Credits: Image: Brunello Cucinelli boutique. Sefa Karacan / Anadolu Agency via AFP
For the first nine months, revenues at Brunello Cucinelli amounted to 818.4 million euros, growth of 27.5 percent at current exchange and 28.8 percent at constant exchange.
Based on the result of the first nine months of the year, the very positive response to the collections, and the focus on the high-quality, handcrafted ready-to-wear offer, the company predicts a growth between 20 percent and 22 percent for 2023, compared to the previous estimate of 19 percent.
Commenting on current trading and outlook, Brunello Cucinelli, executive chairman and creative director of the company said: We have chosen to raise our year-end sales growth estimates from 19 percent to an increase of between 20 percent and 22 percent. Furthermore, given the excellent sellout rate of the fall-winter 2023 season and the exceptional order intake for the spring-summer 2024 one, we are very confident in our balanced growth project for 2024, which we have estimated at around 10 percent.
Cucinelli posts revenue growth across geographies
The company’s Europe revenues of 217.9 million euros, increased 18.3 percent, with a noteworthy increase above double digits in the third quarter. Revenues in Italy of 97.2 million euros, were up 24.5 percent. Americas turnover of 284.7 million euros, rose 21.7 percent.
In the retail channel, sales grew in all the company-owned boutiques and geographical areas.
Asia revenues of 218.6 million euros, were up 49.7 percent, accounting for 26.7 percent of sales. The growth in all Asian markets was very significant, with China now accounting for about half of the total business in the region.
Retail channel sales of 510.7 million euros, were up 34.6 percent with a positive increase in like-for-like sales. The company operated a network of 124 boutiques as at September 30, 2023.
Wholesale channel revenues of 307.7 million euros, were up 17.1 percent over last year.
http://dlvr.it/SxlFRc
Women shirts & amp; Pajamas and versatile Fashion of Amazon and Alibaba., fashion, Facebook,youtube, instagram, tweeter and google
Saturday, October 21, 2023
Friday, October 20, 2023
New Look posts FY pre-tax loss, completes refinancing deal
New Look storefront Credits: New Look.
High street fashion retailer New Look has completed a 100 million pound refinancing deal which it says it will use to boost its future growth plans.
The company reported a pre-tax loss for the year ended March 25 that widened to 87.8 million pounds from 25.5 million pounds the previous year.
This loss included an impairment charge of 47.4 million pounds following an annual accounting assessment of tangible and intangible assets.
On a brighter note, its adjusted EBITDA widened to 42.2 million pounds from 25.2 million pounds a year earlier.
Revenue also edged up slightly by 0.6 percent, reaching 844.7 million pounds from 839.6 million pounds the prior year.
The company said its focus on full-price sales helped improve its gross margin to 45.8 percent from 43.1 percent the prior year.
New Look CEO hails ‘strong year’
“Despite the challenges posed by inflationary headwinds during the period, and the ongoing cost of living pressures impacting consumer sentiment, it was a strong year for the business, driven by the appeal of our product, our pricing and our omnichannel offer,” said CEO Helen Connolly in a statement.
New Look also said Wednesday its Company Voluntary Arrangement (CVA) is on track to end in 2024, “providing portfolio stability and support to omnichannel investment”.
Connolly continued: “As we look ahead to the key trading period and countdown to Christmas, we remain confident in our strategy but mindful of the continuing external headwinds we and our customers face.
“We’ll continue to offer our customers great quality products however they want to shop, whether that be through our fantastic network of stores and teams across the country or through our market-leading digital channels.”
http://dlvr.it/SxhnPF
High street fashion retailer New Look has completed a 100 million pound refinancing deal which it says it will use to boost its future growth plans.
The company reported a pre-tax loss for the year ended March 25 that widened to 87.8 million pounds from 25.5 million pounds the previous year.
This loss included an impairment charge of 47.4 million pounds following an annual accounting assessment of tangible and intangible assets.
On a brighter note, its adjusted EBITDA widened to 42.2 million pounds from 25.2 million pounds a year earlier.
Revenue also edged up slightly by 0.6 percent, reaching 844.7 million pounds from 839.6 million pounds the prior year.
The company said its focus on full-price sales helped improve its gross margin to 45.8 percent from 43.1 percent the prior year.
New Look CEO hails ‘strong year’
“Despite the challenges posed by inflationary headwinds during the period, and the ongoing cost of living pressures impacting consumer sentiment, it was a strong year for the business, driven by the appeal of our product, our pricing and our omnichannel offer,” said CEO Helen Connolly in a statement.
New Look also said Wednesday its Company Voluntary Arrangement (CVA) is on track to end in 2024, “providing portfolio stability and support to omnichannel investment”.
Connolly continued: “As we look ahead to the key trading period and countdown to Christmas, we remain confident in our strategy but mindful of the continuing external headwinds we and our customers face.
“We’ll continue to offer our customers great quality products however they want to shop, whether that be through our fantastic network of stores and teams across the country or through our market-leading digital channels.”
http://dlvr.it/SxhnPF
Wednesday, October 18, 2023
Frasers Group acquires German sports retailer SportScheck
SportScheck storefront Credit: SportScheck
Another day, another acquisition for Frasers Group. This time the British fashion giant has snapped up German sports retailer SportScheck for an undisclosed sum as it looks to boost its presence in the market.
SportScheck, formerly owned by Signa Retail Department Store Holding GmbH, is a leading figure in the German sportswear market, with a history dating back 75 years and a portfolio of 34 stores across Germany.
Frasers Group, which owns British giant Sports Direct, said the acquisition will bolster its presence in the German market.
“Acquiring the leading sporting goods retailer in Germany is a big step in our journey to becoming the number one sports retailer in EMEA - and we are delighted to do this with the full support of major global brand partners, Adidas and Nike,” said Frasers Group CEO Michael Murray.
SportScheck makes annual revenue of approximately 350 million euros, Frasers said.
Murray continued: “Growing and expanding our Sports business is a key focus area in becoming an international retail business.
“The German market represents a huge opportunity for us, and we look forward to bringing our experience, resources and relationships to strengthen the SportScheck business.”
This is the latest in a long list of acquisitions by Frasers Group in recent years as it continues to expand its retail empire.
This year alone, the group has acquired Missguided, Studio Retail, and I Saw It First, as well as a raft of brands from rival JD Sports.
The group has also been snapping up stakes in a number of companies, including Mulberry, N Brown, Hugo Boss, and, more recently, fast fashion giant Boohoo Group.
On Tuesday, Frasers Group upped its holdings in Boohoo from 13.4 percent to 15.1 percent.
Frasers bought an initial stake of 5 percent in the group back in June, and has been increasing it incrementally ever since.
http://dlvr.it/Sxbbf8
Another day, another acquisition for Frasers Group. This time the British fashion giant has snapped up German sports retailer SportScheck for an undisclosed sum as it looks to boost its presence in the market.
SportScheck, formerly owned by Signa Retail Department Store Holding GmbH, is a leading figure in the German sportswear market, with a history dating back 75 years and a portfolio of 34 stores across Germany.
Frasers Group, which owns British giant Sports Direct, said the acquisition will bolster its presence in the German market.
