: Kipling



In Pictures


Bag and accessories brand Kipling has unveiled a collaboration with Peanuts, featuring the much-loved comic strip’s cartoon pup Snoopy.


The collaboration includes a selection of nine bags, from mini styles to backpacks and totes crafted in denim-look fabrications, featuring the distinctive hand-drawn style of legendary creator Charles M Schulz, who first penned Peanuts in 1950.


The Kipling x Peanuts collection includes a mix of Kipling styles, including the cross-body 'Gabbie Mini,' 'Elvin' and 'Riri,' a miniature version of its 'Bina,' the 'City Pack' backpack, and a ‘Red Roof Bag’ inspired by Snoopy’s doghouse.


There are also two tote styles, the Merita and the Art M Pet Bag, which comes with the angled opening, waterproof lining and padded bottom for people who wish to carry their own dogs with them.


Kipling x Peanuts collection Credits: Kipling



Each bag also features a detailed silver Kipling logo alongside a silicon posed Snoopy on the outside and a bright red interior lining. The collaboration also includes Kipling’s monkey charm wearing a red sweater and sunglasses in the style of Snoopy’s Joe Cool persona.


The Kipling x Peanuts collection is available globally from Kipling.com, with prices ranging from 78 to 146 pounds.


Kipling x Peanuts collection Credits: Kipling



Kipling x Peanuts collection Credits: Kipling


http://dlvr.it/SyGwVG

New Fashion For Good exhibition centres work by students and emerging designers

In Pictures

Official poster of the Fashion for Good 'News from the
Future; exhibition designed by Sara Sara Biatchinyi. Credits: Courtesy
of Fashion for Good.

The Fashion For Good Museum in Amsterdam has opened a new exhibition
featuring Dutch fashion students and emerging designers.



The exhibition, entitled ‘News from the Future’ showcases different
answers to the question: ‘what could the future of fashion look like?’.

Dutch fashion students from institutions across the Netherlands,
including the University of the Arts Utrecht, Zadkine MBO, MBO Rijnland and
Saxion College were invited to reflect on this question and similar
questions as the industry faces the mounting challenges of post-consumer
waste, overconsumption, pollution of the waterways, and increasingly
unstable weather conditions.



At Fashion for Good’s new exposition, each of the young designer’s
vision of ‘what the future of fashion could look like’ comes to life
through garments, videos, installations and more.

Pepijn Jonkhans, Ricky van der Zandt, Manuel van Sijl, Lotte
Beaart(Recognize the Reconstruct)- News from the future. Credits: Photo
by Elzo Bonam for Fashion for Good Museum.Soof Stoop (Netjes) - News



‘Classroom of the future: the stories behind cotton’





Fashion students from across the country also participated in the
educational programme ‘Classroom of the future: the stories behind cotton’.
It was developed by the curator of the Fashion For Good Museum, education
coordinator Alyxandra Westwood and education and fashion consultant in
sustainability Yophi Ignacia, in collaboration with the schools mentioned
above.



Fashion for Good and the partner institutions in the project made a
selection of designs by the students who participated in this programme,
which formed a part of and was based on the museum’s previous exhibition
‘Knowing cotton otherwise’.



The aim of this programme was to “challenge the segregated Dutch
education system” ,“levelling the field between vocational education
students and higher vocational education students” by having them work
together side by side.



‘Classroom of the future: the stories behind cotton’ is available for
download as “an open source toolkit for students in vocational education,
[known as MBO in the Netherlands], and higher vocational education[, known
as HBO] from the museum website and “consists of a set of six lessons all
exploring the various aspects of cotton with specific emphasis on people
and the planet,”the press release about the new exhibition reads.



Through the educational programme, its curators show the perspective of
local and international creators and innovators working towards a better
and fairer fashion system through the use of a variety of interactive
educational tools such as videos, podcasts and workshops.

Zoë Zinhagel (Dune) - News from the future. Credits:
Photo by Elzo Bonam for Fashion for Good Museum.

The exhibition ‘News from the Future’ places a clear emphasis on
emerging fashion talent. The “look and feel” of News from the Future has
been designed by upcoming graphic designer Sara Biatchinyi, as per the
press release.



As another example of facilitating the connection of emerging fashion
talent, Fashion For Good invited interdisciplinary jewellery platform and
magazine Current Obsession to co-curate an installation that aims to
address the “sustainable and regenerative design practices in both the
fashion and jewellery industries,” as stated in the release.



Apart from the jewellery installation, which will be updated weekly, the
exhibition will also highlight emerging talent through an art auction and a
panel discussion on the future of jewellery.



In addition, designer Kevin Paraiso is showcasing a creative workshop at
the Fashion for Good Museum featuring looks from his future-forward and
sustainable ‘Cosmic Summer Dolkrey’ collection. The collection, which
Paraiso presented at Paris Fashion Week SS23, uses vibrant colours with the
aim of uplifting the fashion of today and tomorrow.

(Dolkrey) Cosmic Summer by Kevin Paraiso - News from the
future. Credits: Photo by Elzo Bonam for Fashion For Good
Museum.

News from the Future at Amsterdam’s Fashion For Good is open to the
public since Saturday, October 27 2023.


http://dlvr.it/SyGw3S

Tuesday, October 31, 2023

Paul & Shark claims new website uses less energy to display pages

Paul & Shark launch eco-view website Credits: Paul & Shark



Websites, once deemed innocuous, have emerged as surprising sources of energy consumption and CO2 emissions. British fashion brand Paul & Shark haven introduced a more environmentally friendly iteration of its online store, utilising innovative techniques to reduce its CO2e equivalent emissions by 21 percent, despite a 20 percent surge in website traffic.


