Rebecca Minkoff (Sept 2016). Foto: Fernanda Calfat / Getty Images via AFP
New York - New York State has introduced legislation that would accelerate the urgency for fashion businesses to conduct their manufacturing more responsibly. The generally unregulated industry that contributes substantially to the world’s greenhouse gas emissions at a rate of 4-8.6 percent, contaminates billions of gallons of water dyeing textiles, and has—knowingly or unknowingly—benefited from exploitative labor practices in a race to the bottom to sell the cheapest and fastest-made clothing.
The Fashion Sustainability and Social Accountability Act would shift the responsibility from consumers to navigate greenwashing and require fashion retail sellers and manufacturers doing business in the state—those with an annual worldwide gross receipt that exceeds one hundred million dollars—to map out their supply chains, disclose the environmental and social impact of their activities, and set binding targets to improve those impacts. This would affect brands from the largest luxury multinationals, like LVMH, to opaque fast fashion e-sellers, like Shein.
The bill would mandate companies to post these disclosures clearly on their websites within twelve months of the enacted law. It would also establish a Community Benefit Fund, administered by the Department of Environmental Conservation, that would commit monies obtained through fines to benefit environmental justice projects. Companies found in violation, and who do not remedy within three months of notification, may be fined up to 2 percent of annual revenues. And while the Attorney General is tasked with enforcement, consumers may also take civil action against a person or companies perceived to be skirting the law.
Senator Biaggi: “We set out to create standards that enact real change”
State Senator for the Bronx and Westchester, Alessandra Biaggi, sponsored the bill with support from the Act on Fashion Coalition, which includes think tank New Standard Institute, the Natural Resources Defense Council (NRDC), and the New York City Environmental Justice Alliance. In response to a request for comment by FashionUnited, the Senator explained that her interest in the issue originated back in law school. “I took a course on fashion law and was instantly drawn to working on this before ever working in government. Early last year I connected with the New Standard Institute to collaborate and draft a first of its kind piece of legislation that addresses various systematic problems within the industry. We looked at issues that many industry leaders have been working to address— such as strengthening labor practices and lowering carbon emissions—and set out to tie them all together and create industry wide standards that will enact real change within the field.”
Rebecca Minkoff (Sept 2016). Foto: Fernanda Calfat / Getty Images via AFP
It is significant that New York, a fashion capital of the world, is taking leadership on this issue and the New York Times reports that “there is no general legislation in any country governing the greater social and environmental actions of the fashion industry and mandating change.” Senator Biaggi goes on to acknowledge that if New York is committed to climate justice and workers’ rights the state “has a moral responsibility to serve as a leader in mitigating the environmental and social impact of the fashion industry,” noting that, “For too long, the fashion industry has operated in a black box, preventing consumers and government alike from seeing the scope of production.”
New York State has already implemented ambitious climate laws, including the Climate Leadership and Community Protection Act of 2019 that requires a 40 percent reduction of economy-wide greenhouse gas emissions by 2030. A co-sponsor of the ‘Fashion Act’ in the state senate, Brian Kavanagh, has long supported legislative efforts to enhance energy efficiency in construction projects, prohibit new fossil fuel infrastructure, and reduce carbon emissions. “In order to successfully combat the effects of climate change, we must fundamentally improve the practices of all sectors of our society, including the apparel and footwear industry,” the Senator for Brooklyn’s waterfront and Lower Manhattan stated.
The New Standard Institute urges a voice of support for the bill through the hashtag, #ActOnFashion, to encourage New York to move quickly. As Senator Biaggi appropriately concludes, “It is not hyperbole to say, our state, nation, and world’s future depends on it.”
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Women shirts & amp; Pajamas and versatile Fashion of Amazon and Alibaba., fashion, Facebook,youtube, instagram, tweeter and google
Tuesday, January 11, 2022
Monday, January 10, 2022
Joe Browns receives Investors in People Award
Image: Joe Browns, Simon Brown
Fashion retailer Joe Browns has announced it is the recipient of The Investors in People Standard, recognising the brand for its leadership, commitment to values, people empowerment and performance.
The award boosts the brand’s sustained growth ambition through the recognition of the role people play in the business. The ‘People’ value comes as one of the brand’s three pillars, also including ‘Product’ and ‘Places’, each developed as a foundation of the company’s ongoing growth ambition.
