Saturday, September 14, 2019

Anna Wintour teaches online course on business leadership

If you could receive career advice from anyone in the world, who would you choose? In the fashion industry, Vogue’s editor-in-chief Anna Wintour would definitely be among the most cited names. At the helm of the influential magazine for over 30 years, Wintour has established herself as an icon of business leadership (2003 novel The Devil Wears Prada, which generated the high-grossing film launched in 2006, is said to be inspired by her).

Now such a mentorship is possible. Wintour has partnered up with e-learning platform MasterClass to launch an online course on ‘how to be a boss’. “I know many people are curious about who I am and how I approach my work. This class is for those who want to understand my leadership style,” she says in a video posted on the platform’s website.

The course includes 12 lessons covering topics such as developing a creative vision, recognizing talent, investing in your team, making tough decisions, evolving a brand, and finding a voice. Students can follow the lessons at their own pace for 16.67 US dollars a month, paid annually, or 100 US dollars for each class. The package also offers an inside look at the Vogue meetings following fashion week season and the Met Gala.

Those under the impression Wintour runs a tight ship, based on her authoritative image in popular culture, may be surprised by her words in the introductory video. “I don’t believe in micromanaging. It’s important to empower those who are working with you because you are nothing without a good team. It’s important to surround yourself with a team whose opinions you trust, who are not in any way frightened of disagreeing with you. And you have to listen”.

Wintour has recently taken an additional role within Vogue’s publisher Condé Nast. Since August, she also serves as global content advisor for the Vogue brand, advising the executive leadership team on global content opportunities and acting as a resource to editors-in-chief and editorial talent worldwide.



* This article was originally published here

Friday, September 13, 2019

Guess introduces sustainability initiative with Guess Eco collection

As sustainability becomes a more prominent movement in the fashion industry, brands are beginning to take initiatives for a more environmentally friendly production output. Case in point: Guess’s Guess Eco collection. The collection, which includes clothing for both men and women, is made up of environmentally conscious manufacturing materials.

According to the brand, the Guess Eco collection is a part of the brand’s goal to develop 25 percent of its denim and source 20 percent o its materials according to the Guess Eco by 2021. Though Guess Eco initially started in 2016 in Europe, the collection is now available globally each season, beginning with the Fall 2019 collection.

The Guess Eco collection uses water-saving techniques and environmentally friendly methods to procue all of its denim for this season. In addition, non-denim styles are made with Tencel lyocell from Lenzing, an eco-friendly alternative to traditional cotton.

“The evolution of the Guess Eco denim to include Tencel x Refibra brings circularity to denim by utilizing cotton scraps without compromising quality or aesthetics,” said Tricia Carey, the director of global business development at Lenzing. “With the technology in fiber developments, Guess is on a path to reduce its environmental footprint. We are pleased to partner with Guess as they raise customer awareness with educational messages across digital and retail platforms.”

The Guess Eco collection is available online at Guess’s website as well as the company’s retail locations.

Images: Courtesy of Guess



* This article was originally published here

Thursday, September 12, 2019

The Titans of New York Fashion Week

Equal parts mad-hatters ball, girls on the prairie and crazy cat lady, Marc Jacobs closed New York Fashion Week with the jazziest of shows. “So much fun and joy,” Jacobs cried on Instagram, who took his bow in patent red platform heels and a matching Chanel tweed blazer.

Jacobs has brazenly come out of his (Fabergé) shell since exiting Louis Vuitton, publicly surviving postpartum Paris depression, store closures, commercial setbacks and the nagging existential question of his brand’s relevance. The answer, it appears, is to not GAF and have fun. Jacobs is finding a renewed success with his mandate of rebel fabulousness, changing the course of corporate fashion one floral prairie gown at a time.

Tom Ford

Tom Ford took a subterranean route this season, showcasing his SS20 collection on a disused subway platform backlit in electric pink, a nod to Andy Warhol and Edie Sedgwick coming to surface out of one of Manhattan’s ubiquitous manholes. Perhaps it was a reference to NYFW, which has been stuck at fashion's shallow end for countless seasons, but since this week began making waves.