The company said the digital transformation aligns with its broader sustainability ambitions, as the brand seeks to rejuvenate its image through a global communication strategy. The "eco view website" initiative from Paul & Shark constitutes a pioneering endeavor within the fashion industry, the brand said in a statement. It commenced with an analysis to gauge the emissions stemming from the brand's previous website, followed by rigorous assessments conducted by Karma Metrix.


The substantial reduction in CO2 equivalent emissions is primarily attributed to the integration of an "eco-view" feature, which economizes on energy while rendering webpage content. The company said measures have been taken to streamline image and video uploads, a practice that traditionally consumes additional energy and hampers response times, which will now be optimised through this methodology.


From an aesthetic standpoint, the redesigned website seeks to enhance the user experience, immersing visitors in the brand's ethos. The outcome is a visually impactful and engaging interface featuring full-screen images and a layout reminiscent of social media platforms. The entire collection is readily accessible, allowing users to delve into product details with a single click.


As per "Lean ICT: Toward Digital Sobriety," a report by The Shift Project, the internet and digital technology were responsible for 3.7 percent of greenhouse gas (GHG) emissions in 2018, a figure akin to the global aviation industry, and that is set to double by 2025.


For best practice, sustainable websites would operate on renewable energy sources while minimising energy consumption. Furthermore, they adhere to ethical principles, provide value, and refrain from exploitative practices.


http://dlvr.it/Sy9t4n

London streetwear brand Unknown sees 175,000 waitlist for latest drop

Unknown London AW23 second drop Credits: Unknown London



Emerging streetwear brand Unknown London launched its AW23 collection on Sunday, after it confirmed it had a waiting list over 175,000 customers.


This is the brand’s second release of the season, which the company said it aims to reshape the UK streetwear landscape with their "controlled chaos" inspired AW23 collection, consisting of 21 unique pieces. With timed drops the brand hopes to keep its releases fresh and exclusive, maintaining consumer interest. In a statement Unknown said it chose to shoot its limited edition 21-piece collection in the world of "motocross," using stunt models and a variety of undisclosed locations.


The British streetwear brand emerged from a creative partnership of Joe Granger and Callum Vineer in 2015. Despite lacking formal fashion backgrounds, both Granger and Vineer established the label in response to emerging micro-trends and local demand. Their brand has since grown exponentially, guided by instinct and intuition, and is now stocked in exclusive retailers across multiple continents.


Speaking to their fanbase, the company has fostered a dedicated shopper that eagerly anticipates each new collection release.


Co-founder Callum Vineer said in an interview with Complex: We started Unknown because we wanted to make clothes that represented us and what we wanted to wear. We then started selling clothes to friends, and as word got out about the brand, sales started picking up.”


Products are competitively priced, with puffer jackets retailing for 195 pounds and t-shirts starting at 48 pounds.


http://dlvr.it/Sy9syf

Outdoor shoe brand Lowa celebrates 100th anniversary, presents record figures again

Lowa shoes being made at its factory in Slovakia. Credits: © Lowa / Kerstin Rysavy



German outdoor shoe specialist Lowa has a lot to celebrate this year: in addition to the company's 100th anniversary -- which will be celebrated at an Alpine location at the end of August with several thousand consumers -- the heritage company can also present excellent financial results and a positive outlook.


A hundred years is a long time for a company, and not everything has always been rosy. Lowa has experienced many crises and has been close to bankruptcy, for example when the company was sold in 1992 to the Italian Tecnica Group, whose ski brands include Nordica and the famous Moonboots. Since then, Lowa has given up its own ski boot production and focuses exclusively on mountain boots.


Steady growth for more than 30 years




”For the last 30 years, we have had almost continuous growth,” said executive director Alexander Nicolai, who has been steering the company's fortunes alongside Lowa veteran and partner Werner Riethmann since 2019. “In 2000, we cracked the million mark for number of pairs of shoes sold for the first time, and since 2021 we have been at over three million pairs,” added Nicolai. For the anniversary year, he expects Lowa to sell around 3.5 million pairs of shoes.


This growth is also reflected in the sales figures: the Lowa Group including its subsidiaries in Austria and Switzerland had another record year in 2022, generating sales of 235.7 million euros. In 2021, it was 229.3 million euros and an increase in turnover of 23 percent. In 2023, Nicolai wants to reach a turnover of around 265 million euros, so the next record is already in sight.


Alexander Nicolai has been Lowa’s executive director since 2019. Image: Lowa



Challenge ahead: expanding capacity




The outdoor boom has spurred on growth that has been going strong for years and was recently fuelled by the pandemic. Although Lowa's sales initially slumped, they then rose all the faster. In particular, the multifunctional footwear segment, on which Lowa focused early on, developed very well.


However, the current growth is based less on demand than on the company's own production capacities because the turnover and the number of shoes produced could have been even higher. “We could have taken even more orders, but at the moment we have reached capacity.” This has become apparent in recent years, which is why the company, which still partly produces its mountain boots at its headquarters in Jetzendorf, has repeatedly invested in expanding its capacity. In 2019, for example, the takeover of its long-standing Italian production partner Riko Sport included a production plant in Slovakia, and the optimisation of the processes there through the purchase of new machines.