The announcement follows that of Joe Browns’ newly revealed strategy to deliver annual sales of 100 million pounds by 2026, representing a 138 percent increase in current turnover. The retailer recently announced that it started the autumn/winter 2021 season with cumulative growth up 68 percent year-on-year, which it said proved the strategy was beginning to deliver.
“Our people, more so now than ever, are central to the success of Joe Browns and, although this is something that we have known for a long time, it’s great to receive an external pat on the back with The Investors in People Standard,” commented Simon Brown, founder of the retailer, in a release.
He continued: “To say that the last year has been challenging is an understatement due to external pressures. Throughout the pandemic, the people of Joe Browns have gone above and beyond to ensure we continue to deliver a great product at great prices, and it’s important that I take the opportunity to say a huge thank you.”
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The North Face collaborates with contemporary artist Kaws
Image: The North Face
In Pictures
Outdoor brand The North Face has unveiled a collaboration with contemporary artists Kaws that aims to blur the lines between on-and-off mountain performance and style.
The North Face XX Kaws collection, available from February 17, showcases a world envisioned by Kaws “outside the lines” brought to life using the brand’s technical and signature styles as a canvas.
Kaws plays with the theme of perception and visibility throughout the collection, applying his signature eye-catching, abstract patterns and a bright colour palette across soft accessories and luggage, as well as outerwear and apparel for men, women and youth.
Image: The North Face
Popular The North Face styles getting a Kaws makeover include the Retro 1996 Nuptse Jacket and its Freeride high-performance layers and outerwear styles designed for snow, the Freeride Bib, Freeride Fleece, and Freeride Jacket.
Commenting on the collaboration, Kaws said in a statement: “I’ve always admired The North Face iconic silhouettes – I have had them in my winter rotation for years. The blocking, stitching, and details on their coats really lent themselves to the way I structure a painting, so I treated the garments in our collaborative collection like a blank canvas. And I enjoyed exploring their extensive colour and material archive as I would a new paint set.”
The North Face XX Kaws collection will be available on its website and in select The North Face stores from February 17.
Image: The North Face
Image: The North Face
Image: The North Face
Image: The North Face
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Valentino launches Lunar New Year collection
Image: Valentino
In Pictures
Italian fashion house Valentino is celebrating the Lunar New Year with a Valentino Tiger 1967 collection featuring ready-to-wear and accessories.
In a press release, Valentino states that the tiger is an icon for the fashion house and its Lunar New Year 2022 capsule features the storied tiger motif that first appeared in its haute couture autumn/winter 1967 collection. The pattern was immortalised by Veruschka, who donned the tiger coat for Vogue USA (October 1967) in an image shot by Franco Rubartelli.
Image: Valentino
As part of its Lunar New Year celebrations, the tiger motif has been reinterpreted on a selection of contemporary looks, including shorts, hoodies and Valentino Garavani accessories such as bucket hats and Roman Stud bags in natural and neon palettes.
Image: Valentino
Valentino is also highlighting its new Garavani Locò bag, a compact double handle bag, with a nineties allure that the luxury label states “embodies the process of resignification and the evolution of the iconic codes of the Maison”.
The Valentino Tiger 1967 collection is available in selected Valentino boutiques worldwide.
Image: Valentino
Image: Valentino
Image: Valentino
Image: Valentino
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Women in leadership: Isabella West, founder and CEO, Hirestreet
Interview
Image: Hirestreet, Isabella West
Rental has inched its way into the fashion industry slowly but surely, and in recent years has seen significant growth in demand as consumers lean towards more sustainable alternatives to shopping.
Founded in May 2018, Hirestreet was one of the first rental platforms in the UK, launched by Newcastle Upon Tyne’s Isabella West. The idea sprouted from personal savings and flourished in her parent’s basement, from which the now nationally-renowned company was formed.
Since then, the 26-year-old Oxford economics grad has assembled the beginnings of a rental empire. In 2021 alone, West has introduced major brands to Hirestreet, most recently Marks and Spencer, taken part in COP26’s New York Times hub and launched Zoa, a white-label tech company.
Catching West for a quick chat, FashionUnited spoke to the budding female entrepreneur about who Hirestreet is, her experience in the industry and what we can expect from the booming rental market.