Ford, the newly appointed Chairman of the CFDA, said in his show notes it “was a time for ease and return to the kind of luxurious sportswear that America has become known for all over the world.” He cemented the notion with the first five looks which focused on wearable daywear, proposing jersey t-shirts tucked into sporty satin skirts. Elsewhere, bralets, worn under jackets and cut-away dresses, exuded the kind of glamour he once showed at Gucci. In this iteration they were sporty rather than high octane, coming in Ford’s signature jewel tones, like metallic green and purple.

Tommy Hilfiger

Tommy Hilfiger has created a unique fashion week niche for himself, continuing his see-now-buy-now calendar, forging successful celebrity collabs and staging public inclusive events around the globe. All of which deliver parent company PVH healthy dividends.

Hilfiger is neither a fixture beholden to show during New York Fashion Week each season, see recent outings in Paris, London, Los Angeles, Milan and Shanghai, yet neither is he the pariah who left and isn’t welcome back. After a three year hiatus, Hilfiger showed what America does best, luxe sportswear with a twist.

Ralph Lauren

American fashion veteran Ralph Lauren took his collection to Wall Street for his in-season show, where press and buyers were treated to a performance by Janelle Monae at a one-night-only jazz extravaganza. Harking back to the 20s and 30s, the tuxedo reigned supreme, from Gigi Hadid in the opening look to dresses, jackets, halter tops and skirts with cummerbunds. Beyond Hollywood and the cinematic Art Deco surroundings, Lauren does a classic silhouette unlike any other American designer.

Images: Homepage Ralph Lauren SS20 and Tom Ford SS20, via Catwalkpictures. Tommy Hilfiger counrtesy of the brand.



* This article was originally published here

Wednesday, September 11, 2019

9 sustainability efforts announced in August 2019

Sustainability has finally become more than just a buzzword with brands, retailers and innovative companies following through and taking responsibility. August saw brands especially becoming ambitious and setting sustainable targets for themselves in terms of water consumption, materials used and carbon emissions. Thirty-two even came together to form the Fashion Pact that wants to tackle the fashion industry’s impact on the environment. FashionUnited has put together nine such efforts that were announced in the month of August alone.

Kappahl celebrates sustainability milestone with autumn denim ranges


Swedish fashion retailer Kappahl announced that with the launch of its autumn collections, it has achieved its 2020 target of manufacturing 100 percent of its denim range in more sustainable fabrics and using more sustainable production processes. According to the company the “key milestone” means all denim in the new collections is produced using less water, energy and chemicals.

Read more...

Primark targets 100 percent sustainable cotton

Irish fast fashion retailer Primark has announced a fivefold increase to its Sustainable Cotton Programme, which trains cotton farmers in environmentally-friendly farming methods, as it strives to use 100 percent sustainable cotton across all its product categories. Primark plans to train cotton farmers across three of its key sourcing countries - India, Pakistan and China by the end of 2022.

Read more...

Fashion industry leaders present sustainability initiatives to G7


A new sustainability initiative called the Fashion Pact saw 32 of the world’s leading brands and textile companies sign up to work together to mitigate the impact of the fashion industry on the environment. The Fashion Pact coalition includes luxury, fashion, sports and lifestyle groups and brands along with suppliers and retailers, all of whom are already involved in separate environmental strategies. François-Henri Pinault, chairman and CEO of luxury fashion group Kering, unveiled the Fashion Pact to the heads of the G7.

Read more...

Levi's announces a new global water action strategy


American clothing company Levi Strauss & Co. has announced a new water action strategy. Highlights include: working with key suppliers to set and achieve specific water use targets for factories, collaborating with suppliers and other brands at the local level to develop programs that improve the long-term health of watersheds in key sourcing locations and reducing the amount of water required for cotton cultivation by partnering with the Better Cotton Initiative. The company has set a goal to reduce its cumulative water use for manufacturing by 50 percent in water-stressed areas by 2025.

Read more...

Abercrombie & Fitch announces new sustainability targets


American lifestyle retailer Abercrombie & Fitch announced new sustainability targets it aims to accomplish in the next few years. These goals include responsibly sourcing its materials by using either recycled fibers or fibers made with a sustainable process by 2025, reducing water use in denim by 30 percent by 2022 and instituting training programs for its vendor partners to educate about health and wellness by 2022.