Tapping into new segments and younger target groups




With the outdoor boom, the target group has changed. “Outdoor has become broader since the pandemic,” said Nicolai, “and these new consumers are looking for different products today. Young outdoor newcomers in particular are used to the comfort of sneakers and have a hard time with the traditionally sturdy mountain shoes." The company also wants to move forward in terms of design, which is why it has also increased the number of its staff members in the design department.


Lowa’s new trail running collection. Image: © Lowa / Matthias Paintner



Lowa is also venturing into a new segment: trail running. “Trail running is the fastest growing category in the market,” stated Nicolai. “Here we've applied all the features we've learned from mountain sports and incorporated them into a new product that appeals to a new, younger target group.” The focus markets for this are the DACH region, the USA and selected dealers who fit this target group.


However, these measures do not mean that Lowa has forgotten its roots. True Lowa classics, such as the 'Renegade’ shoe, which has been produced for decades and which alone accounts for about 25 to 30 percent of pairs sold, will of course remain part of the range. “Leather shoes are stable,” according to Nicolai, “but growth comes from new, lighter models.”


Lowa’s successful model ‘Renegade’ celebrated its 25th anniversary in 2022. By then, it had been sold a total of 12 million times. Image: Lowa



New generation launches in Austria and Switzerland




The anniversary year is also a turning point in terms of human resources at Lowa, at least this is true for the branches in Austria and Switzerland, whose long-standing managing directors are retiring. At the Swiss Lowa Schuhe AG in Matten near Interlaken, Christian Zingg succeeds René Urfer, who managed the branch in Switzerland for 22 years.


Something similar is happening in Austria: there, Alexander Würtinger is now taking over the management of Lowa Sportschuhe GmbH from his father Günter Würtinger, who ran the company in St. Martin im Innkreis in Upper Austria for almost 40 years.


Sustainability strategy to be presented in autumn




What goals is Lowa pursuing in terms of sustainability? After all, Lowa produces exclusively in Germany and Europe, which are good prerequisites for responsible production. Durability has always been a focus for Lowa shoes. When we visited the factory in Jetzendorf, we could see about a hundred pairs of shoes that consumers had sent in for repair. Many of them obviously had many years of use behind them. Lowa has been offering the option of having shoes repaired for many years and is observing an increasing demand here. In 2022, the company repaired about 18,000 shoes. Lowa neither does nor wants to make money on this, “we do it at cost price,” explainedd Nicolai. After all, a new insole costs 100 euros, and both insole and laces are replaced. There's probably not much more room for improvement.


Used shoes waiting to be repaired at the Lowa factory in Jetzendorf. Image: Regina Henkel / FashionUnited



The cooperation with Hohenstein and the Fair Wear Foundation is also new: In April 2023, the Lowa model Lady Light Gtx became the first shoe ever to be certified with the Oeko-Tex Leather Standard by the Hohenstein Institute. Lowa has also been a member of the Fair Wear Foundation since 2023. “Sustainability has always played an important role for us,” said Nicolai, “but now, for the first time, we will incorporate our goals into a sustainability strategy.” This will be presented later this year.


This article was originally published on
http://FashionUnited.de . Edited and translated by Simone Preuss.


http://dlvr.it/Sy9sn4

Jonathan Marc Stein's unconventional ascent to fame

Interview


Jonathan Marc Stein, LA-based designer and stylist Credits: Grayson Thomas



Attending fashion school offers emerging designers a solid platform to explore design techniques, learn basic methods, and master essential skills. However, it's not the sole pathway to success in the fashion industry. In fact, some of the most celebrated fashion designers in history never set foot in a design school.


Ready to follow in the footsteps of visionary designers from Karl Lagerfeld to Giorgio Armani and Manolo Blahnik, 28-year-old Los Angeles-based designer and stylist Jonathan Marc Stein did not attend design school - at least not fashion design. When watching an Alexander McQueen runway show from the 1990s before class while studying for a degree in Mechanical Engineering, he felt a calling to pursue this creative interest and has never looked back.


Credits: JMS



Launching his eponymous brand in 2017, Jonathan has risen as a pivotal upcoming designer, blending elegance with a cutting-edge flair in his couture designs. Featured in Harper’s Bazaar, L’Officiel, and Cosmopolitan, his designs have been worn by celebrities like Mackenzie Ziegler and Laura Marano for major events, and he has showcased his collections at international Fashion Weeks.


FashionUnited caught up with the young designer following the launch of his Autumn/Winter 2023 collection to learn more about his rise to fame, being self-taught, and building a brand.


When did you first realize that you wanted to be a fashion designer?




JMS: I felt like I had no choice but to be an engineer. It was either become a doctor, a lawyer, or an engineer. So I went to engineering school. It was during my sophomore year that I was waiting for one of my classes to start and was scrolling on YouTube to pass the time. I came across a 1997 Alexander McQueen runway show, and it really hit me. I was always interested in art. I used to paint, I used to sketch, and the artistic side of the show really inspired me to teach myself how to sew. From then on, in between classes, I would sew, and I would go fabric shopping and make clothes. A year later, I was invited to show at Columbus Fashion Week and everything kind of just snowballed from there.


How does your engineering background influence or shape your design approach?




JMS: Many people are surprised by the correlation between the two, but there are so many similarities. There's actually so much math involved when it comes to fashion design. Maths is key for precise measurements, ensuring the perfect fit. Moreover, you can't ignore or defy physics - the fabric's weight and structure must be balanced. For instance, if I'm designing a heavy 100-pound bust, the right material combination is essential to ensure it's supportive, well-fitting, and aesthetically pleasing.