How was your experience setting up a business in Newcastle?
We always knew we were going to be an online concept. I think I was always quite lucky to have been in Newcastle and there are many reasons for that. One, that I didn’t know at the time, is that the developer market is amazing, which helped as we transitioned into a tech company.
There is also the community, in Newcastle, everyone is so supportive. Everyone knows everyone, so I really benefitted from that in the early days. Especially for the launch, where the first orders I would see were from friends of friends or people from my old school. It was almost like people wanted to champion someone from the local area. It has obviously gone beyond that now, but I think it really helped to give me a boost in the beginning. I think if I started in London, I would have felt lonelier, a bit more disconnected.
Where did the idea for Hirestreet come from?
Ultimately, we wanted to provide a sustainable and affordable alternative to fast fashion. Four years ago, when I was thinking about launching a business, I read about the rise of rental in the US and Australia. What I noticed in those markets was that you tended to see more rental at a more premium level. I started doing market research in the UK and in the UK we just love fast fashion. I wanted to reduce the waste that was associated with fast fashion, and find out whether it was possible and sustainable to build a business based around rental that was at a more accessible point.
Our average rental price is deliberately 30 pounds because that is what our customers told us was the price a dress on Asos would need to be for them to wear it once. We wanted people to have a substitution for that kind of behaviour. I think way too often, sustainable businesses are too expensive for consumers and they can actually put people off. I really just wanted to solve that problem, offering a mass-market solution that is more comparable to fast fashion price points.
Image: Hirestreet
Did you face any challenges when setting up this rental business model?
There was a lot of learning, of course, because we launched at a time when there was only one rental business in operation and they were more focused on celebrity and occasionwear. We were very new to the market and our proposition was very different. There was a lot of learning in terms of what stock would work, what brands people wanted, what items were durable, the size profiles - there were so many things you had to test in the beginning.
If you look at the market now, rental businesses popping up can look at Hirestreet and see how we have shaped the business. There is a bit more of a blueprint if you enter the market now, and when we entered there was nothing at our price point in the world even.
What are the environmental benefits of rental in the industry?
The key thing about rental is that it extends the lifetime of an item. If we take the standard polyester dress like the one someone would buy for a Christmas party, for example, it typically releases an average of 24 kilograms of carbon into the atmosphere during the retail lifecycle. Now, 90 percent of that actually happens during the manufacturing process, not in its daily use. When people are buying that to only wear it once, you end up with all that emission that is getting wasted, when, in fact, what rental does is give several people the opportunity to wear one garment. It splits the production-produced carbon over every person that is wearing the dress and reduces the carbon footprint associated with that item.
It is about how many times someone is going to wear an item, and that is why we don’t go in saying rent everything that you are going to wear. There is a certain use case for rental, whether that be occasionwear or skiwear: anything from when you stand in a store and you’re not convinced you would wear something over and over again.
What is the most important category for Hirestreet?
Weddings are the biggest conversion factor. Many people start renting for the first time because of weddings. It is our most visited category. We update our categories depending on the time of year. We have to be on the pulse with what people are doing and where they are going, then we curate categories to rent within that.
Who is the Hirestreet customer?
We generally see more dominance from London and Manchester, because of the population of people. Our key customer is typically a 28-year-old working female, with a lot of events, often at the start of the wedding season. She wants to be conscious of her consumption, but also have a salary that can equally support her living expenses. Ultimately, she is trying to be financially sustainable and environmentally conscientious.
When we ask our customers what they would have done if they didn’t hire from us, they say they would have panic bought from Zara - it is that kind of person that is our core market. We need to intercept them at the point before they decide to buy an outfit for an occasion.
Do customers really intend to prioritise the sustainable part of the business then?
To be honest, if you look at any kind of customer survey, the main driver for customer behaviour is almost always price. Price and sustainability are an important mix and that is something we deliver on that no one else does. The key driver is the price factor, and sustainability is something they are looking for, so it is an added conversion benefit.
Image: Hirestreet
Do you think it is then the brands’ responsibility to educate their customers on their environmental impact?
100 percent it is. There is so much that can be done on the education side and there has definitely been a shift post-covid. Since summer, our consumer research saw more and more people say they were feeling guilty for purchasing or that renting made them feel better. We are seeing an attitude shift from customers, but at the same time, there is still so much to do on an educational level.