More sustainable initiatives:

Read more...

P.E. Nation launches first athleisure set made from recycled materials


Australian activewear brand P.E. Nation took steps further into the sustainability world as it launched its first athleisure set, the Strike Set, which is made using a sustainable tech fabric called Vita Power by Carvico. This material not only provides recovery power and muscular compression but aims to reduce the amount of lactic acid produced for a faster recovery.

Read more...

Volcom launches ‘Water Aware’ denim collection


American fashion and lifestyle brand Volcom has launched its ‘Water Aware’ denim collection as part of its ongoing journey to sustainability, which will see the brand reducing its water consumption by 40 percent - an estimated 4 million litres - by the end of the year. This collection is also ‘stoneless,’ which means the production process for denim no longer uses pumice stone in the wash process, resulting in less energy consumption overall.

Read more...

Gap signs new renewable energy agreement to slash carbon emissions


American clothing and accessories retailer Gap has announced a new renewable energy agreement that the retailer says will help it meet its 2020 emissions-reduction target, as well as a new goal to use only 100 percent clean energy by 2030. Gap said the agreement is one of the largest off-site renewable energy contracts by an apparel retailer.

Read more...

Aldo and Call it Spring to eliminate single use shopping bags


Canadian-based footwear and accessories company The Aldo Group has announced that both Aldo and Call It Spring will phase out all single-use shopping bags from corporate stores globally, as part of the company's continued efforts toward sustainability. The new initiative encourages customers to opt for an eco-designed shoebox made from recycled material and with a built-in handle that makes single-use bags obsolete.

Read more...

Photos: courtesy of P.E. Nation, Primark, Abercrombie & Fitch, Volcom



* This article was originally published here

Tuesday, September 10, 2019

Fashion resale company Vestiaire Collective to allow customers to buy directly from vendors

As the resale market continues to grow, fashion resale company Vestiaire Collective—which provides a platform for its members to list and sell clothes to potential buyers—is introducing a new option for its customers, which will allow them to buy products directly from approved vendors. As a result, the French company will not be putting these products through its authentication process and buyers will save 10 EUR per purchase.
According to Fashion Network, Vestiaire Collective will have two new certifications, Recommended Vendor and Expert Vendor, as part of its new service in order to help buyers identify which sellers have a reliable history with authentic products. The new option, noted as Direct Delivery, will only apply to products that are available for 200 EUR and under among a selection of 2,000 labels.
The new service is currently available to all EU customers, with plans to extend to all Vestiaire Collective markets in 2020.


* This article was originally published here

Monday, September 9, 2019

C&A adds two new members to its board of directors

C&A adds two new members to its board of directors
Global fashion retail business C&A AG has appointed Allan Leighton as Chairman and Alexander Birken as board director. The company said, Leighton and Birken are both highly experienced business leaders with a strong track record in the retail sector, both in executive and non-executive roles and together with the current board members, they will oversee the ongoing development and execution of C&A’s global business strategy.
“With these appointments we are adding two highly experienced retail professionals to C&A AG. Allan Leighton has a strong track record of guiding businesses to adapt rapidly to evolving market and consumer behaviour, which will complement Alexander Birken’s experience in retail and his knowledge of running ecommerce businesses,” said Boudewijn Beerkens, CEO of COFRA Holding, parent company of C&A in a statement.
Leighton, who replaces Martijn Brenninkmeijer at C&A, is currently Chair of the Co-op Group, and was previously chairman of the Royal Mail, CEO of Asda PLC, and president of Walmart Europe. He has been chair or CEO of several retailers, including deputy chair of Selfridges, president of Loblaw companies and chairman and CEO of Pandora AS.
Birken is currently Chairman and CEO of the Otto Group and before that was chief operating officer of US direct marketing and catalogue company, Spiegel.
Picture credit:C&A Ag