JMS Event Credits: JMS



What are some of the challenges and advantages of being a self-taught fashion designer?




That's a hard question. Although I lack the technical foundation of formal fashion design training and missed out on lessons about fabrics, garment structure, and pattern making, it does offer a unique advantage. I think that gave me a creative edge that I may not have developed otherwise. Similar to solving a math problem differently in high school but still arriving at the right answer, my lack of traditional training allows me to innovate. Through trial and error, I devise my own methods, creating beautiful pieces without relying on conventional techniques.


However, my non-traditional fashion background means I am constantly learning from scratch. I've had to learn each technical detail, from stitching methods to using boning for structure, by myself. While I figured out everything on my own, the disadvantage is the time invested in self-learning and experimenting.


What are some of the foundational elements that define your women's and men's wear collections?




When creating collections in my studio, the process and outcome often change from season to season. However, my style has evolved to the point where all collections have common elements. Leather has always been my favorite medium to work with and is prevalent throughout all of the collections that I create. I often utilize metallic hardware, which can include buckles, chains, studs, and ornamental zippers, to name a few. I even combine these components into many of the garments that I make. I find it beautiful to pair these edgy and structured materials with more delicate and feminine ones such as flowy silks, sheer tulle, or even organza.


Credits: JMS



What makes leather your favorite medium for fashion?




I think that leather is one of the very few materials that can take on so many different forms. It's so versatile it can be robust and thick or feminine and delicate, unlike silks, which lean towards being flowy and soft. While suiting has fabric limitations, leather effortlessly straddles between being pretty, edgy, delicate, and structured, which is one of my favorite things about it.


How do you balance your use of leather with current views on sustainability?




Of course, balancing sustainability and my love for leather can be tricky. While vegan leather, often plastic-based, lacks durability and is environmentally challenging, I've partnered with an ethical supplier. They source leather as byproducts of the meat industry, ensuring it doesn't go to waste. With environmental certifications, they utilize 100 percent recycled water, have a minimal carbon footprint, and rely on 90 percent solar power. Given the fashion industry's significant global waste, this approach feels most responsible currently, though I'm considering future alternatives to maintain this balance in my collections.


My recent AW 2023 collection features my smallest carbon footprint to date. I utilized 80-90 percent recycled or deadstock fabrics. Patterns, like the one in the DAN/IEL jacket, are designed to minimize waste. The designs are blocky, avoiding darts, resulting in minimal scraps, which I repurpose. All metal hardware is recycled, and transportation was carried out exclusively via electric vehicles. I'm committed to making these small adjustments to drive industry-wide change.


JMS FW23 runway show Credits: JMS



Looking back, how would you say your design style has evolved over the years?




There's a huge difference between the first collection I ever made and now. My first collection was not great, to say the least. But, I was still learning and finding my own personal sense of style while figuring out what I wanted my brand to become. Back then, I would emulate other brands and test new designs. Eventually, it evolved into the brand it is today. But one of the main differences between the first and current collection is probably that I am taking far more fashion risks now. I am taking my own style and pushing it to the max, being more daring, more sophisticated, and more me.


Where do you see your brand within the LA fashion scene?




Los Angeles fashion has always contrasted with that of other cities. It often materializes in the form of glam and shine with a facet of edge. I feel that this is often what I produce within my studio and put onto the runway. I chose to set up my brand in LA because this is where it all happens: the stars, the red carpets, and the flashy events. I have proven myself to be able to produce beautiful luxury clothing that can be worn on the red carpet amongst the stars but also dazzle on the runway.


Credits: JMS



What are three of the biggest moments in your career as a fashion designer to date?




The first moment has to be my first LA Fashion Week show. It was a crash course in industry basics and staging a runway show, which is one big brand advertisement for your brand. It was important for me to showcase my style and thematic integration. This experience paved the way for my NYFW show, which landed me several major clients, marking another milestone in my design career.


The second moment was my first big client and the subsequent moment of recognition I received. I worked with Lauren Morano, dressing her in a blue-purple sequin dress, which she wore unknown to me, to an HBO Emmy after-party in 2018. Not only was it my first major client, but it was also my first big moment of recognition as she earned a spot on Cosmopolitan's Best-Dressed list. Beyond personal fulfillment, it was affirming to see my designs resonate with others. For me, design is about balancing business success with the joy and artistry of the journey.


Number three would be my first international show at Arab Fashion Week in Dubai. Not only was it an opportunity to show my designs on a global platform, but I also won the Golden Forever Rose Award. I beat other major designers like Valentino for the award, which made me feel like I had earned my place at the table.


Looking forward, where would you like to see JMS in the next five years?




I hope to continue forward with what I am doing and support the constant evolution of my brand, my style, and my technical skills. I want to become a household name and expand internationally. I'd like to show at leading international fashion weeks, such as Paris, Milan and London.


However, I think the biggest aspiration I have within the next five years is having my brand become a household name. Having my work recognized on an internationa scale in this manner would definitely be an achievement.


http://dlvr.it/Sy9sgK

Monday, October 30, 2023

Inside independent retail: What it takes to run a fashion store

LONG READ


Dutch independent retailer Mulder Mode. Credit: Mulder Mode



There are various types of fashion stores. We use the term retailers to broadly refer to all those who sell clothing to consumers.