“Acquiring the leading sporting goods retailer in Germany is a big step in our journey to becoming the number one sports retailer in EMEA - and we are delighted to do this with the full support of major global brand partners, Adidas and Nike,” said Frasers Group CEO Michael Murray.
SportScheck makes annual revenue of approximately 350 million euros, Frasers said.
Murray continued: “Growing and expanding our Sports business is a key focus area in becoming an international retail business.
“The German market represents a huge opportunity for us, and we look forward to bringing our experience, resources and relationships to strengthen the SportScheck business.”
This is the latest in a long list of acquisitions by Frasers Group in recent years as it continues to expand its retail empire.
This year alone, the group has acquired Missguided, Studio Retail, and I Saw It First, as well as a raft of brands from rival JD Sports.
The group has also been snapping up stakes in a number of companies, including Mulberry, N Brown, Hugo Boss, and, more recently, fast fashion giant Boohoo Group.
On Tuesday, Frasers Group upped its holdings in Boohoo from 13.4 percent to 15.1 percent.
Frasers bought an initial stake of 5 percent in the group back in June, and has been increasing it incrementally ever since.
http://dlvr.it/Sxbbf8
Tuesday, October 17, 2023
Shoe Zone posts sales and profit growth
Credits: Image: Shoe Zone, Facebook
Shoe Zone has reported a 6.1 percent increase in full-year revenue to 165.7 million pounds, driven by strong second-half trading particularly in the peak summer and key back-to-school periods.
The company expects to report adjusted profit before tax to be not less than 16 million pounds for the year under review, it announced Tuesday.
Commenting on the trading update, Shoe Zone’s chief executive, Anthony Smith, said: “I am pleased to announce that Shoe Zone has had a strong year, continuing the momentum gained from the positive year we had in 2022.
“We continue our strategy to expand our hybrid and big box formats via refits and relocations and new stores.”
Strong digital growth at Shoe Zone
The company’s digital revenue jumped 17 percent to 30.9 million pounds, and represented 18.7 percent of total group revenue.
Shoe Zone said the continuing online growth is validation of its ongoing investment in the digital platform.
Product margin for the year increased to 62.1 percent.
Shoe Zone paid a 2.5 pence per share interim dividend amounting to 1.2 million pounds in August. The company added that a final dividend will be proposed in January 2024 alongside its final results.
The company ended the year trading out of 323 retail stores. It closed 72 stores, opened 35, and refitted 15 stores during the year. The total comprises 188 original Shoe Zone stores, 42 Big Box stores, and 93 Hybrid stores.
http://dlvr.it/SxYLq1
Shoe Zone has reported a 6.1 percent increase in full-year revenue to 165.7 million pounds, driven by strong second-half trading particularly in the peak summer and key back-to-school periods.
The company expects to report adjusted profit before tax to be not less than 16 million pounds for the year under review, it announced Tuesday.
Commenting on the trading update, Shoe Zone’s chief executive, Anthony Smith, said: “I am pleased to announce that Shoe Zone has had a strong year, continuing the momentum gained from the positive year we had in 2022.
“We continue our strategy to expand our hybrid and big box formats via refits and relocations and new stores.”
Strong digital growth at Shoe Zone
The company’s digital revenue jumped 17 percent to 30.9 million pounds, and represented 18.7 percent of total group revenue.
Shoe Zone said the continuing online growth is validation of its ongoing investment in the digital platform.
Product margin for the year increased to 62.1 percent.
Shoe Zone paid a 2.5 pence per share interim dividend amounting to 1.2 million pounds in August. The company added that a final dividend will be proposed in January 2024 alongside its final results.
The company ended the year trading out of 323 retail stores. It closed 72 stores, opened 35, and refitted 15 stores during the year. The total comprises 188 original Shoe Zone stores, 42 Big Box stores, and 93 Hybrid stores.
http://dlvr.it/SxYLq1
THG Q3 revenue falls, but full-year outlook remains unchanged
THG warehouse Credits: THG
British retail giant THG has reiterated its full-year guidance despite reporting a 4.4 percent drop in revenue in the third quarter of the year.
The group, which owns a number of fashion, beauty, and nutrition brands including Lookfantastic and Myprotein, said its performance improved progressively each month of the quarter.
Despite the drop, THG noted that Q3 was its best quarterly revenue performance of the year so far as it pushes forward with its turnaround strategy.
Breaking it down by division, revenue at THG Beauty was down 4.4 percent, THG Nutrition was down 4.6 percent, and THG Ingenuity - the company’s software and logistics division - was down 8.4 percent.
CEO and founder Matthew Moulding said: “The momentum with which we exited Q3 was especially pleasing, with the group returning to positive constant currency revenue growth of 3.2 percent in September, driven by a strong performance across our Beauty division.”
THG experienced explosive growth in recent years before going public in 2020 with a 5.4 billion pound valuation.
However, the company has been rocked since then by a tough economic backdrop, as well as concerns over its corporate governance, which resulted in Moulding handing over his chair role and giving up his ‘Golden Share’, which gave him greater voting powers over the business.
THG reiterates FY revenue guidance
Moulding remained upbeat on the group’s recovery. “Q3 has been another strong quarter of progress across the group, with each division delivering improved performances,” he said Tuesday.
“The pivots made within each division to ensure they thrive in a high inflation global environment are bearing fruit.”
Looking ahead, THG said its FY23 revenue and adjusted EBITDA remain unchanged. It expects revenue to be flat to down 5 percent.
Moulding continued: “Both our operations and inventory are well positioned ahead of peak trading, with the benefits of our investment in UK and US automated fulfilment centres enhancing the customer proposition through accelerated delivery times, positively influencing customer contact rates and overall satisfaction.”
http://dlvr.it/SxYLgd
British retail giant THG has reiterated its full-year guidance despite reporting a 4.4 percent drop in revenue in the third quarter of the year.
The group, which owns a number of fashion, beauty, and nutrition brands including Lookfantastic and Myprotein, said its performance improved progressively each month of the quarter.
Despite the drop, THG noted that Q3 was its best quarterly revenue performance of the year so far as it pushes forward with its turnaround strategy.
Breaking it down by division, revenue at THG Beauty was down 4.4 percent, THG Nutrition was down 4.6 percent, and THG Ingenuity - the company’s software and logistics division - was down 8.4 percent.
CEO and founder Matthew Moulding said: “The momentum with which we exited Q3 was especially pleasing, with the group returning to positive constant currency revenue growth of 3.2 percent in September, driven by a strong performance across our Beauty division.”
THG experienced explosive growth in recent years before going public in 2020 with a 5.4 billion pound valuation.
However, the company has been rocked since then by a tough economic backdrop, as well as concerns over its corporate governance, which resulted in Moulding handing over his chair role and giving up his ‘Golden Share’, which gave him greater voting powers over the business.
THG reiterates FY revenue guidance
Moulding remained upbeat on the group’s recovery. “Q3 has been another strong quarter of progress across the group, with each division delivering improved performances,” he said Tuesday.
“The pivots made within each division to ensure they thrive in a high inflation global environment are bearing fruit.”
Looking ahead, THG said its FY23 revenue and adjusted EBITDA remain unchanged. It expects revenue to be flat to down 5 percent.