When we launched our partnership with Marks and Spencer, what was interesting was the number of people that had never heard of rental before. It is an industry that is nearly five years old in the UK and it has grown dramatically, but if you compare it to the size of retail there is so far to go. With the Marks and Spencer release, we were reaching a part of the population that had never thought about rental before.
The partnership with Marks and Spencer is quite a big achievement.
Absolutely. They are the second biggest retailer in the UK and their move into rental will have certainly signalled others to look at the market seriously.
How do you select the brands you work with?
So we work on both Hirestreet, our own B2C platform, and Zoa, our tech platform that helps brands power their own rental service. We have a lot of people coming to us with an interest in rental and in the initial meeting we ask them what their goals are; whether it be looking into how desirable their clothing is for the market or testing the profitability of renting their returns.
Sometimes they just want to dip their toes in to get some early access and understand how their items perform. A Hirestreet proposition works best here. But if they are, let’s say, a business that has already decided that rental is going to work for them, we present the Zoa technology and we figure out how we can support them from there. We always have different ways we can work with you.
Many brands already want to know about rental and how it can fit into their future, so we sit down and figure out what is best for them: either Hirestreet, their own white-label service we can provide or a tech only solution, which is what a lot of start-ups are doing.
So is this the reason you launched the tech platform Zoa?
Yes. We used to have a relationship where we only worked with brands to list their stock on Hirestreet, but there became a tipping point during the pandemic where brands started asking us, theoretically, what if they wanted to do this with their own brand. We realised this is the way the market is going. Like the second-hand market, they would feel it out through third-party platforms then take it in house and do it themselves.
We decided to get ahead of the market, so we were, effectively, the first in the UK to launch a white-label rental proposition.
Do you have any further plans of expansion for both of your fast-growing companies?
Absolutely, I can’t say too much but we do have a good pipeline of brands that are going to be onboarding with us soon, doing their own white-label rental early in 2022. I think this year will be the tipping point for the UK rental market, and we will see a big wave of brands launching their own rental service. For us, that is our current focus.
Image: Hirestreet at COP26
You recently took part in COP26. How was that experience?
It was amazing! It was a definite wow-factor moment and I was so proud of the team for everything they did up to the launch. We spend so long thinking about the impact fashion has and we preach this message day in and day out. It was a really nice way to bring it all together. Sometimes it can feel like an uphill battle and you are the sole voice, then you go to COP and everyone is there to champion the same message. It becomes strangely reassuring.
Finally, what has it been like to be a young female entrepreneur in the industry?
When I worked in the industry as a consultant, the favourite statistic of the business I worked at was that they hired more people that had left Eton than there were females in the company. It was so male-dominated. When I started my own business, I would say being a female entrepreneur is really celebrated. It’s sad that it’s so rare, but I think it is important that I love what I am doing even more.
Something I really value is that so many of my close friends have started a business since I launched Hirestreet, and I would hope that some of the confidence to take that leap has been driven by the fact they saw me do it and they knew they could too.
There are still challenges, of course. For example, in fundraising, you can see in the numbers how much female-led start-ups raise in A rounds. I was also asked to find a male co-founder at one point. There are still areas that are sadly behind, but I think it’s changing because people want it to change. There are just some who find it difficult to celebrate a female entrepreneur running a multi-million-pound business. It is just something that we need to prove and change the more of us that do it.
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Sunday, January 9, 2022
Physical shows return to Paris men's fashion week, despite cancelations
Image: FHCM
At the upcoming Paris men’s fashion week, physical shows are not just going ahead, they will the majority of the week’s 77 events, despite some brands cancelling their catwalk presentations and others opting for digital.
Louis Vuitton will hold two shows, at 14:30 and 18:30 on Thursday, January 20th. The posthumous collection by Virgil Abloh was already 95 percent completed by the time of his unexpected passing last November. Elsewhere Rick Owens, Loewe, Lemaire, Ami and Hermes will go ahead with catwalk presentations with live audiences.
Absent from the official schedule is VTMNTS, the Swiss offshoot of Vetements, which was to show its first catwalk collection during Paris men’s fashion week. A surge of American brands and retailers are also expected to cancel, with Joseph Keefer, a fashion brand consultant and creative director saying on Twitter his showroom in Paris was being cancelled: “Looks like Paris is done an dusted for any North American brands, retailers, reps. Word the last two days is the heavy hitters are all holding off on going. We’re in the process of canceling our showroom space now.”