* This article was originally published here

Sunday, September 8, 2019

Tom Ford aimes to kick New York Fashion Week into gear

Tom Ford aimes to kick New York Fashion Week into gear
Tom Ford, Rihanna, and the return of big names including Tommy Hilfiger herald a promised new era for New York Fashion Week which kicked off Friday September 6 after a run of underwhelming seasons. American designer Tom Ford is credited with reviving Gucci in the 1990s and has quickly set about trying to do the same for Fashion Week, shortening its length and strengthening its diversity.
"I want global exposure to the creativity that is in New York," said Ford, who in June became chairman of the Council of Fashion Designers of America (CFDA) which runs Fashion Week.
"Everything is too inward-looking in this country. So American star designers, they leave. Virgil Abloh, where is he? He's at Vuitton. "You go to Paris and you become global. You stay in New York, and you're in New York," he added in the interview with Vogue, published in August. Ford drove the CFDA's decision to cut this year's Fashion Week from seven to five days, a move insiders have been calling for years to strengthen the event.
The women's shows -- which traditionally kicked off on a Wednesday night -- began on Friday evening and will run through the evening of Wednesday, September 11. Ford's background is a significant departure from that of his predecessor Diane Von Furstenberg, who chaired the CFDA for 13 years. Her house "DVF" has called New York home for half a century, while Ford, a Texan by birth, worked in Italy and England for a time before settling in Los Angeles.
New York is the first of the season's four big fashion weeks and tightening the schedule makes it more attractive to buyers and foreign media scoping out talented new designers.

Ford ushers in a new era of diversity

"A shortened week is more economical and expeditious for attendees, especially those coming to New York from abroad," said Steven Kolb, president and chief executive officer of the CFDA. New York has struggled in recent years with several leading designers opting to showcase their collections elsewhere, including in Paris and even Los Angeles.
Abloh, Rodarte, Altuzarra, Thom Browne and Alexander Wang have been among high-profile names to skip the event recently, leading some commentators to speculate whether New York Fashion Week was over. There are early signs that its revival has already begun under Ford with several famous designers returning to the event, such as Tommy Hilfiger who is back for the first time in almost three years.

Rihanna returns to New York Fashion Week

Pop icon Rihanna will present her bestselling lingerie line Savage X Fenty after it premiered in September 2018.
Before the official kickoff by Ford, several collections were presented Friday, including Rag & Bone and Jeremy Scott. Rag & Bone returned to the runway after a three-year absence, but with a new conceptual show that included dancers, an orchestra and an artificial intelligence camera that loomed over participants.
The collection was in keeping with the cosmopolitan spirit of the label, and was characterized by light and breadth, in an ode to mobility. Far from the sobriety of Rag & Bone, Jeremy Scott lived up to his reputation as a troublemaker, with florescent prints and a retro-futuristic look.
This year's line-up also includes the latest from acclaimed Haitian-American designer Kerby Jean-Raymond's Pyer Moss line. Telfar, Tomo Koizumi and Khaite are also high on the hot list. Diversity will again be a major theme. The CFDA is committed to having a greater range of models from different ethnic groups and representing varied body shapes.
The council recently appointed Jean-Raymond, Abloh and British designer Carly Cushnie, who are all black, to its board. Chilean-born designer Maria Cornejo also joined. "Diversity, inclusion, and model well-being are key to our efforts, as is showcasing young talent, which is core to our work," said Kolb.(AFP)
Photo courtesy of CFDA


* This article was originally published here

Saturday, September 7, 2019

Net-A-Porter expands personal shopping within Luxury Division

Yoox Net-A-Porter Group will be doubling up on personal shopping and client relations within its Luxury Division. The company, which owns Net-A-Porter and Mr Porter, announced that it will be hiring more than 100 new personal shoppers and client relations managers to tend to its most loyal customers, who the company refers to as Extremely Important People (EIP). According to the announcement, this is the largest client relations recruitment the company has done in its 19-year history.
In addition to expanding its Luxury Division’s client relations services, Yoox Net-A-Porter Group will also be opening Personal Shopping and Client Relations hubs in San Francisco and Dallas, which were recognized for “their growing customer base and increasing levels of demand for the enhanced service.”
“The role of personal shopper has evolved hugely in recent years and today our team fulfills a variety of different roles. Not only do they anticipate our customers’ ever-changing luxury needs and solve their wardrobe dilemmas before they even arise, they become part of their daily lives,” said Alison Loehnis, Yoox Net-A-Porter’s president of the Luxury Division, in a statement. “Local knowledge and an understanding of lifestyle has never been more important. We’re therefore delighted to be expanding the team in terms of scale as well as introducing new locations, to give even more of our most engaged and loyal customers around the world access to this fantastic market-leading service.”