Moulding continued: “Both our operations and inventory are well positioned ahead of peak trading, with the benefits of our investment in UK and US automated fulfilment centres enhancing the customer proposition through accelerated delivery times, positively influencing customer contact rates and overall satisfaction.”
http://dlvr.it/SxYLgd
Davide Renne: the career trajectory of Moschino's new creative director
Davide Renne. Credits: Photo by Alessio Bolzoni, courtesy of Moschino.
Moschino has appointed fashion designer Davide Renne, from Tuscany, as its new creative director. This article provides an overview of Renne's career trajectory, from his studies in fashion design in Florence to his most recent role at Gucci.
Renne’s fashion trajectory began at the Università degli Studi di Firenze where he studied fashion and costume design from 1996 to 1999. During the same period, he attended art and design school Polimoda, also located in Florence.
After graduation, the Italian designer started his career at the brand Alessandro Dell'Acqua as a senior designer. He also worked as the creative director of leather brand Ruffo for a year. In 2004, he joined Gucci. He has been at the helm of Gucci’s creative direction since then as head designer of womenswear.
Moschino, a unique history and daring designs
Italian luxury fashion house Moschino was established in 1983 by Franco Moschino, himself an alumnus of Istituto Marangoni, who initially aspired to be a painter.
The brand gained recognition internationally due to its unique and offbeat designs and successfully created a unique design lexicon, with recognizable elements like polka dots, fruit prints, heart symbols, and peace signs.
It is known for challenging the conventions of the fashion world, presenting camp-inspired fashion shows that often nod to artistic movements, pop culture, or the brand’s own legacy.
In 1999, Moschino SpA was acquired by Aeffe Group SpA. Today, Moschino's products are available in 86 countries around the world, both in brick-and-mortar stores and online. According to its store locator, the majority of Moschino’s physical points of sale are located in Europe, Asia and the Middle East.
Parent company Aeffe SpA, which also owns brands like Alberta Ferretti, Philosophy di Lorenzo Serafini, and Pollini, reported consolidated revenues of 162.9 million euros in the first half of the year, a drop of 7.4 percent at constant exchange rates (a 7.7 percent decrease at current exchange rates) from the previous year.
The ready-to-wear division of Aeffe Spa had revenues of 108.8 million euros, a downturn of 9.5 percent at current exchange rates compared to the same period in 2022 (a 9 percent decrease at constant exchange rates).
Davide Renne, new creative director at Moschino
In 2013, American designer and Pratt Institute alumnus Jeremy Scott became creative director at Moschino. He left the brand in March 2023. Additionally, Stefano Secchi, the former general director, and Michelle Stein, the former president of the US division of Moschino, also left their roles.
In September, Massimo Ferretti, the brand’s chairman, hinted at a new creative director announcement.
Davide Renne will officially assume his role at Moschino on November 1. He will manage the women's and men's collections as well as the accessories collections at the Italian fashion house.
Renne's extensive work experience in the industry, particularly his long stint at Gucci, has made him a noteworthy figure in the fashion world. Industry observers will be watching closely to see how the Italian creative influences Moschino’s direction.
Renne will present his debut collection for the brand during Milan Fashion Week in February 2024.
This article has been partially generated with an AI tool, and then edited by Veerle Versteeg.
http://dlvr.it/SxXzf3
Moschino has appointed fashion designer Davide Renne, from Tuscany, as its new creative director. This article provides an overview of Renne's career trajectory, from his studies in fashion design in Florence to his most recent role at Gucci.
Renne’s fashion trajectory began at the Università degli Studi di Firenze where he studied fashion and costume design from 1996 to 1999. During the same period, he attended art and design school Polimoda, also located in Florence.
After graduation, the Italian designer started his career at the brand Alessandro Dell'Acqua as a senior designer. He also worked as the creative director of leather brand Ruffo for a year. In 2004, he joined Gucci. He has been at the helm of Gucci’s creative direction since then as head designer of womenswear.
Moschino, a unique history and daring designs
Italian luxury fashion house Moschino was established in 1983 by Franco Moschino, himself an alumnus of Istituto Marangoni, who initially aspired to be a painter.
The brand gained recognition internationally due to its unique and offbeat designs and successfully created a unique design lexicon, with recognizable elements like polka dots, fruit prints, heart symbols, and peace signs.
It is known for challenging the conventions of the fashion world, presenting camp-inspired fashion shows that often nod to artistic movements, pop culture, or the brand’s own legacy.
In 1999, Moschino SpA was acquired by Aeffe Group SpA. Today, Moschino's products are available in 86 countries around the world, both in brick-and-mortar stores and online. According to its store locator, the majority of Moschino’s physical points of sale are located in Europe, Asia and the Middle East.
Parent company Aeffe SpA, which also owns brands like Alberta Ferretti, Philosophy di Lorenzo Serafini, and Pollini, reported consolidated revenues of 162.9 million euros in the first half of the year, a drop of 7.4 percent at constant exchange rates (a 7.7 percent decrease at current exchange rates) from the previous year.
The ready-to-wear division of Aeffe Spa had revenues of 108.8 million euros, a downturn of 9.5 percent at current exchange rates compared to the same period in 2022 (a 9 percent decrease at constant exchange rates).
Davide Renne, new creative director at Moschino
In 2013, American designer and Pratt Institute alumnus Jeremy Scott became creative director at Moschino. He left the brand in March 2023. Additionally, Stefano Secchi, the former general director, and Michelle Stein, the former president of the US division of Moschino, also left their roles.
In September, Massimo Ferretti, the brand’s chairman, hinted at a new creative director announcement.
Davide Renne will officially assume his role at Moschino on November 1. He will manage the women's and men's collections as well as the accessories collections at the Italian fashion house.
Renne's extensive work experience in the industry, particularly his long stint at Gucci, has made him a noteworthy figure in the fashion world. Industry observers will be watching closely to see how the Italian creative influences Moschino’s direction.
Renne will present his debut collection for the brand during Milan Fashion Week in February 2024.
This article has been partially generated with an AI tool, and then edited by Veerle Versteeg.
http://dlvr.it/SxXzf3
Monday, October 16, 2023
Moschino names Davide Renne as new creative director
Davide_Renne creative director at Moschino Credits: Moschino by Alessio Bolzoni
Italian fashion brand Moschino has appointed former Gucci designer Davide Renne as its new creative director.
In a statement, Moschino said that Tuscan-born designer Davide Renne, who has designed women’s collections for two decades at Gucci, eventually serving as head designer of womenswear, will oversee women’s, men’s and accessories for the Moschino main line.
Renne will join Moschino on November 1, reporting to Massimo Ferretti, executive chairman of Aeffe SpA, which also owns labels including Alberta Ferretti and Pollini.
He succeeds Jeremy Scott, who departed the Italian label in March after 10 years at the helm.
Renne’s first collection for the brand will debut for autumn/winter 2024 during Milan Fashion Week in February 2024.
Davide Renne to unveil debut Moschino collection in February 2024
Davide Renne creative director at Moschino Credits: Moschino by Alessio Bolzoni
Commenting on the appointment, Ferretti said: “We have all been impressed by Davide’s extremely sophisticated vision of fashion’s power to create a living dialogue with the world around us, and by his deep understanding of the House of Moschino’s legacy and of our codes.