While the menswear season is notably impacted by the rise of omicron, including Ann Demeulemeester pulling out of Pitti Uomo and tradeshow Project New York cancelled, the February womenswear shows and fashion weeks are thus far still forging ahead without major cancelations.
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Saturday, January 8, 2022
ABG signs deal with Tristate to bring Reebok to China
Image: Reebok x Cardi B
Brand development and marketing company Authentic Brands Group (ABG) has signed a long-term licence agreement with Tristate Holdings Limited, enabling the firm to become the core licensee and operator for Reebok in China, Hong Kong, Macau and Taiwan.
Already a longstanding ABG partner, the deal expands Tristate’s current relationship with the company, adding Reebok to its growing portfolio of ABG-owned brands.
Tristate will take on Reebok’s branded retail store, e-commerce operations and wholesale distribution in the aforementioned regions, as well as holding a licence covering sportswear, outerwear, footwear and activewear across all categories.
“We are thrilled to build on our longstanding relationship with ABG,” said Peter Wang, chairman and CEO of Tristate, in a statement. “Reebok is a highly sought-after brand, and we are confident in its direction under ABG’s ownership and strategic development worldwide. We look forward to bringing Reebok, a brand with incredible heritage and strength, into our 35-plus years’ experience of managing premium brands in the region.”
The deal will become effective upon the completion of the ownership transfer from Adidas to ABG, expected to close in the first quarter of 2022.
The agreement is part of ABG’s strategy to expand Reebok’s global presence, with the company already signing a number of operational-based deals since its acquisition of the brand in August 2021.
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Wednesday, December 29, 2021
British trans modelling pioneer April Ashley died at age 86
April Ashley, a British model and actress who
was a pioneering figure in the fight for trans rights, has died at 86, local
media reported Wednesday.
Ashley was one of the first British people known to have undergone gender
reassignment surgery, although she only gained full legal recognition as a
woman in the UK in 2005.
She was honoured by Queen Elizabeth II who awarded her an MBE (Member of
the British Empire) in 2012 for services to the transgender community and
activist Peter Tatchell wrote that she was "the great trans trailblazer for
decades".
Ashley was born George Jamieson in 1935 in the port city of Liverpool in
northwestern England.
From an early age, she felt that her birth gender of male was wrong and she
was severely bullied and beaten by her mother.
She briefly served in the Merchant Navy and had treatment at a psychiatric
hospital.
She found greater acceptance when she moved to London and then Paris, where
she began performing at the Caroussel de Paris, the city's first transgender
revue.
She underwent sex-change surgery in Morocco in 1960 aged 25, taking the
name April Ashley, reflecting the month of her birth.
The UK accepted her new identity and gave her papers allowing her to gain a
passport and driving licence.
She became a successful model, photographed for Vogue and appeared in a
film with US star Bob Hope called "Road to Hong Kong".
But her sex change later caused a public scandal after it was revealed in a
tabloid.
She wed a British aristocrat, Arthur Corbett, in 1963 in Gibraltar, but
their marriage swiftly broke up.
To avoid paying maintenance payments, Corbett applied to annul their
marriage.
A court in 1970 famously ruled that the marriage was void because Ashley
was male, even though Corbett knew her history.
This led to Ashley facing public attacks.
She spent a period running a London restaurant and moved to the US.
She returned to the UK in 2005, after the passing of the Gender Recognition
Act that allowed her to be fully recognised as a woman.
Her life was celebrated with a 2013 exhibition in her home city of
Liverpool titled "April Ashley: Portrait of a Lady".
Her friends included the former Labour Party deputy leader John Prescott.
Tributes came from friends including French transgender performer
Marie-Pierre Pruvot, who wrote on Facebook of her death on Monday: "A little
bit of me is going away."
"She had airs of a Queen and crazy humour, tremendous liveliness", Pruvot
added.
British pop star Boy George posted on Twitter a photograph he had taken of
Ashley, calling her "such an inspiration to my generation and beyond!"(AFP)
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Barbour remains profitable despite drop in full-year sales
Image: Barbour
Barbour has reported strong profit in the year to April 30 despite a 10.2 percent drop in sales.