Retailers include chains such as Scotch & Soda, H&M and Zara, as well as department stores such as John Lewis, Harvey Nichols and Selfridges. However, the term retailers also refers to independent retailers - entrepreneurs with one or more of their own fashion stores. In this article, we will focus on the latter, independent retailers.


FashionUnited dives into what an independent retailer is, what the added value of a physical store is and what is involved in running a clothing store. In the final paragraphs of this background article, we will focus on the buying and sales process of independent retailers.


Contents





* What is an independent retailer?

* The added value of independent store owners

* What is involved in running a fashion store?

* More about the buying process of independent retailers

* More about the sales process of independent retailers

* Visual: this is what a retailer works on monthly





1. Independent shopkeeper/retailer

An independent retailer is a trader who sells [fashion] products to consumers. They buy clothing from suppliers, which are fashion brands, or their representatives such as an agent. The independent retailer sells clothing from various clothing brands in their store - this is called a multibrand store in the sector.


Target group and (price) segmentation




An independent retailer offers a range of shops for its own unique target group. That target group is determined by style, age, location, budget or a combination of these.


The retailer often chooses a clear segment. In fashion, retailers segment by fashion style - think very trendy or very classic. They can also segment in terms of specific needs, such as casual clothing, specific sportswear, work attire, or party clothing.. Almost all clothing stores also segment based on price to capture a specific consumer.


In the fashion industry we distinguish five price segments:



* Mass market or budget tier: Primark and New Look

* Low-middle market: H&M and M&S

* Middle market: Black and White Denim in Wilmslow, Cheshire, COS, &Other Stories

* Mid-high market: Flannels, Our Daily Edit in Brighton, The Hambledon in Winchester, Reiss, Joseph and Diesel

* Premium or high-end: Independents like The Place in Mayfair, London and Cricket in Liverpool, as well as Liberty’s, MatchesFashion, Browns and Selfridges or fashion stores Karl Lagerfeld, Coach and Michael Kors. Also consider luxury brands such as Gucci, Prada and Bottega Veneta. Designer labels are also referred to as high-end fashion, indicating a higher price level.




Fashion mini department store The Dressing Room in St Albans is in the mid-high segment, offering an edit of more than 100 brands, such as Lily and Lionel, Essentiel Antwerp and Hayley Menzies, alongside premium brands such as Citizens of Humanity, Paige and Veja.
Other examples of independent retailers are Kiti in Cardiff, which is owned by Gwenno Penrhyn and stocks Scandi and LA brands like Anine Bing, Ganni and Stine Goya; Maze, a family-run independent with two stores in Clifton, Bristol, offering menswear, womenswear, and homewares from both established and local designers; and The Clever Dresser in Sevenoaks, Kent offering sought after designer pieces, including Alice + Olivia, Ba&sh, Bella Dahl, Birgette Herskind, Chinti & Parker, Diana von Furstenberg, Isabel Marant Étoile, Penelope Chilvers, Rebecca Taylor, and Vince.




2. Unique value proposition




What is the added value of independent retailers?




An independent retailer is important for the high street, neighbourhood, or city. They make shopping areas and/or the city centre more lively, more diverse and build communities because they often have their own unique proposition and character, compared to well-known retail chains, where the branches can feel more uniform and impersonal.


The uniqueness of an independent retailer is formed by, among other things, the target group and segmentation (see paragraph 1), the visual marketing (all efforts to show the customer the face of the store, from the product presentation to the chosen furniture, to the layout of the newsletters), the core values of the retailer and team, and of course personality and service.


That personality and service, which has a high focus on customer experience, often results in repeat customers for independent retailers. Marion and John Mulder from Mulder Mode, an independent family-run Dutch retailer located in Waddinxveen, South-Holland, The Netherlands, which sells more than 50 mid-high-end fashion brands for women and men, is a prime example of this. The fashion store has many regular customers from the region, but also regularly sees new visitors. “Yesterday someone happened to be from Stolwijk (a village 17 kilometres away),” when speaking to FashionUnited. “We really benefit from shoppers who become brand ambassadors and who spread the word,” added John, and that is why staffing is so important, the store owners said. “Besides us, they are the face of the store. Your staff must be enthusiastic and radiate that, and offer the service that the customer is looking for.”


The text continues below the photo


Image: John and Marion Mulder. Property: Mulder Mode



3. What is involved in running a fashion store?




The work of a shop owner is very versatile. Self-employed entrepreneurs are responsible for everything that comes with running a store. They manage the daily affairs of their company, both in front of and behind the scenes. They are there for the customers and the staff, and keep track of the administration and finances of their clothing store. The duties include making buying decisions (e.g. about buying in paragraph 4), sales (more about sales in paragraph 5), management, marketing, and of course matters such as making business plans and policies.


“Being an independent retailer is extremely diverse, and there is always something to do,” said Marion and John Mulder. “Sometimes we think in the morning, I don't know what I’ll be busy doing today, but before the doors open, there is something that requires our attention,” the entrepreneurs said with a smile. They also say this dynamic nature of the job is the best thing about their profession. “You are not just a salesperson, an administrator, or a personnel manager,” John explains. “And when you get tired of the sales, you start buying again. It is constantly moving.”


At the same time, the variety of tasks is also the biggest challenge. “We’re always looking at where we can improve and we also spend a lot of time working with our customers. On the shop floor itself - 'we are really shop people' - but also how we can reach them, for example with advertisements, newsletters and on Facebook.”