“He is a brilliant designer, and a special human being: Franco used to say that bad manners are the only true bad taste and getting to know Davide I have been struck not only by his obvious talent but by his kindness, his sensibility. We are confident that he will play a pivotal role in shaping the future of Moschino, a global House with an Italian heart, and a truly unique DNA in the luxury industry.”
Renne added: "Franco Moschino had a nickname for his design studio: la sala giochi - the playroom. This resonates deeply with me: what fashion – Italian fashion especially, and the House of Moschino most of all can achieve with its enormous power should be accomplished with a sense of play, of joy. A sense of discovery, and experimentation.
“I am very conscious of the honour that Mr. Ferretti - a gentleman who has been almost fatherly in his ability to listen and establish a dialogue during our encounters - has bestowed upon me in taking charge of the House founded by one of fashion's great minds. So, thank you Mr. Ferretti for giving me the keys to your playroom. I can't wait to begin – we’ll have fun. Together.”
http://dlvr.it/SxW5nK
Italian fashion brand Moschino has appointed former Gucci designer Davide Renne as its new creative director.
In a statement, Moschino said that Tuscan-born designer Davide Renne, who has designed women’s collections for two decades at Gucci, eventually serving as head designer of womenswear, will oversee women’s, men’s and accessories for the Moschino main line.
Renne will join Moschino on November 1, reporting to Massimo Ferretti, executive chairman of Aeffe SpA, which also owns labels including Alberta Ferretti and Pollini.
He succeeds Jeremy Scott, who departed the Italian label in March after 10 years at the helm.
Renne’s first collection for the brand will debut for autumn/winter 2024 during Milan Fashion Week in February 2024.
Davide Renne to unveil debut Moschino collection in February 2024
Davide Renne creative director at Moschino Credits: Moschino by Alessio Bolzoni
Commenting on the appointment, Ferretti said: “We have all been impressed by Davide’s extremely sophisticated vision of fashion’s power to create a living dialogue with the world around us, and by his deep understanding of the House of Moschino’s legacy and of our codes.
“He is a brilliant designer, and a special human being: Franco used to say that bad manners are the only true bad taste and getting to know Davide I have been struck not only by his obvious talent but by his kindness, his sensibility. We are confident that he will play a pivotal role in shaping the future of Moschino, a global House with an Italian heart, and a truly unique DNA in the luxury industry.”
Renne added: "Franco Moschino had a nickname for his design studio: la sala giochi - the playroom. This resonates deeply with me: what fashion – Italian fashion especially, and the House of Moschino most of all can achieve with its enormous power should be accomplished with a sense of play, of joy. A sense of discovery, and experimentation.
“I am very conscious of the honour that Mr. Ferretti - a gentleman who has been almost fatherly in his ability to listen and establish a dialogue during our encounters - has bestowed upon me in taking charge of the House founded by one of fashion's great minds. So, thank you Mr. Ferretti for giving me the keys to your playroom. I can't wait to begin – we’ll have fun. Together.”
http://dlvr.it/SxW5nK
UK shoppers allocating more funds for Black Friday 2023 vs previous years, says report
Black Friday Cyber Monday sale Credits: Pexels
Consumers worldwide are ready to spend on Black Friday Cyber Monday (BFCM) weekend, according to data from the Shopify BFCM 2023 Report.
The report, which is derived from surveys of over 2,000 consumers and 1,000 SMBs in the UK, alongside global responses from 12,000 consumers and nearly 5,000 businesses across six nations, indicates that despite prior spending cutbacks many intend to maintain or increase their expenditure. In particular, shoppers seek specific deals and intend to utilize AI to discover new brands and products.
In the UK, 74 percent of consumers reduced discretionary spending recently, yet more than half (53 percent) are allocating more money than in previous years for this season. Consequently, 66 percent plan to spend as much or more during BFCM weekend this year.
UK consumers are discerning, with 83 percent comparing prices and 68 percent citing cost as a primary reason to switch brands. Quality is also paramount, with 77 percent favoring long-lasting, high-quality products.
Online and offline retail are both popular, with 33 percent of UK consumers discovering new products in physical stores. The significance of brick-and-mortar shops is increasing, according to 76 percent of UK merchants, up from 68 percent in 2022.
Social media is emerging as a sales channel, with 32 percent of UK consumers willing to make direct purchases on Facebook. Meanwhile, technology, notably AI, plays a key role in driving sales and brand loyalty. Around 67 percent of brands are increasing technology investment to maximize BFCM and upcoming seasonal spending opportunities.
http://dlvr.it/SxVhmY
Consumers worldwide are ready to spend on Black Friday Cyber Monday (BFCM) weekend, according to data from the Shopify BFCM 2023 Report.
The report, which is derived from surveys of over 2,000 consumers and 1,000 SMBs in the UK, alongside global responses from 12,000 consumers and nearly 5,000 businesses across six nations, indicates that despite prior spending cutbacks many intend to maintain or increase their expenditure. In particular, shoppers seek specific deals and intend to utilize AI to discover new brands and products.
In the UK, 74 percent of consumers reduced discretionary spending recently, yet more than half (53 percent) are allocating more money than in previous years for this season. Consequently, 66 percent plan to spend as much or more during BFCM weekend this year.
UK consumers are discerning, with 83 percent comparing prices and 68 percent citing cost as a primary reason to switch brands. Quality is also paramount, with 77 percent favoring long-lasting, high-quality products.
Online and offline retail are both popular, with 33 percent of UK consumers discovering new products in physical stores. The significance of brick-and-mortar shops is increasing, according to 76 percent of UK merchants, up from 68 percent in 2022.
Social media is emerging as a sales channel, with 32 percent of UK consumers willing to make direct purchases on Facebook. Meanwhile, technology, notably AI, plays a key role in driving sales and brand loyalty. Around 67 percent of brands are increasing technology investment to maximize BFCM and upcoming seasonal spending opportunities.
http://dlvr.it/SxVhmY
Ecco up its cred with Natacha Ramsay-Levi partnership
Ecco capsule collection NRL Credits: Courtesy Ecco
Danish footwear brand Ecco is celebrating its 60th anniversary with a renewed creative vision. While it's not a relaunch, Ecco said it is refreshing its core values, centered on innovation, responsibility, a people-first approach, and democratic Danish design. The brand aims to resonate with the modern world, underpinning its identity.
As part of its rejuvenation, Ecco has announced a collaboration with designer Natacha Ramsay-Levi, former design director at Chloé and previously a protégé of Nicholas Ghesquiere at Balenciaga and Louis Vuitton. The capsule collection, called NPR after the designer’s initials, consists of 15 styles, with stand-out pieces including heeled loafers and trail shoes turned color-block pumps. The collection arrives in stores in October but has already garnered celebrity interest with a launch event in London.
Ecco has sometimes been associated as having a "dowdy" image, due to the brand prioritising comfort, functionality, and durability in its shoe designs. Ms Ramsay-Levi has brought a more fashion forward perspective, making the range appealing to a broader consumer base, including more fashion-conscious shoppers.
Ecco said the company will revamp 16 flagship stores, emphasising community connections, as well as open a boutique in SoHo, New York and introduce a more user-friendly website.