* This article was originally published here

Friday, September 6, 2019

Fall Winter 2020-21 Key Women's Theme Direction

Fall Winter 2020-21 Key Women's Theme Direction
Trendstop brings FashionUnited readers an early preview of one of the key thematic influences for Fall Winter 2020-21 womenswear.
The Trendstop team give FashionUnited readers an exclusive look at an essential FW20-21 Macro Theme that will be inspiring your next women's ready-to-wear collections. Global Heritage taps into the growing consumer desire for authentic experiences and adventure travel, offering an outward looking vision that celebrates world cultures and puts a contemporary spin on artisanal traditions that can be applied across apparel, footwear and accessories categories. Our curated seasonal Macro Themes evaluate each trend's commercial value and longevity, giving you the best possible basis for your decision making.
This week Trendstop present three aspects of Global Heritage. A multi-destination approach sees a fusion of cultural aesthetics applied to fashion product. Modern updates of traditional processes elevate print and surface treatments while textural handles create dimensional interest.

Apparel

Hand crafted knits introduce the artisanal effect to apparel via rustic, open weaves, expressive statement fringing and bold patterning that mix and match a variety of global influences. Long lines and layering are key with maxi lengths and elongating, tunic-style co-ords creating a relaxed wanderer vibe.

Fall Winter 2020-21 Key Women's Theme Direction
Images courtesy of Trendstop, left to right: M Missoni Pre Fall 2019, JW Anderson Fall Winter 2019-20, Tory Burch Fall Winter 2019-20.

Print & Materials

The classic stripe reflects the global perspective, referencing traditional weaving techniques and introducing a crafted quality to heavy weight materials while etched surfaces lend a linen-look rusticity to raw indigo denims. Undone yarns and fringed effects bring a softly deconstructed look to hand knits.

Fall Winter 2020-21 Key Women's Theme Direction
Images courtesy of Trendstop, left to right: Anteprima, Di Ve, Shanghai Domore Import & Export, all Fall Winter 2019-20.

Footwear & Accessories

Authentic craftsmanship comes to the fore as footwear and accessories reference global making techniques. Woven constructions, whip-stitched leather worked uppers and DIY yarn-wrapped pieces bring a uniquely personal quality and a youthful appeal to statement products.

Fall Winter 2020-21 Key Women's Theme Direction
Images courtesy of Trendstop, left to right: Christian Dior, Roksanda, Stella McCartney, all Fall Winter 2019-20

Exclusive Offer

FashionUnited readers can get free access to Trendstop's Fall Winter 2019-20 Key Themes Directions report, featuring all the essential catwalk themes for the season. Simply click here to receive your free report.
Fall Winter 2020-21 Key Women's Theme Direction
Trendstop.com is one of the world's leading trend forecasting agencies for fashion and creative professionals, renowned for its insightful trend analysis and forecasts. Clients include H&M, Primark, Forever 21, Zalando, Geox, Evisu, Hugo Boss, L'Oreal and MTV.