The window dresser comes every three weeks, and the store is turned around just as often, “to continually present the customer with something new”. John said that when the company closes its doors during work hours when the weather gets colder amid rising energy costs, the retailer wants to make it clear to its customers it is indeed open for business. “We try to look for things that are more original than simple decorations like planters or sidewalk signs,” he said.


When FashionUnited spoke to the Dutch retailer, John said he was busy with rent negotiations amid high inflation and energy costs. While Marion was working on salary increases for 2023 at the time of the interview. “We have already decided that we will make a salary increase because we want to retain our people. There are stores around here that have lost their entire workforce. After all, the fashion industry is not the most profitable industry. We are now happy with our six employees, we have a well-rounded team. Beyond the salary, we are considering how we can enhance their experience with us. For instance, we're thinking of giving them opportunities to accompany us during the buying process.


The text continues below the photo


Image: Mulder Mode



4. Buying from independent retailers




Retailers order garments from the collections of fashion brands. Buying is often done by appointment, in the showroom of the fashion brand, via its wholesale agent, or in the store of the independent retailer when a representative of the fashion brand visits.


Every fashion season, at least two to four times a year, the independent retailer goes on a buying spree. Men’s and women's clothing retailer Mulder Mode sells about 50 clothing brands, so you can imagine that there are many buying appointments.


But, first things first. An independent retailer has to approach the fashion brand. The retailer may want to sell the fashion brand in its store(s), but the label must also want to do business with the retailer. Of course, fashion brands are selective when it comes to the number of (wholesale) points of sale and which retailers sell their fashion collections.


Fashion brands look at the store’s reputation and location, among other things. For example, a fashion brand may want to have only one point of sale in a certain place or area. They also look at other brands in the retailer's range: do they reinforce each other and/or do they fit well next to each other. Often, the retailer must also comply with the brand's buying conditions. For instance, a fashion brand may set a minimum order value or minimum purchase quantity.


Once they have signed an agreement with a brand - the retailer can sell its products


Ordering/buying clothes - how does it work?




A fashion collection is a selection of clothes and accessories that are released together and fit together in style/theme/season. The items from the collection are usually for sale in different designs, in various colours, fabrics and/or prints. These are called styles. An average clothing brand that operates in wholesale and retail can have as many as 450 styles per season.



Retailers make their product selection for their stores based on sample garments, which serve as a prototype collection. (This is because the actual production of garments occurs after customer orders have been placed). In the purchasing process, these sample garments are physically displayed on racks and hangers for buyers to inspect and choose from. As clothing is a tactile product, the sense of touch is very important. It is nice to be able to see and feel the garment to know its texture and how the fabric falls or drapes, and see the colours and fabrics in person.



Independent retailers or their buyers have the flexibility to select different colour and fabric variations that may differ from the sampled garments. Additionally, they are responsible for deciding the specific sizes for the chosen styles and determining the quantities needed for each size. In essence, there are numerous decisions involved in this process.


When an independent retailer decides not to stock a particular fashion brand, it's often based on prior sales history and a deep understanding of their clientele's preferences.


Prior knowledge




Through direct contact with the customer, the independent retailer knows what their customer likes. “We are in the store all day, so we know what our customer wants. When buying, we always have a number of our customers in mind,” says Marion. “Some brands have never been to our store and then say during buying agreements, yes this [product] is good. And then I say, ‘yes, but not for our customer'. Our customer wants classic from one brand, and trendy from another brand,” she illustrates.


In addition, a retailer’s sales history also tells them what is selling well and what is not. The owners of Mulder Mode say their buying decisions are largely based on numbers. “Sell through, margin, return, we calculate all that with the help of retail service organisation EK Fashion (formerly Euretco),” says Marion. "We look at how each fashion brand is doing and, based on the analyses, also decide from whom we want to buy less or more next season," John adds. "You can't buy without numbers," he ponders aloud, "although I hear it happens quite a lot." Indeed, in the fashion sector, retailers also often buy based on feeling.


The purchase usually involves significant amounts of money




Suppose the retailer wants to purchase a jacket from a fashion brand from the medium-high (price) segment. The jacket costs 200 euros, which is the wholesale price - or the price that the retailer pays to the fashion brand. This wholesale price is made up of production costs, but also transport, insurance, import costs and the margin for the fashion brand - or the money the brand earns from selling this garment to the retailer (We explain that in this background story, paragraph 5 ).


The independent retailer writes the following order:





XS
S
M
L
XL


1
2
3
2
1






So he buys a total of 9 coats for 200 euros. The retailer pays 1,800 euros for offering one coat in his store. If he wants to sell the coat not only in black but also in camel, for example, he has to invest 3,600 euros.


Retailers can easily spend 5,000 - 20,000 euros per season at one fashion brand when they sell tops, knitwear, jackets, trousers, jeans and matching accessories in different colours and sizes. Now that you know that retailers sell several fashion brands, you can understand that amounts of hundreds of thousands of euros are involved per fashion season. In addition, retailers must pay their store rent and staff salaries, and above all ensure that the clothing is purchased by their customers. (More about the sales process of independent retailers in paragraph 5 of this article).
When does buying take place?


Exhibitions are the starting point for each new season




At the time of the interview in November 2022, sales of winter 2022 collections were in full swing and the buying season for autumn/winter 2023 (FW23) was just around the corner.