CEO Panos Mytaros underscores Ecco’s design for everyday and its goal to maintain its essence while growing stronger. The company, a family business founded in 1963 by Danish couple Karl and Birte Toosbuy, remains committed to quality and community as it marks its 60th year.
http://dlvr.it/SxVhhR
Danish footwear brand Ecco is celebrating its 60th anniversary with a renewed creative vision. While it's not a relaunch, Ecco said it is refreshing its core values, centered on innovation, responsibility, a people-first approach, and democratic Danish design. The brand aims to resonate with the modern world, underpinning its identity.
As part of its rejuvenation, Ecco has announced a collaboration with designer Natacha Ramsay-Levi, former design director at Chloé and previously a protégé of Nicholas Ghesquiere at Balenciaga and Louis Vuitton. The capsule collection, called NPR after the designer’s initials, consists of 15 styles, with stand-out pieces including heeled loafers and trail shoes turned color-block pumps. The collection arrives in stores in October but has already garnered celebrity interest with a launch event in London.
Ecco has sometimes been associated as having a "dowdy" image, due to the brand prioritising comfort, functionality, and durability in its shoe designs. Ms Ramsay-Levi has brought a more fashion forward perspective, making the range appealing to a broader consumer base, including more fashion-conscious shoppers.
Ecco said the company will revamp 16 flagship stores, emphasising community connections, as well as open a boutique in SoHo, New York and introduce a more user-friendly website.
CEO Panos Mytaros underscores Ecco’s design for everyday and its goal to maintain its essence while growing stronger. The company, a family business founded in 1963 by Danish couple Karl and Birte Toosbuy, remains committed to quality and community as it marks its 60th year.
http://dlvr.it/SxVhhR
Olaplex names Amanda Baldwin as chief executive officer
Credits: Image: Amanda Baldwin via Olaplex Holdings, Inc.
Olaplex Holdings, Inc. has appointed Amanda Baldwin as the company’s chief executive officer, effective by early 2024, succeeding Jue Wong.
Baldwin, the company said in a release, will also join the Olaplex board of directors. John P. “JP'' Bilbrey, the company’s executive chair of the board, will serve as interim CEO during the transition period.
In addition to announcing the leadership transition, the company reiterated guidance for fiscal year 2023 and continues to expects net sales in the range of 445 dollars to 465 million dollars, adjusted net income in the range of 96 dollars to 108 million dollars and adjusted Ebitda between 161 dollars and 176 million dollars.
“Amanda is an effective and creative brand builder who deeply understands consumer insights and analytics. Her valuable mix of strengths across marketing, product development and execution make her the ideal person to position Olaplex for long-term success,” said JP Bilbrey.
Baldwin, the company added, has extensive experience in leadership roles in the beauty and consumer industries, most recently serving as CEO of Supergoop LLC, the leading SPF skincare brand, since July 2016. Prior to joining Supergoop!Baldwin served as a senior vice president at L Catterton, an investment fund, collaborating with management teams across the portfolio with a particular focus on the beauty sector.
“Olaplex stands apart as a category creator redefining what is possible through the combination of beauty and science. I see tremendous opportunity to help the brand and the business reach their full potential by further deepening engagement with stylists, retailers and consumers through breakthrough product innovation, sharp storytelling and a dynamic global omnichannel strategy," added Baldwin.
Baldwin previously led the omnichannel marketing strategy of Dior Beauty at LVMH and held several positions at Clinique, a part of The Estée Lauder Companies. In 2022 she was named EY Entrepreneur of the Year. Baldwin currently serves on the board of directors of Ibotta, Inc and KIPP NYC.
http://dlvr.it/SxVLJ7
Olaplex Holdings, Inc. has appointed Amanda Baldwin as the company’s chief executive officer, effective by early 2024, succeeding Jue Wong.
Baldwin, the company said in a release, will also join the Olaplex board of directors. John P. “JP'' Bilbrey, the company’s executive chair of the board, will serve as interim CEO during the transition period.
In addition to announcing the leadership transition, the company reiterated guidance for fiscal year 2023 and continues to expects net sales in the range of 445 dollars to 465 million dollars, adjusted net income in the range of 96 dollars to 108 million dollars and adjusted Ebitda between 161 dollars and 176 million dollars.
“Amanda is an effective and creative brand builder who deeply understands consumer insights and analytics. Her valuable mix of strengths across marketing, product development and execution make her the ideal person to position Olaplex for long-term success,” said JP Bilbrey.
Baldwin, the company added, has extensive experience in leadership roles in the beauty and consumer industries, most recently serving as CEO of Supergoop LLC, the leading SPF skincare brand, since July 2016. Prior to joining Supergoop!Baldwin served as a senior vice president at L Catterton, an investment fund, collaborating with management teams across the portfolio with a particular focus on the beauty sector.
“Olaplex stands apart as a category creator redefining what is possible through the combination of beauty and science. I see tremendous opportunity to help the brand and the business reach their full potential by further deepening engagement with stylists, retailers and consumers through breakthrough product innovation, sharp storytelling and a dynamic global omnichannel strategy," added Baldwin.
Baldwin previously led the omnichannel marketing strategy of Dior Beauty at LVMH and held several positions at Clinique, a part of The Estée Lauder Companies. In 2022 she was named EY Entrepreneur of the Year. Baldwin currently serves on the board of directors of Ibotta, Inc and KIPP NYC.
http://dlvr.it/SxVLJ7
Saturday, October 14, 2023
Pepco Group: Q4 revenue up 12.5 percent despite 'challenging' trading environment
Pepco storefront Credits: Pepco
Discount retail giant Pepco Group has reported strong fourth-quarter revenue growth and record full-year sales despite a “challenging market backdrop”.
The group, which owns the Pepco and Dealz brands in Europe and Poundland in the UK, generated revenue of 1.44 billion euros in the three months ended September 30, up 12.5 percent on a constant-currency basis, but up just 0.2 percent on a like-for-like basis, as it opened a record number of net stores in the quarter.
The growth was driven by a 12.6 percent constant-currency increase at Pepco and a 12.4 percent increase at Poundland Group.
However on a like-for-like basis, revenue at Pepco fell 2.4 percent in the quarter, while revenue at Poundland Group rose 4.1 percent.
Commenting on the fourth quarter results, executive chair Andy Bond said: “As first announced on September 12, the trading environment deteriorated significantly in the last quarter across Pepco’s markets, notably in Central and Eastern Europe (CEE), with weaker sales, a lower than forecast gross margin, and higher costs, resulting in a reduced level of profitability in our core markets, which we are addressing.”
He said the company’s key priorities now include “refocusing on customers in our core CEE business, implementing a more targeted growth plan in markets where we have a presence, and accelerating the transition into a single business”.
Record FY revenue driven by store openings
Looking at the company’s full-year results, Pepco group generated record revenue of 5.65 billion euros, up 17.7 percent from a year earlier, or up 6 percent on a like-for-like basis.
That came as the group opened a record 668 net new stores during the fiscal year.
“Group performance over the past year has been mixed against a challenging market backdrop,” Bond said.
In September, Pepco Group downgraded its full-year profit outlook, saying it expects to deliver underlying FY23 EBITDA of approximately 750 million euros on a constant currency basis, up from 731 million euros a year earlier.
The guidance reflected weaker-than-expected Q4 sales within Pepco’s markets. It also accounted for a lower gross margin as the group cycles more slowly through older stock and the impact of higher costs. These costs were partly due to the investment in a record number of new store openings during the fourth quarter.