* This article was originally published here

Thursday, September 5, 2019

Lenzing presents new blockchain technology in Hong Kong

The Lenzing Group has made a huge leap forward in introducing blockchain technology, allowing for a new level of transparency and traceability in the textile industry. After joining the platform of the technology company TextileGenesis(TM) earlier this year, the world market leader in specialty fibers made from the renewable raw material wood presented the first pilot at this year's Fashion Summit in Hong Kong on September 05, 2019. This pioneering pilot project was conducted in close cooperation with TextileGenesis(TM), WWF and Hong Kong based brand Chicks.
A baseline survey on EU consumer attitudes to sustainability and supply chain transparency in the fashion industry conducted by Ipsos MORI in October 2018 shows that a large majority of consumers (80 %) wants brands to disclose their supply chain. The blockchain technology enables brands and consumers to identify TENCEL(TM) branded fibers across each production and distribution step from fiber-to-retail of the finished garment or home textiles. The technology also allows consumers to verify the garment composition and the underlying textile supply chain at the point of sale, simply by scanning the barcode with a mobile device.
"Together with TextileGenesis(TM) we pursue the ambitious goal to achieve an unparalleled level of transparency for fashion brands and consumers. We will use blockchain technology to maximize the digital traceability of fibers, thus making an important contribution to green up the fashion industry", says Stefan Doboczky, Chief Executive Officer of the Lenzing Group. "This strong belief in and commitment to sustainability will support the business with TENCEL(TM) fibers."
In an industry's first, Lenzing issued blockchain based TENCEL(TM) fibercoins to its supply chain partners in direct relation to physical shipments. These digital tokens serve as an authentication mechanism, against any adulteration, and provides secure digital chain-of-custody across the entire textile value chain. Recognizing that data integrity and ease of use are critical, the supply chain players conducted transactions through the data upload mechanism on the platform. To ensure real-world complexity, a total of 49 distinct garment stock- keeping unit (~25000 pieces), of Chicks, were tracked on the digital platform from fibers up to retail.
"This is an important milestone for the apparel industry. Our focus is to drive meaningful step-change in an industry where less than 5 percent of top 250 apparel brands can track their garments back to the fiber origin", says Amit Gautam, CEO & Founder of TextileGenesis(TM).
Lenzing is carrying out further pilot tests over the next few months involving partners along the entire value chain and expects the platform to be fully operational as of 2020.(DPA)


* This article was originally published here

100 Hot Girls Beby & Baba Dresses in USA

Poland Dresses - Brand Tuszyte


100 Hot Girls Beby Dresses in Poland

Colorful short-sleeved dress made of high quality cotton decorated with Oeko-Tex Standard 100 certificate. Trustworthy textiles.Model with a round neckline and a flared bottom.Impressive sleeves have been finished with wide frills.

Producer :
Lalabubu
Color :
multicolour
Material :
95% cotton, 5% elastane
Certificate :
Oeko-Tex Standard 100 Trustworthy textiles
Country :


Visit The Brand Website in Poland


Visit The Brand Website in Poland

Visit The Brand Website in Poland




Visit The Brand Website in Poland


Visit The Brand Website in Poland


Visit The Brand Website in Poland












Wednesday, September 4, 2019

Will casting diversity rule the SS20 fashion weeks?


European fashion designers have often been accused of conservative casting practices, favouring young Caucasian models in their campaigns and on their catwalks.
When official figures from the Runway Diversity Report by The Fashion Spot were released in March, New York proved to the most racially diverse of all the main fashion weeks, with nearly half of all models cast, 45.8 percent were of colour.
London, a champion of directional fashion, lacks catwalk diversity
In London, fashion week saw a decrease in racial diversity where non-white models made up 35.7 percent of runways castings. Milan saw an increase of 1.0 percent to 31.8 percent models of colour. Paris fashion week came in second place as the most racially diverse, casting a total of 39 percent models of colour, the largest increase of all fashion weeks of 6.6 percent.
According to the European shows that were examined in the report, only six featured size diversity. For Fall 2019, Paris, which had one non-straight-size model appearance in Spring 2019 and only three the season prior, had the most castings in this category of any European city (nine, an all-time high). Tommy Hilfiger’s show cast featured 7 plus-size models. The London catwalks featured the most plus-size castings (four, a record for the city) than any other European city. Two plus-size models — Daniel Lismore and Emma Breschi — walked at Vivienne Westwood.
In Milan there was not a single plus-size model seen on the official catwalk schedule.
In Spring 2019, casting of models who openly identify as transgender or non-binary reached an all-time high with 91 (1.23 percent) models in either category (83 trans women, eight non-binary models) walking in a total of 52 shows.
By contrast, Fall 2019 marks the first time that the number of trans and non-binary castings has shrunk. Only 56 (0.77 percent) openly transgender women and non-binary models walked in all of fashion month.
In terms of age diversity, London fell to the bottom of the pile with five over-50 castings: three at Vivienne Westwood, two at Simone Rocha — both longtime advocates for older model visibility.
In Milan, which last season had the most over-50 model appearances of any city outside of New York — and the most in its history — only six models age 50 or over walked the runway. That is three less than in Spring 2019, but considerably better than Fall 2018’s two. Donatella Versace and Daniela Gregis continued their practice of hiring over-50 models (Stephanie Seymour and Benedetta Barzini, respectively). Pat Cleveland, the season’s most-booked over-50 model, walked at Laura Biagiotti.
Of the 221 shows surveyed last season, Milan’s Daniela Gregis featured zero models of colour.
Image: courtesy of Fashion Scout