Mulder Mode uses trade shows to kick off the new season, and plans its buying appointments afterwards. “When I go shopping, I will look at what has been purchased, how much turnover has been generated and what has been earned. That information combined gives you a realistic picture,” John Mulder explains.


In addition, the store owners on the trade show floor can get an overview of what is on offer in one comprehensive place, adds Marion. “You can see and hear how the brands are doing. I can see who has good jackets and who has good sweaters. And if everyone offers orange in the collection, I decide where to buy that colour and from which clothing brands I choose other shades.”


The buying season for retailers




Traditionally, there are two seasons in fashion, namely spring/summer and autumn/winter.


Spring/Summer (S/S)



* In May/June, retailers work on their buying plan and budget for the summer of the following year.

* The summer editions of trade shows take place in July/August.

* Buying of the summer collections usually takes place in July, August and September. For example, orders for SS24 were placed in July, August and September 2023.






Autumn/Winter (A/W)



* In November/December retailers work on their budget for the winter of the following year.

* The winter editions of trade shows take place in January/February.

* Buying of the autumn/winter collection usually takes place in January, February and March. For example, orders for AW23 were placed in January, February and March 2023.






5. The independent retailer: everything about selling clothing to consumers




The sales calendar




The spring/summer collections are usually delivered to stores between January and March/April and are available for purchase until July. The autumn/winter collections are usually delivered between July and September and are available for purchase until December.


Summer sales are often from mid-June to July or August, and winter sales are often from Christmas to January or February.


Aim for a 70 percent sell-through rate




Retailers aim to sell 70 percent of their collection for the full price before sales initiatives start. If the retailer has sold 70 percent of his purchased collection to the consumer at full price - i.e. without discount promotions - then the retailer is doing exceptionally well.


Why? Retailers only have a certain number of weeks/months during the fashion season before the clearance sale starts. This is the period in which all purchased collections from fashion brands are delivered - in batches - to retailers. The moment new clothing arrives, it goes onto the shop floor as quickly as possible. After all, the retailers want to present the new clothing as quickly as possible to increase the chance of selling at full price.


Additional hurdles explained




Some new clothing items remain on the rails for less than twelve weeks before the sale starts. Retailers have large stocks of clothing and during the season they offer discounts on items for which there is little demand. And before you know it, the mid-season sale will start again: retailers often start discounting because other stores have also started doing the same. This is mainly due to fear that if they do not participate in a sale, the consumer will make the purchase elsewhere or online (think of well-known high street retailers chains and larger online stores). This encourages a ‘sales culture’. Consumers have become accustomed to discounts. And these discounts simply mean lower margins (less profit!) for retailers.



In addition, the weather also affects sales and the fact that the fashion seasons are not synchronised with the meteorological seasons or the weather. When it freezes outside, spring items are less attractive, while warm weather reduces the demand for autumn and winter clothing. That sometimes means even less time for retailers to sell the new clothing items before the sale starts.


“Take the [current] autumn/winter season. This is the first week that we’ve had cold weather for a week," said John Mulder on November 30, 2022. "In September it was still 25C degrees here, in October it was still 18C degrees. This means that our customers are only now looking forward to the warm winter clothing that we already received from the brands at the end of August. But at the same time, Single's Day, Black Friday and Cyber Monday are just around the corner. A store further down the road gave a 15 percent Black Friday discount and a retailer from another village gave a 30 percent discount on the entire collection for a week. We participated in Green Friday, but it is quite difficult to stick to it. It becomes quieter, people start waiting to see if there will be another offer," he says. “Then the December clearance is getting closer. Winter officially starts on December 21 and then the sale starts. You actually only have 1.5 months of the autumn/winter season without price promotions,” explained the independent retailer. “And the long sales period is also the reason that the seasons in which the real margin can be achieved are short,” he adds.


So how much does a retailer earn from the sale of an item of clothing? And what are the costs incurred by a retailer?




We briefly build on the example of the coat with a wholesale price of 200 euros from a slightly more expensive fashion brand. The margin in the fashion industry is often around 2.7 ("ideally between 2.65 and 3.0 these days," said John Mulder). The retailer multiplies its purchase price by this calculation number, and then you have the recommended retail price. Built into the recommended retail price is a percentage for any markdowns and also the retail margin: the profit for the retailer when selling the garment to the consumer.


"I think many people don't know that only a small part of what they pay for a product in a store goes towards a retailer’s profits," said independent retailer Marion Mulder in conversation with FashionUnited. "It’s not particularly transparent for the consumer."


”If I give a 30 percent discount (on the retail or recommended retail price, ed.), I'm essentially sacrificing my profit," Mulder explained.


That’s because from that 540 euro selling price, a lot is lost, starting with 21 percent VAT in the Netherlands (note that in the UK this percentage is 20 percent, ed.) and various cost items, such as:




* Wages

When it comes to wages, you should think of the salary of the staff, but also the salary that the store owner pays themselves. On this, John Mulder said: “But beware everything you take out of it for yourself, you can’t use for your business. To start-ups, I advise using it for bills, because those who pay on time often get payment discounts. My advice is to make sure you become less financially dependent as soon as possible. Paying yourself a salary and a car will come after that.”

* Rent/mortgage

* Maintenance


* Inventory

There must be (warehouse/storeroom) space for the products. Above all, there are the risks and obsolescence costs. The longer the product remains in stock, the less it is worth. Clothing is sensitive to trends: the goods become outdated quickly and go 'out of fashion'. Ultimately, the products can become unsellable.