The British brand’s turnover decreased to 218 million pounds from 242.8 million pounds a year earlier as the pandemic took its toll on the business.
“The impact of the Covid-19 pandemic was felt significantly throughout the year, with revenues and absolute margins down compared to the prior year,” the company said.
It continued: “With uncertainty across global markets very high and competition for dwindling demand intense, the marketplace was very difficult to navigate profitably without significant focus on appropriate cost reduction and investment in strong relationships across the end to end product life cycle.”
Barbour remains profitable
But the brand managed to increase its pre-tax profit to 36.3 million pounds from 35.8 million pounds a year earlier.
Its net profit dropped slightly to 27.9 million pounds from 28.9 million pounds.
The company said its profitability “represents a steady performance”.
It added that, “despite the challenges of the pandemic”, its balance sheet remains “relatively strong”, with cash held in the business reducing to 95.4 million pounds from 97.4 million pounds a year earlier.
It said the cash would allow it to “focus on protecting customer service, our long-term objectives and partnerships, investing for the future sustainability of our brands and the trust in our business ethos.”
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CEO and founder of Perfect Corp Alice Chang recognised by Tech Trailblazers Awards
Image: Tech Trailblazers Awards
Alice Chang, the CEO and Founder of Perfect Corp., an artificial intelligence and augmented reality beauty and fashion tech solutions provider, has been recognised as a top female leader in tech at the Tech Trailblazers Awards.
The Tech Trailblazers Awards are aimed at small businesses that are under seven years old, and at C-series funding or below.
During this year’s Tech Trailblazers Awards, Chang was recognised in the Female CxO Trailblazers classification.
The award goes to those who demonstrate key leadership qualities such as driving innovation, promoting diversity and encouraging agile practices.
“It is an honour to be recognised by Tech Trailblazers in the Female CxO Category,” said Chang. “At Perfect Corp., our goal is to solve consumer pain problems through AI and AR digital tech innovations, and we look forward to driving further advancement in beauty and fashion tech, and help brands leverage the opportunities created by the metaverse.”
Perfect Corp. has helped brands to establish an omnichannel presence, and focuses on using AI and AR powered solutions to transform retail experiences. This includes virtual try on for beauty and fashion products and skin diagnostics powered by AIs.
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Tuesday, December 28, 2021
Top Ten Male Runway Models 2021: In Pictures
Dior Homme FW22/Catwalk Pictures
The F/W 22 Menswear Collections start next month. These are the top 10 models we hope to see walking the runways.
Babacar N'doye
Givenchy SS22/Catwalk Pictures
Nationality: British
Agency: Elite World
Instagram @thankyoubabacar: Followers: 3K
Recent Campaigns and Editorial: Boss F/W 21; Cos S/S 21; Dior S/S 21;
Shows Walked in 2021 included: Dior Men's Pre-Fall 22; Givenchy S/S 22; Hermès S/S 22 Men's; Zadig & Voltaire S/S 22; AMI Paris S/S 22; Valentino Haute Couture F/W 21.