* This article was originally published here

Tuesday, September 3, 2019

Zara accused of coalition with Hong Kong demonstrators


While the city of Hong Kong hopes to celebrate with optimism the next edition of the Centrestage fashion event, the riots hanging over the region for 13 weeks have placed the Spanish Zara in the center of all eyes. After the harsh protests of this weekend and the day of student strikes last Monday.
It all began after the Hong Kong newspaper Ming Pao asked through a headline whether Monday's closure of four of Zara's stores in central Hong Kong responded to a demonstration of support for the protests and the day of strike called by different student organizations. A question that was quickly reproduced by Chinese media and users of social networks like Weibo. Under the hashtag "Zara statement" they invited the Spanish company, the main firm of the giant Inditex, to pronounce itself-at the same time they turned the mentioned hashtag into one of the most popular topics of the Chinese network, with more than 170 million interactions.
Finally, and in a very unusual movement within the Spanish company, Zara was pushed to issue a statement through the Weibo network itself, in which it claimed to support the policy of "one country, two systems" under which China currently governs Hong Kong. As well as "never" having been related to the protests, nor having made any statement about the demonstrations and strikes.

The Cause: Employee Mobility Problems

Sources close to the Spanish group would have assured, as reported by media such as Reuters, that some Zara stores in Hong Kong had been forced to delay the opening of establishments last Monday. Because of the problems of mobility and public transport that their employees would have suffered as a result of the protests. But all Zara stores in the region finally opened their doors that day.
This is not the first time the Beijing government has used social networks and the media to pressure its people against certain international firms and groups. A measure by which it seeks a public declaration of support for its sovereignty over the Hong Kong region.
Just a few weeks ago, firms and groups such as Versace, Givenchy and Coach were accused of violating China's territorial sovereignty because of T-shirts that included Taiwan. Another territory of the regions claimed by Beijing that is not an independent country from China. This fact also splashed over Zara last year, after the territory appeared independently in a country drop-down on its China website.
Inditex currently has 31 stores in Hong Kong, 14 Zara stores, 6 Pull&Bear, 5 Bershka, 2 Massimo Dutti, 2 Oysho stores and 2 Zara Home stores. Meanwhile, in mainland China, the Spanish group has 580 stores, of which 178 are from its Zara chain, 88 from Oysho, 87 from Massimo Dutti, 67 from Pull&Bear, 85 from Bershka, 44 from Stradivarius, 1 store from Uterqüe and 50 Zara Home stores.
This article was originally written for FashionUnited.ES, edited and translated.
Photos: Inditex, official Facebook page


* This article was originally published here

Monday, September 2, 2019

Preview: What to expect for the spring / summer 2020 fashion weeks


INTERACTIVE The new ready-to-wear catwalk season is upon us with New York Fashion Week kicking off the spring / summer 2020 collection presentations a few days from now. After New York the fashion circus will move to London Fashion Week, then Milan Fashion Week and finish up early october with Paris Fashion Week. FashionUnited has compiled a comprehensive overview of the most highly anticipated shows and presentations coming up.

Scroll down to navigate through the interactive map

Hit the button
'Start Exploring' and use the arrows to explore the map
Photo: Burberry SS19, Credit: © Catwalkpictures.com


* This article was originally published here

Sunday, September 1, 2019

Fashion goes fur free: is France falling behind the times?