Also in September, the group reorganised its management team and formed an executive committee in order to establish a strategic review to address costs and initiatives that could generate “appropriate returns in the near term” and accelerate its transformation.
That came just weeks after it was announced that group CEO Trevor Masters would be exiting the business amid plans to expand its European budget brand Pepco into new regions across Europe, including most recently to Bosnia and Herzegovina.
http://dlvr.it/SxQjP1
Discount retail giant Pepco Group has reported strong fourth-quarter revenue growth and record full-year sales despite a “challenging market backdrop”.
The group, which owns the Pepco and Dealz brands in Europe and Poundland in the UK, generated revenue of 1.44 billion euros in the three months ended September 30, up 12.5 percent on a constant-currency basis, but up just 0.2 percent on a like-for-like basis, as it opened a record number of net stores in the quarter.
The growth was driven by a 12.6 percent constant-currency increase at Pepco and a 12.4 percent increase at Poundland Group.
However on a like-for-like basis, revenue at Pepco fell 2.4 percent in the quarter, while revenue at Poundland Group rose 4.1 percent.
Commenting on the fourth quarter results, executive chair Andy Bond said: “As first announced on September 12, the trading environment deteriorated significantly in the last quarter across Pepco’s markets, notably in Central and Eastern Europe (CEE), with weaker sales, a lower than forecast gross margin, and higher costs, resulting in a reduced level of profitability in our core markets, which we are addressing.”
He said the company’s key priorities now include “refocusing on customers in our core CEE business, implementing a more targeted growth plan in markets where we have a presence, and accelerating the transition into a single business”.
Record FY revenue driven by store openings
Looking at the company’s full-year results, Pepco group generated record revenue of 5.65 billion euros, up 17.7 percent from a year earlier, or up 6 percent on a like-for-like basis.
That came as the group opened a record 668 net new stores during the fiscal year.
“Group performance over the past year has been mixed against a challenging market backdrop,” Bond said.
In September, Pepco Group downgraded its full-year profit outlook, saying it expects to deliver underlying FY23 EBITDA of approximately 750 million euros on a constant currency basis, up from 731 million euros a year earlier.
The guidance reflected weaker-than-expected Q4 sales within Pepco’s markets. It also accounted for a lower gross margin as the group cycles more slowly through older stock and the impact of higher costs. These costs were partly due to the investment in a record number of new store openings during the fourth quarter.
Also in September, the group reorganised its management team and formed an executive committee in order to establish a strategic review to address costs and initiatives that could generate “appropriate returns in the near term” and accelerate its transformation.
That came just weeks after it was announced that group CEO Trevor Masters would be exiting the business amid plans to expand its European budget brand Pepco into new regions across Europe, including most recently to Bosnia and Herzegovina.
http://dlvr.it/SxQjP1
Thursday, October 12, 2023
Off-White teams up with Monster High
Monster High and Off-White collaboration Credits: Mattel / Monster High
Off-White, the fashion brand founded by the late Virgil Abloh, has unveiled a collaboration with Mattel doll toy brand Monster High.
The collaboration marks one of Abloh’s last projects he actively pursued before his death in late 2021 of cancer and offers a capsule collection of four original Monster High dolls adorned in Off-White catwalk ensembles.
In a statement, Mattel said that Abloh’s inspiration originated from his long-standing desire to explore the world of toys, driven by his close relationship with his children. He was intrigued by the unique appeal of Monster High, characterised by its fresh take on street-inspired style and strong embrace of individuality and he aimed to reimagine Off-White’s iconic looks with the unique Monster High ‘Monsterfication’ design language.
Kim Culmone, senior vice president and head of doll design at Mattel, said: “The genesis of this collaboration was a meeting in late 2020, where the fusion of Virgil Abloh’s creative vision and Monster High’s distinctive character sparked a groundbreaking partnership.
“The Off-White c/o Monster High collaboration signifies the celebration of creativity, non-conformity and the boundless possibilities that arise when fashion, art, and toy culture converge.”
The limited-edition collaboration includes four dolls with their own unique personalities and a musical punk twist. ‘Electra Melody,’ is a sea monster wearing a dress from Off-White’s spring/summer 2018 ready-to-wear show with mismatched gloves, Off-White-inspired clear-wrapped heels, and doll-sized versions of Off-White sunglasses and the coveted Burrow 22 shoulder bag.
While ‘Harmonie Ghoul,’ is a franken-monster straight from the lab, wearing a tiered checkered dress from Off-White’s spring/summer 2017 collection with red knee-high boots, one bearing the label ‘Not For Walking’ and the other ‘Not For Dancing’. Her look is accentuated with doll-sized versions of Off-White earrings and a Burrow 20 chain-link shoulder bag featuring a custom Monster High Skullette keychain.
‘Raven Rhapsody’ is a gargoyle wearing an entire ensemble from Off-White’s spring/summer 2017 collection, which merges sporty and elevated aesthetics, complete with wings and a horn hat, alongside Off-White accessories, including a black belt bag and neon pink logo earrings.
The final doll is ‘Symphanee Midnight,’ wearing an Off-White autumn/winter 2020 black ballgown on the dancefloor, with chain-link jewellery and an Off-White Jitney 1.4 bag.
The four ghouls will be available in-store from Off-White flagship locations in Miami, New York City, Las Vegas, Paris and Milan from October 11. 'Electra Melody' will be available on Mattel’s direct-to-consumer site MattelCreations.com and Off-White.com from October 13.
http://dlvr.it/SxKjp8
Off-White, the fashion brand founded by the late Virgil Abloh, has unveiled a collaboration with Mattel doll toy brand Monster High.
The collaboration marks one of Abloh’s last projects he actively pursued before his death in late 2021 of cancer and offers a capsule collection of four original Monster High dolls adorned in Off-White catwalk ensembles.
In a statement, Mattel said that Abloh’s inspiration originated from his long-standing desire to explore the world of toys, driven by his close relationship with his children. He was intrigued by the unique appeal of Monster High, characterised by its fresh take on street-inspired style and strong embrace of individuality and he aimed to reimagine Off-White’s iconic looks with the unique Monster High ‘Monsterfication’ design language.
Kim Culmone, senior vice president and head of doll design at Mattel, said: “The genesis of this collaboration was a meeting in late 2020, where the fusion of Virgil Abloh’s creative vision and Monster High’s distinctive character sparked a groundbreaking partnership.
“The Off-White c/o Monster High collaboration signifies the celebration of creativity, non-conformity and the boundless possibilities that arise when fashion, art, and toy culture converge.”
The limited-edition collaboration includes four dolls with their own unique personalities and a musical punk twist. ‘Electra Melody,’ is a sea monster wearing a dress from Off-White’s spring/summer 2018 ready-to-wear show with mismatched gloves, Off-White-inspired clear-wrapped heels, and doll-sized versions of Off-White sunglasses and the coveted Burrow 22 shoulder bag.
While ‘Harmonie Ghoul,’ is a franken-monster straight from the lab, wearing a tiered checkered dress from Off-White’s spring/summer 2017 collection with red knee-high boots, one bearing the label ‘Not For Walking’ and the other ‘Not For Dancing’. Her look is accentuated with doll-sized versions of Off-White earrings and a Burrow 20 chain-link shoulder bag featuring a custom Monster High Skullette keychain.