Braien Vaiksaar
Givenchy FW21/Catwalk Pictures
Nationality: Estonian
Agency: Success Models
Instagram: @braien.vaiksaar: Followers: 7K
Recent Campaigns and Editorial: Balmain S/S 2021 Campaign; H Magazine 'Don’t Forget About Me'
Shows Walked in 2021 included: Givenchy S/S 22; Balmain S/S 22; Hermès F/W 21 Men's
Malick Bodian
Lanvin SS22/Catwalk Pictures
Nationality: Senegalese/Italian
Agency: The Claw
Instagram: @Malickbodi: Followers: 27K
Recent Campaigns and Editorial: GQ Style Germany Fall 21 Cover; Swarovski Collection 2 Fall 2021 Campaign; American Vogue editorial 'Give Me The Night;'
Shows Walked in 2021 included: Dior Men Pre-Fall 22; Louis Vuitton 'Virgil Was Here' S/S 22; Lanvin S/S; Dries Van Noten S/S 22 Digital Show
Alpha Dia
Dries Van Noten FW21/Catwalk Pictures
Nationality: Senegalese
Agency: Modelwerk
Instagram: @alpha_dia_ :Followers: 38K
Recent Campaigns and Editorial: Polo Ralph Lauren for Zalando campaign: 'Weekend reload;' Arket
V Man 'Time of Your Life'
Shows Walked in 2021 included: Isabel Marant S/S 22; Boss; S/S Dries Van Noten F/W 21 Men's
Taemin Park
Haider Ackermann FW20/Catwalk Pictures
Nationality: South Korean
Agency: Gost
Instagram @txxmini : Followers: 113K
Recent Campaigns and Editorial: M Le magazine du Monde editorial; GQ Korea 'Color Madness;' W Korea 'The Control'
Shows Walked in 2021 included: Ann Demeulemeester S/S 22; Salvatore Ferragamo S/S 22; Hermès S/S 22 Men's; Louis Vuitton S/S 22 Men's;
Leon Dame
Givenchy SS22/Catwalk Pictures
Nationality: German
Agency: London/Viva London
Instagram @leondame Followers: 11.7K
Recent Campaigns and Editorial: L'Uomo Vogue 'Leading Lady;' L'Uomo Vogue December 2021 Covers
Shows Walked in 2021 included: Louis Vuitton 'Virgil Was Here' S/S 22; Lanvin S/S 22 Show; Givenchy S/S 22
Yura Nakano
Dior Homme FW22/Catwalk Pictures
Nationality: Japanese/Taiwanese
Agency: Paris/Banana Models; London/Milk Management; Milan CREW Model Management
Instagram: @ yrnkn__ :Followers: 7K
Recent Campaigns and Editorial: Ermenegildo Zegna’s F/W21 campaign
Shows Walked in 2021 included: Dior Men's Pre-Fall 22; Balmain S/S 22 Show; Hermès S/S 22 Men's
Jeremiah Berko Fourdjour
Valentino FW20/Catwalk Pictures
Nationality: Italian/ Ghanaian
Agency: Supa Model Management
Instagram: @JeremiahBerko :Followers 5,631
Recent Campaigns and Editorial: L'Officiel Italia: Erin x Amanda Harlech
Shows Walked in 2021 included: Dior Men's Pre-Fall 22; Louis Vuitton 'Virgil Was Here' S/S 22; Roberto Cavalli S/S 22 Show;
Jonas Glöer
Hermes FW2021/Catwalk Pictures
Nationality: German
Agency: Viva London
Instagram: @ jonasgloeer :Followers 21K
Recent Campaigns and Editorial: Holiday Magazine 'Meet Me In Prenzlauer Berg;' V Man 'Midwinter Fantasy'
Shows Walked in 2021 included: Louis Vuitton 'Virgil Was Here' S/S 22; Lanvin S/S 22; Isabel Marant S/S 22;
Xu Meen
Balmain SS22/Catwalk Pictures
Nationality: South Korean
Agency: IMG Models Worldwide
Instagram: @xumeen :Followers 27K
Recent Campaigns and Editorial: COS x Mok Jungwook Campaign 2021; GQ Korea Editorial
Shows Walked in 2021 included: Isabel Marant S/S 22; Balmain S/S 22; Salvatore Ferragamo S/S 22;
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Kid's subscription service Kidpik reports increase in Q3 revenue
Image: Kidpik, Facebook
Kidpik, an online clothing subscription service for children, has reported a 20.3 percent increase in revenue in the third quarter of the year.
In the three months to October 2, revenue increased to 5.57 million dollars compared to 4.63 million dollars a year earlier.
CEO Ezra Dabah said the increase in revenue was driven “mainly by the introduction of boys’ subscription boxes, the continued growth of our girls’ subscriptions and the newly introduced toddler box collection”.
Meanwhile, Kidpik’s Gross Margin was 58.2 percent compared to 59.3 percent in the third quarter of 2020.
The company reported a net loss of 1.19 million dollars compared to a loss of 0.98 million dollars a year earlier.
The trading update comes after Kidpik launched an 18 million dollar IPO in November.
Dabah continued: “Strengthening our balance sheet gives us the ability to make further investments in building our brand, growing our revenue, and driving shareholder value.
“We look forward to achieving our growth objectives by leveraging our merchandising expertise, the technology we have built, and the knowledge our team has gained over the last five years in the rapidly growing subscription industry.”