Faced with increasing opposition to fur from the general public, more and more brands are withdrawing it from their collections, the most recent of these being Olivier Rousteing, artistic director at Balmain, who announced the brand was scrapping the animal product. But has France fallen behind its European neighbours on the subject?
According to a survey carried out in February 2019 by European research firm IFOP (Institut français d'opinion publique), 91 percent of French people said they were against selling fur. While fur it is still considered by many as being warm, luxurious and one of the most durable materials on earth, on the catwalk the question appears to be reaching a point of no-return with the withdrawal of fur from increasingly more collections.

The non-fur movement in the fashion industry

In particular, this new commitment for the fashion world echoes the increasing opposition by the general public to fur and to the cruel practices from which it often comes: the capture and gassing, electrocution or clubbing to death of animals on breeding farms. Some animals are also killed using metal clamp traps - a method that Canada Goose has been accused of using to trap coyotes for their fur used to embellish the collars of the parka coats of the Canada Goose brand. Many animals killed in this way day slowly of blood loss.
The Federal Trade Commission (FTC) of the United States recently told the association People for the Ethical Treatment of Animals (PETA) in the United States that, further to a complaint by the association relating to the advertising practices of Canada Goose, the latter had ceased to claim that its standards “ensure” that its suppliers do not mistreat the animals. At the heart of the design process, traceability is in fact not always possible.
Shocking images and videos, petitions, demonstrations by PETA, have been like electric shocks that for around three years have created a tidal wave movement in favour of the protection of animals in the fashion industry. As a result, Burberry, Chanel, Gucci, Versace, Maison Margela, Giorgio Armani among others, have all stated that they have stopped using fur.

A further addition to this long list is Olivier Rousteing, artistic director of Balmain, who recently announced in Vogue that the brand had put an end to the use of animal fur in its collections. “I took this decision about eighteen months ago. I had seen so many documentaries and reached a point at which I could no longer pretend that I did not know,” Rousteing said in a statement. “Now, suppliers are trying to ensure that false fur resembles real fur, and it’s crazy what they can create.”

French brands struggle to give up fur

In France, however, there are still very few big luxury brands that have taken a position on the subject. Synonymous with luxury, know-how and craftsmanship, in Paris fur still had a strong presence on catwalks in the Autumn-Winter 2019 collections. The following brands used fur:
Chanel, Dior, Guy Laroche, Hermès, Isabel Marant, Lanvin, Leonard Paris, Louis Vuitton and Saint Laurent (according to the list released by the Centre National d’Information sur la Fourrure, the National Centre for Information on Fur).
With regard to animals being bred for their fur, no real figures seem to be available. “In France, there are a dozen mink-breeding farms as well as 25 rabbit fur breeding farms,” said PETA France. According to the Fourrure Française (French fur) website, certain furs, such as rabbit or lamb, come directly from animals that are consumed for their meat.

The powerful voice of French luxury fashion

Aimed at the luxury industry and supported by high fashion houses in France, the French fur sector is still important and has earned “300 million euros in revenue, a figure that remains stable,” according to Pierre-Philippe Frieh, spokesman for the Fédération Française des Métiers de la Fourrure (FFMF, French Federation for the Fur Profession), contacted by BFMTV.com in April 2019. “Exports alone represent 100 million euros, a figure that has been constantly increasing for 5 years,” he added. Although France is not a large producer of fur in the global scene, it nevertheless remains a leading light in the luxury world.
And what if the country, following the example of Austria, Belgium, Croatia, Bosnia-Herzegovina, Luxembourg, the Netherlands, the Republic of Macedonia, the United Kingdom, Switzerland, Serbia and Slovenia, ended the production of fur? The message to the fashion world would certainly have an impact.
There still remains the matter of false fur. Is it a sustainable alternative? Produced from petrochemicals, it is still a big pollutant and is already posing some serious problems relating to biodegradability. And what if the wearing of fur in any form whatsoever was simply banned?
This article was originally published on FashionUnited.FR. Translated and edited by Huw Hughes.
Photos: Lanvin Silhouette, AH Collection 2019 (website) - "Wearefur" communication campaign, Fur Now 2019.


* This article was originally published here