IFM and Première Vision publish study on: ‘the evolution of sustainable fashion and its perception’

Fashion designer Maroussia Rebecq and her model at an exhibition at the CAPC museum of modern art in Bordeaux. Credits: photo @sainte_colette



”The image of fashion is undoubtedly improving," the director of the IFM Economic Observatory said in the context of a recent study on fashion and sustainability conducted by the French fashion school and the trade show Première Vision. The report, entitled "Sustainable fashion hits its stride," gives insight into the dynamics of eco-responsibility and its developments.

About the study:


The results of this study conducted by IFM-Première Vision follow an initial edition published in 2019. The analysis is based on the responses to a survey of 5,000 individuals surveyed in five countries: France, the United Kingdom, Germany, Italy, and the United States. The study was released on September 13, 2023.


http://dlvr.it/Swp6mj

PrettyLittleThing launches new premium collection PLT Label

PLT Label, premium collection at PrettyLittleThing Credits: PrettyLittleThing



In Pictures


Online womenswear retailer PrettyLittleThing has launched a new premium collection featuring pieces that offer “instant elevation”.


PLT Label launches with 28 looks that the e-commerce brand states have been selectively curated “to fulfil all your ‘what to wear’ dilemmas”.


Designed by its in-house team, the collection takes inspiration from the catwalk and “reimagines it for real life,” featuring trend essentials and statement pieces offering everything from weekend looks to elevated off-duty essentials.


PLT Label, premium collection at PrettyLittleThing Credits: PrettyLittleThing



Highlights include structured blazer and midi dress styles, micro-mini skirts, cut-out knitted co-ords, skin-baring low-rise trousers, as well as worn-in faux-leather pieces designed in matching sets and wide-leg trousers, all offered in a colour palette of oatmeal hues, olive accents and charcoal tones.


PLT Label collection is available now via PrettyLittleThing’s website in sizes UK 4-30 / US 0-26. Prices start from 16 pounds.


PLT Label, premium collection at PrettyLittleThing Credits: PrettyLittleThing



PLT Label, premium collection at PrettyLittleThing Credits: PrettyLittleThing



PLT Label, premium collection at PrettyLittleThing Credits: PrettyLittleThing



PLT Label, premium collection at PrettyLittleThing Credits: PrettyLittleThing



PLT Label, premium collection at PrettyLittleThing Credits: PrettyLittleThing



PLT Label, premium collection at PrettyLittleThing Credits: PrettyLittleThing


http://dlvr.it/SwlgpF

Recover names new CEO amid expansion plans

Goldman Sachs x Recover labels. Credits: Goldman Sachs x Recover



Spanish materials science company Recover has announced the appointment of Anders Sjoblom to the role of chief executive officer as it continues expanding on its supply chain network.


From January 1, 2024, Sjoblom will take the helm of the company where he has been tasked with driving Recover into its next stage of growth. He will join the firm from the H&M Group, where he currently serves as global managing director of H&M lifestyle brands.


Sjoblom’s appointment is linked to a slew of shifts at Recover, with Alfredo Ferre, fourth-generation family steward of the company, also set to transition to the newly created role of chief product and innovation officer, in which he will focus on innovation and technical leadership.


It further follows the appointment of Matthew Neville as the company’s first global chief commercial officer, building on plans to establish a customer-centric sales team.


In a release, Recover’s chairman and former CEO, Olof Persson, said: “These leadership changes enable Recover to focus on ensuring operational and financial excellence while continuing to innovate and lead disruptive change for the apparel and textile industries.


“Anders has an outstanding track record of having successfully scaled global businesses while driving growth and brand awareness, while Alfredo will return to his roots as he focuses on strategic product vision and innovation.”