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http://dlvr.it/SG886w
Monday, December 27, 2021
Gucci and The North Face plan pop-up shops
Image: Gucci
Gucci is continuing its second round of collaboration with The North Face and this time the brands are planning more pop-up shops together. The new campaign for the second installment of their collaboration has debuted today, and was photographed and directed by the Durimel twins, Jalan and Jibril. Christopher Simmons art directed the campaign, Thomes De Kluyver was the makeup artist, and Andrea Martinelli was the hairstylist. The campaign was shot in Iceland.
Beginning next month, Gucci and the North Face will be opening pop-up shops from January 11 to January. Current announced locations include Aspen, Chicago, and Toronto.
This new collaboration uses Econyl, a nylon fiber made from regenerated materials, as part of Gucci’s commitment to becoming more sustainable. The down insulation for coats meets the standards for the Responsible Down Standard by Control Union. The paper and cardboard used for packaging comes from sustained managed forest sources.
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http://dlvr.it/SG68Tg
Stella McCartney reports drop in 2020 sales, but sees signs of recovery
Image: Stella McCartney
British luxury label Stella McCartney had a tough time in 2020 due to the pandemic, but has since seen signs of recovery, according to its most recent filings at Companies House.
The brand reported sales of 28.4 million pounds in the 12 months to December 2020, a 26 percent drop compared to a year earlier, as lockdowns and store closures impacted the business.
The company made a loss after tax of 30.4 million pounds, a slight improvement on the loss of 33.5 million pounds it made a year earlier.
The brand said it continued to be impacted by the pandemic at the beginning of 2021, during the national lockdown.
Signs of recovery
The company said its sales recovery since the beginning of the year has been broadly in line with expectations.
Looking ahead, it aims to increase its 2021 sales by 4 percent year-on-year and to “significantly” reduce its operating loss.
Despite that, the company said the outlook for 2021 “remains uncertain” and is “very much dependent on the global health and economic context”.
The brand said it does not believe Brexit will have a “significant” impact on the business.
Currently, less than 5 percent of global revenue comes through the company’s UK brick and mortar stores dependant on cross border movement of goods to the UK.
http://dlvr.it/SG5hxW
http://dlvr.it/SG5hxW
Shoppers shun London on Boxing Day as footfall plummets 67 percent
Image: Selfridges
As a queues of shoppers snaked around Selfridges on Oxford Street, eagerly hoping to score a Boxing Day bargain, the rest of central London was eerily quiet, with footfall down 67.3 percent in comparison to 2019, before the pandemic.
Figures from Springboard show a similar fate across all UK retail destinations, with footfall down an average of -45.2 percent below the 2019 level. Despite the cold weather, high streets faired better than shopping centres, with -35.6 percent compared to -59.8 percent.
The trend amongst shoppers for staying local has been a key characteristic all the way through the pandemic which has heightened once again in the past few weeks with the surge of the omicron variant which threatened so many Christmases across the UK, remains prevalent. Footfall in market towns up to 12pm on Boxing Day was just -12.6 percent below the 2019 level and -7.4 percent below 2019 in Outer London.
Covid restrictions impact shoppers
New Covid restrictions came into force in Scotland, Wales and Northern Ireland on Boxing Day as the nations try to halt the surge in infections. This would have an impact on the number of shoppers hitting the sales.
Northern Ireland footfall plummeted 73 percent, with Wales seeing a 63 percent decline and almost 50 percent lower in Scotland compared to 2019.
Despite the drop, large queues formed outside the Trafford Centre in Manchester with shoppers waiting since 8am, reported the Evening Stands, while bargain hunters also lined up outside Primark in Birmingham and Zara in Bristol.
Diane Wehrle, Insights Director at Springboard commented: “A major reason for the significantly lower footfall compared with 2019 will be due to consumers and ongoing nervousness about the Covid infection rate. This will have been compounded by the fact that a few multiple retailers opted not to open today, which will have deterred some shoppers. In addition, Sunday generally has the lowest footfall on any day in the week, so a comparison with 2019 when Boxing Day fell on a Thursday will always have meant that footfall would be lower than two years ago. Despite this, the fact that most multiple retailers still opened their doors to shoppers, and the mild weather should have meant that it was easy for shoppers to visit stores and destinations still did not encourage shoppers out to shop.”
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http://dlvr.it/SG5FSL
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