* Theft

* Discount

* Damage

* Advertising and sponsorship

* Interest to the bank etc.






Inventory/stock management




During the [sales] season, retailers are also busy with store inventory management. John says that retailers can increasingly exchange their slow movers - products that just sit around - with brand suppliers for products that are doing well. John says this is an advantage of the fact that things are currently a bit more difficult in the fashion industry.


Mulder Mode deliberately does not yet use an electronic inventory system (EDI), the owners say. “We don't just want to replenish our fast movers (fast-selling items, ed.), but we want to sell everything,” says Marion. “If, so to speak, I have three blue turtleneck sweaters hanging and I am selling them from one brand, I don’t want that item to be automatically replenished, but I still want to offer the other two sweaters to my customers.”


Finally;

Retailers often use the revenue earned during a specific season, like winter 2022, to fund upcoming inventory needs. This includes paying for the products from the spring/summer 2023 collection that have already been ordered and are on their way to the store. Additionally, the earnings are used to place orders for the autumn/winter 2023 collection, ensuring a steady supply of products for the future. Essentially, the money earned in one season is vital for covering both immediate and future inventory expenses.



During the Covid-19 pandemic, the lockdown period from December 2020 to January 2021 in the Netherlands caused
major problems in the retail sector. At the time of the mandatory store closures, fashion retailers were still full of unsold winter clothing. Retailers lost a lot of turnover, while costs continued. At that time, the new spring collections were already on their way to the stores - which still had to be paid off - and the new buying season for winter 2021 was just around the corner.


“Our suppliers have long delivery times. We should already be ordering the orders for the autumn. We must therefore advance that money. While no one knows what will happen next with Corona. Will everything be back to normal in the autumn?,” clothing store owner Wim Vromans told RTL in February 2021. Vromans decided to close his store for good, partly due to the consequences of the pandemic. Later in 2021, retailers appeared to have difficulty getting rid of their winter collection. Joost Middelman, owner of the Since04 stores, told RTL Nieuws in May 2021 that he still had more than half of his winter stock left, a total of approximately one hundred thousand euros. He offered some of it at high discounts in his outlet store, and some he had stored for the following winter so that he could sell the clothing at a discount. "The store owner expressed doubt about being able to sell his older inventory. " "It sounds strange, but clothing is perishable. You don't know whether what is in fashion today will still be in fashion next year," Middelman told RTL.






Image: Mulder Mode



What a retailer works on monthly


Assuming two seasons per year, spring/summer and autumn/winter, to keep things manageable, the calendar for retailers usually looks like this.

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January

-Sale (winter collections) in the store
-First deliveries of the new spring/summer collections
-Fashion trade shows next winter
-The new buying season next winter will start< /td>



February

-Winter sales are generally coming to an end
-Winter season is over (real figures, winter season + sale)
-Buying agreements next winter
-Spring/summer deliveries




March

-Buying agreements next winter
-Spring/summer deliveries




April

-Selling spring/summer collections
-Deliveries of intermediate collections (mainly in women's fashion)




May

-Spring/summer sales
-Deliveries of interim collections (especially in women's fashion)
-Creating a buying plan and budget next summer in preparation for the new buying season




June

-Summer collection sales start in mid-June





July

-Summer collection sale
-Fashion trade shows next summer
-The new buying season for next summer starts
-First deliveries of new autumn/winter collections




August

-Summer sales are generally coming to an end
-Summer season is over (real figures, summer season + sales)
-Buying agreements next summer
-Deliveries of new autumn/winter collections




September

-Autumn/Winter Deliveries





October

-Selling autumn/winter collections
-Deliveries of intermediate collections (mainly in women's fashion)




November

-Selling autumn/winter collections
-Deliveries of intermediate collections (especially in women's fashion)
-Making a buying plan and budget for next winter in preparation for the new buying season




December

-Delivery of festive collection (also mainly in women's fashion)
-Start of winter sales around Christmas








Sources:




* Interview with Marion and John Mulder, owners of women's and men's fashion store Mulder Mode, November 30, 2022, in Waddinxveen.

-TMO Fashion Business School study that the undersigned of this piece followed, and specifically the book 'Mode Adviseur' by Mirjam van den Bosch, Astrid Hanou and Hans van Otegem, publisher Stichting Detex Opleidingen, 2003, second edition.
* RTL News article 'Corona is destroying family business. Wim permanently closes his parents' clothing store after 58 years', by Malini Witlox, February 17, 2021.

* RTL news article 'New noose for clothing stores in the making due to cold weather', by Paul le Clercq, May 8, 2021

* Publications from the FashionUnited archive, including ‘Netherlands in lockdown: Non-essential shops closed, yes click & collect’.






This article was originally published on FashionUnited.NL, translated and edited to English.

Also read:



* The difference between retail and wholesale in the fashion industry explained


* Exploring physical retail: From pop-ups to multibrand and flagships

* From fibre to garment: the technical 'make-up' of your clothing


* The contrast between haute couture and ready-to-wear


* Tips for building a more sustainable wardrobe


* Jeans and denim: everything you need to know about jeans

* The role of colour in fashion

* This is how a fashion brand's collection is created

* Everything about the traditional supply chain and the core players of fashion industry


* How fashion trends find their way into our wardrobe

* What is the function of fashion trade shows and when do they take place?





* Tips for building a more sustainable wardrobe


* Jeans and denim: everything you need to know about jeans


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