‘Raven Rhapsody’ is a gargoyle wearing an entire ensemble from Off-White’s spring/summer 2017 collection, which merges sporty and elevated aesthetics, complete with wings and a horn hat, alongside Off-White accessories, including a black belt bag and neon pink logo earrings.
The final doll is ‘Symphanee Midnight,’ wearing an Off-White autumn/winter 2020 black ballgown on the dancefloor, with chain-link jewellery and an Off-White Jitney 1.4 bag.
The four ghouls will be available in-store from Off-White flagship locations in Miami, New York City, Las Vegas, Paris and Milan from October 11. 'Electra Melody' will be available on Mattel’s direct-to-consumer site MattelCreations.com and Off-White.com from October 13.
http://dlvr.it/SxKjp8
Wednesday, October 11, 2023
Ben Sherman unveils collaboration with the John Lennon Estate
Ben Sherman x John Lennon Collection Credits: Ben Sherman
In Pictures
British fashion brand Ben Sherman has unveiled a limited-edition collection honouring singer-songwriter and composer John Lennon as it continues to celebrate six decades of music and fashion.
In partnership with the John Lennon Estate, the exclusive collection blends the essence of Ben Sherman's DNA with original John Lennon sketches, album artwork and song lyrics, including the singer’s timeless classic ‘Imagine’.
Ben Sherman x John Lennon Collection Credits: Ben Sherman
Lennon’s whimsical artworks, lyrics and signature can be seen across an array of T-shirts, jumpers, polo shirts, and Oxford shirts, celebrating the singer’s artistic legacy.
Mark Williams, creative director at Ben Sherman, said in a statement: "Straightaway, we loved the idea of making the lyrics structurally form part of the design. We knew this was an original approach that hadn't been explored to this level of detail."
Ben Sherman adds that many of the pieces within the capsule collection draw inspiration from Lennon's iconic looks throughout his life, paying homage to his sense of style while crafting an “exclusive collection of modern collectibles”.
Ben Sherman x John Lennon Collection Credits: Ben Sherman
Ben Sherman x John Lennon Collection Credits: Ben Sherman
Ben Sherman x John Lennon Collection Credits: Ben Sherman
Ben Sherman x John Lennon Collection Credits: Ben Sherman
http://dlvr.it/SxH747
In Pictures
British fashion brand Ben Sherman has unveiled a limited-edition collection honouring singer-songwriter and composer John Lennon as it continues to celebrate six decades of music and fashion.
In partnership with the John Lennon Estate, the exclusive collection blends the essence of Ben Sherman's DNA with original John Lennon sketches, album artwork and song lyrics, including the singer’s timeless classic ‘Imagine’.
Ben Sherman x John Lennon Collection Credits: Ben Sherman
Lennon’s whimsical artworks, lyrics and signature can be seen across an array of T-shirts, jumpers, polo shirts, and Oxford shirts, celebrating the singer’s artistic legacy.
Mark Williams, creative director at Ben Sherman, said in a statement: "Straightaway, we loved the idea of making the lyrics structurally form part of the design. We knew this was an original approach that hadn't been explored to this level of detail."
Ben Sherman adds that many of the pieces within the capsule collection draw inspiration from Lennon's iconic looks throughout his life, paying homage to his sense of style while crafting an “exclusive collection of modern collectibles”.
Ben Sherman x John Lennon Collection Credits: Ben Sherman
Ben Sherman x John Lennon Collection Credits: Ben Sherman
Ben Sherman x John Lennon Collection Credits: Ben Sherman
Ben Sherman x John Lennon Collection Credits: Ben Sherman
http://dlvr.it/SxH747
Who is Chloé's new creative director Chemena Kamali?
Chemena Kamali, new creative director of Chloé. Credits: Chloé, photo by David Sims.
For Chemena Kamali, the appointment as creative director of Chloé marks a return to her fashion roots. But who is the newly minted designer of the French luxury fashion house that will follow in the footsteps of Gabriela Hearst?
The name Kamali was probably not an instant household name to most people before her appointment on Monday, however, the 41-year-old from Düsseldorf, Germany, has been working behind the scenes of various renowned fashion houses for more than 20 years.
The choice of designers like Kamali, who has so far mostly demonstrated her skills in silence, is currently gaining in appeal in fashion. In recent years, major luxury fashion brands - with the exception of Pharrell Williams at Louis Vuitton - have seemed increasingly reluctant to hire already established designers. Rather, the tactic of paving the way for talents from their own ranks or promising design directors from other brands is currently proving successful, as was the case with Matthieu Blazy at Bottega Veneta, Sabato De Sarno at Gucci or Peter Hawkings at Tom Ford, among others. Seán McGirr is another recent example of a new arrival alongside Kamali. The recently appointed successor to Sarah Burton as creative director of Alexander McQueen has so far mostly acted behind the scenes.
From Trier, via London to Paris
Both Kamali and McGirr studied at Central Saint Martins fashion school in London under the late Professor Louise Wilson, a driving force and mentor to many English fashion designers, such as Alexander McQueen and Phoebe Philo.
Kamali's fashion journey, however, began in Germany, where she studied fashion design at the Trier University of Applied Sciences, according to the industry magazine WWD. This was followed by an initial and obviously formative period at Chloé under then creative director Philo, who was at the helm of the French fashion house from 2001 to 2006, before Kamali graduated with honours from Central Saint Martens with a Masters in Fashion Design in 2007. Stints at luxury fashion brand Alberta Ferretti and Strenesse followed over the years, before her initial return to Chloé in 2013 - this time as design director during Clare Waight Keller's time as creative director.
It is unclear exactly when Kamali left Chloé for the second time, but it was the German designer who, together with designer Lucio Finale, replaced then creative director Alber Elbaz for the autumn/winter 2016 collection at luxury fashion house Lanvin. Shortly after, she joined Saint Laurent as Women's Ready to Wear design director alongside then newly minted creative director Anthony Vaccarello. Earlier this year, the designer moved to Los Angeles to support denim brand Frame as a creative consultant for the autumn/winter 2023 collection.
Now the designer is back in Paris, and not too surprisingly, as Kamali was rumoured to be the first choice for the role of creative director at Chloé even before Hearst's official departure. Since July, reports initiated by the industry magazine Business of Fashion had been circulating about a parallel design studio headed by Kamali at the French luxury brand, even if it was still unclear at the time whether this actually pointed to Hearst's departure. For the creative director-designate, however, her return seems both natural and an absolute affair of the heart. "My heart has always belonged to Chloé," Kamali said in a statement on Monday. "Ever since I stepped through the doors more than 20 years ago. Coming back feels natural and very personal."
Chloé continues to focus on women's voice in the industry
The appointment of Kamali not only joins the current preferred choice of hidden talent, but also adds to the perennial debate about the fashion industry being dominated by male designers, especially given the history of them mostly designing ready-to-wear collections for women.
Although the design studios of industry giants such as Chanel and Dior are currently headed by women, with Virginie Viard and Maria Grazia Chiuri, the field of female creative directors is conspicuously thin on the ground. Little wonder then that the appointment of McGirr to succeed Sarah Burton at Alexander McQueen sparked a heated debate in the fashion industry, because with him, all the top creative positions at McQueen's parent company Kering, which also owns Gucci, Givenchy and Saint Laurent among others, are now held by white men.