The group is currently scaling its production of sustainable recycled cotton fibre, having opened a facility in Bangladesh in 2022 that added to its existing network in Spain and Pakistan, as well as a planned facility in Vietnam.


http://dlvr.it/SwlgZ7

SS24: Nostalgia, raves and ‘real’ fashion at Milan Fashion Week

Gucci SS24 Credit: Spotlight Launchmetrics



After years of spectacular fashion shows with a certain showmanship originally reserved for haute couture, this season's Milan Fashion Week offered a now rare insight into what ready-to-wear collections used to be all about: fashion that could move from the catwalk to the store.


A low-key debut puts the ‘product’ in focus




A sense of anticipation and marketing drowned out Sabato De Sarno's debut show for Gucci, which ended up making a name for itself primarily through a wearability that was unusual for the Italian luxury brand. While De Sarno's predecessor Alessandro Michele enchanted the fashion world with elaborate stagings and a dose of magic, De Sarno's ‘Ancora’ collection, designed to make people want Gucci again, focused more on the product than on a visionary idea and a spectacular catwalk show.


Read more about the Gucci debut here:




* Gucci in transition: The debut of Sabato De Sarno and the birth of a new luxury icon


* Milan Fashion Week: Gucci unveils the first collection designed by Sabato De Sarno
* Gucci’s whimsy to chic shift leaves some wanting more





The planned show on the streets of Milan fell through due to the weather, leaving the Florentine luxury fashion house with no choice but to bring the show to the dry ‘Gucci Hub’, the brand's Milan headquarters. Still, the question remains whether the mix of everyday looks, rhinestone-studded tops and bras and platform loafers presented in front of a star-studded Front Row would have brought a little more coherence in its original location.


Gucci SS24 Credit: Spotlight Launchmetrics



Gucci seemed to allude not only to its own brand archive, but also to the archives of the biggest brands of previous seasons, which not only received rave reviews, but also achieved corresponding sales figures. To what extent De Sarno's highly commercial performance is actually crowned with success will only become clear when the collection hits the shops next year. What cannot be denied, however, is that it is not difficult to imagine the Gucci sweatshirts, mini-skirts and coats on hangers in the stores and on numerous customers.


Gucci SS24 Credit: Spotlight Launchmetrics



Gucci, however, was by no means the only brand at Milan Fashion Week to look to the past for the upcoming spring/summer season. Donatella Versace went back to 1995 and returned with a ‘60s collection inspired by her late brother Gianni Versace and ‘90s supermodel Claudia Schiffer, while designer Peter Hawkings paid homage to his time at Gucci in his Tom Ford debut.


Despite the seemingly shared penchant for nostalgia and commercialism, however, Milan's designers continued to take radically different paths.


Raves and eccentricity for Gen Z clients




Diesel - seemingly a perennial outlier headed by designer Glenn Martens - invited some 6,000 guests to a techno rave in the pouring rain. With all the excitement, the fashion show that opened the party almost became a minor matter, at least on social media. Nevertheless, behind the spectacle was a collection that - at least within the ‘Dieselverse’ - is thoroughly wearable.


Diesel SS24 Credit: Spotlight Launchmetrics



Models braved the storm in T-shirts paired with grey trousers that revealed a hint of skin. Discoloured anoraks and knitted tank tops were reminiscent of well-worn garments, while V-neck dresses and oversized cardigans were deconstructed. Martens brought Gen Z friendly ensembles paired with gritty realism and party-ready style that resembled the outfits worn by guests at the venue, simultaneously offering a glimpse of future potential clientele. Graphic print shirts were reminiscent of film posters, and the models painted in silver spray paint nodded to their extraterrestrial protagonists. The ‘D’ logo still abounded, as did the illusion that torn clothes could fall off the models' bodies at any moment and, of course, lots of denim.


Diesel SS24 Credit: Spotlight Launchmetrics




Few brands remain as unbridled as Diesel, unless their own history allows it, as is the case with Roberto Cavalli. Fausto Puglisi, who has been creative director for the Italian label since 2020, seemed to delve deeper into Cavalli's archives and jungle with each season, with this one being a more literal take as the designer transformed the Milan Stock Exchange into a green oasis.