In contrast, Chloé has been run by women since its inception - with a few, but all the more famous, exceptions such as Karl Lagerfeld - since it was founded by Gaby Aghion in 1952. These women, including Aghion, Philo, Hearst, Keller and Stella McCartney, are celebrated in the exhibition "Mood of the Moment: Gaby Aghion and the House of Chloé" at the Jewish Museum in New York, which will open its doors on 13 October.
The fashion industry will have to wait a little longer to catch a first glimpse of Kamali's vision for Chloé. Her first pre-fall collection will be unveiled in January, before a runway debut for autumn/winter 2024 in February. However, Chloé CEO Riccardo Bellini is already optimistic: "Chemena's vision, inspired by her love for the brand, will truly celebrate Chloé's unique DNA. Chemena is both the creative director of Chloé and the embodiment of the spirit of Chloé."
http://dlvr.it/SxH705
For Chemena Kamali, the appointment as creative director of Chloé marks a return to her fashion roots. But who is the newly minted designer of the French luxury fashion house that will follow in the footsteps of Gabriela Hearst?
The name Kamali was probably not an instant household name to most people before her appointment on Monday, however, the 41-year-old from Düsseldorf, Germany, has been working behind the scenes of various renowned fashion houses for more than 20 years.
The choice of designers like Kamali, who has so far mostly demonstrated her skills in silence, is currently gaining in appeal in fashion. In recent years, major luxury fashion brands - with the exception of Pharrell Williams at Louis Vuitton - have seemed increasingly reluctant to hire already established designers. Rather, the tactic of paving the way for talents from their own ranks or promising design directors from other brands is currently proving successful, as was the case with Matthieu Blazy at Bottega Veneta, Sabato De Sarno at Gucci or Peter Hawkings at Tom Ford, among others. Seán McGirr is another recent example of a new arrival alongside Kamali. The recently appointed successor to Sarah Burton as creative director of Alexander McQueen has so far mostly acted behind the scenes.
From Trier, via London to Paris
Both Kamali and McGirr studied at Central Saint Martins fashion school in London under the late Professor Louise Wilson, a driving force and mentor to many English fashion designers, such as Alexander McQueen and Phoebe Philo.
Kamali's fashion journey, however, began in Germany, where she studied fashion design at the Trier University of Applied Sciences, according to the industry magazine WWD. This was followed by an initial and obviously formative period at Chloé under then creative director Philo, who was at the helm of the French fashion house from 2001 to 2006, before Kamali graduated with honours from Central Saint Martens with a Masters in Fashion Design in 2007. Stints at luxury fashion brand Alberta Ferretti and Strenesse followed over the years, before her initial return to Chloé in 2013 - this time as design director during Clare Waight Keller's time as creative director.
It is unclear exactly when Kamali left Chloé for the second time, but it was the German designer who, together with designer Lucio Finale, replaced then creative director Alber Elbaz for the autumn/winter 2016 collection at luxury fashion house Lanvin. Shortly after, she joined Saint Laurent as Women's Ready to Wear design director alongside then newly minted creative director Anthony Vaccarello. Earlier this year, the designer moved to Los Angeles to support denim brand Frame as a creative consultant for the autumn/winter 2023 collection.
Now the designer is back in Paris, and not too surprisingly, as Kamali was rumoured to be the first choice for the role of creative director at Chloé even before Hearst's official departure. Since July, reports initiated by the industry magazine Business of Fashion had been circulating about a parallel design studio headed by Kamali at the French luxury brand, even if it was still unclear at the time whether this actually pointed to Hearst's departure. For the creative director-designate, however, her return seems both natural and an absolute affair of the heart. "My heart has always belonged to Chloé," Kamali said in a statement on Monday. "Ever since I stepped through the doors more than 20 years ago. Coming back feels natural and very personal."
Chloé continues to focus on women's voice in the industry
The appointment of Kamali not only joins the current preferred choice of hidden talent, but also adds to the perennial debate about the fashion industry being dominated by male designers, especially given the history of them mostly designing ready-to-wear collections for women.
Although the design studios of industry giants such as Chanel and Dior are currently headed by women, with Virginie Viard and Maria Grazia Chiuri, the field of female creative directors is conspicuously thin on the ground. Little wonder then that the appointment of McGirr to succeed Sarah Burton at Alexander McQueen sparked a heated debate in the fashion industry, because with him, all the top creative positions at McQueen's parent company Kering, which also owns Gucci, Givenchy and Saint Laurent among others, are now held by white men.
In contrast, Chloé has been run by women since its inception - with a few, but all the more famous, exceptions such as Karl Lagerfeld - since it was founded by Gaby Aghion in 1952. These women, including Aghion, Philo, Hearst, Keller and Stella McCartney, are celebrated in the exhibition "Mood of the Moment: Gaby Aghion and the House of Chloé" at the Jewish Museum in New York, which will open its doors on 13 October.
The fashion industry will have to wait a little longer to catch a first glimpse of Kamali's vision for Chloé. Her first pre-fall collection will be unveiled in January, before a runway debut for autumn/winter 2024 in February. However, Chloé CEO Riccardo Bellini is already optimistic: "Chemena's vision, inspired by her love for the brand, will truly celebrate Chloé's unique DNA. Chemena is both the creative director of Chloé and the embodiment of the spirit of Chloé."
http://dlvr.it/SxH705
Tuesday, October 10, 2023
JD Sports new CFO assumes position
JD Sports storefront. Credits: JD Sports.
The new chief financial officer for JD Sports, Dominic Platt, has assumed his position, succeeding Neil Greenhalgh, who announced his intention to resign in October 2022.
Platt’s appointment was first announced back in May of this year, however his exact date of entry into the company had not yet been disclosed.
Also becoming a member of the board, he joins JD from financial consultancy BGL Group, where he worked after serving in a series of senior financial roles at Darty Plc in years prior.
At the time of the announcement, Régis Schulz, CEO of JD, said: "We are delighted to welcome Dominic to JD. He brings strong international and public company expertise and a wealth of experience in consumer-focused businesses.
“Having worked closely with Dominic before, I am certain his financial expertise, deep knowledge of governance and strategic counsel will be crucial in helping to drive forward the next chapter in the global growth story of JD.”
http://dlvr.it/SxDqC6
The new chief financial officer for JD Sports, Dominic Platt, has assumed his position, succeeding Neil Greenhalgh, who announced his intention to resign in October 2022.
Platt’s appointment was first announced back in May of this year, however his exact date of entry into the company had not yet been disclosed.
Also becoming a member of the board, he joins JD from financial consultancy BGL Group, where he worked after serving in a series of senior financial roles at Darty Plc in years prior.
At the time of the announcement, Régis Schulz, CEO of JD, said: "We are delighted to welcome Dominic to JD. He brings strong international and public company expertise and a wealth of experience in consumer-focused businesses.
“Having worked closely with Dominic before, I am certain his financial expertise, deep knowledge of governance and strategic counsel will be crucial in helping to drive forward the next chapter in the global growth story of JD.”
http://dlvr.it/SxDqC6
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