It is hard to imagine that Puglisi, like Cavalli himself, has ever heard of minimalism or "quiet luxury", and if he has, he categorically rejects them. His performance was loud, sometimes garish, full of ‘70s hippies and the excess that goes with them, but above all, the collection was 100 percent Cavalli - the only question is whether the customers for such a collection have not remained in the time of the flower children.


Roberto Cavalli SS24 Credit: Spotlight Launchmetrics



At Etro, another storied brand with a loud and eclectic history, creative director Marco De Vincenzo seemed to be finding his feet after two seasons and establishing his own vision, even if the collection was officially set in "nowhere".


Minimalist, commercial and yet surprising?




Even if fashion is an industry, the word ‘commercial’ is not necessarily always welcome – especially when it is used to describe a collection. But Bottega Veneta, Ferragamo and Jil Sander proved that commercialism can also be fashionable and, above all, surprising.


Matthieu Blazy started his Bottega Veneta show with his now customary simplicity, which gave way to increasingly extreme silhouettes and experimentation over the course of the 73 looks in total. The Belgian designer seemed to have turned over a new leaf with a collection that was, as he stated in the show notes, “free” and “without codes”.


Bottega Veneta SS24 Credit: Spotlight Launchemetrics



Despite bold new proportions, the designer stayed true to himself and his previously established aesthetic, as well as his penchant for leather, that had been combined his signature with a range of new textures reminiscent of fishnets and pom-poms, without appearing exaggerated or even childish. If anything, Blazy proved that minimalism doesn't have to be boring or predictable, and fashion can be incredibly wearable on the runway.


Bottega Veneta SS24 Credit: Spotlight Launchmetrics



Maximilian Davis also seemed to have taken a new path in his third show for Salvatore Ferragamo. Gone is the red so present in his first two collections, giving way to a minimalist, precision-cut performance that mixed officewear with elegant eveningwear. Like Blazy's collection, the 64-piece line consisted of lots of leather dipped in deep green, while the figure-hugging dresses contoured the models' bodies. Jackets were replaced by decorative evening wear and elegant capes revealed sophisticated constructions, all of which appeared both casual and sophisticated - a balance and art usually attributed mostly to Prada.


Ferragamo SS24 Credit: Spotlight Launchmetrics



Fashion is in the eye of the beholder




This season, the Italian brand Sunnei came up with something to expose their collection to the immediate feedback and criticism of the audience present. The idea went far beyond the usual well-behaved and polite applause for fashion shows, as those present were given a series of paddles with which they were instructed to rate the looks from one to ten, as is later done anyway in the comments on social media.


Sunnei SS24 Credit: Spotlight Launchmetrics



While the idea of the designer duo Simone Rizzo and Loris Messina was probably more a kind of socially critical mirror for the constant criticism and expression of opinions on Instagram and the like, it is also an extremely fitting symbol for a season in which fashion brands seem to have been particularly concerned with the favour of their customers and the commercial success that goes with it. While most brands will not experience the commercial appeal of their collections until February next year at the earliest, Sunnei may already have had a taste.


This article originally appeared on FashionUnited.DE. Translation and edit by: Rachel Douglass.

Read more from the SS24 fashion season:



* Making fashion week work: London brings wearable style to the forefront






* Tom Ford after Tom Ford? Peter Hawkings revels in memories of Gucci for his debut






* Runway crashers and Peter Do's debut: New York Fashion Week Spring/Summer 2024 recap






* Fashion Week Tokyo designers on Japan's market and broadening their horizons






* Fashion week gets personal: Copenhagen drives home the emerging designer movement


http://dlvr.it/SwfbhZ

Shein hosts live fashion show for AW23 collection

Shein Marseille pop-up. Credits: Shein. Fast fashion giant Shein took to a new format over the weekend to present its latest autumn/winter 2023 collection, opting to unveil nine of the pieces via a livestreamed runway show on social media. Dubbed ‘Shein Live: Front Row’, the shoppable livestream lasted three hours and was co-hosted by actress and influencer Taela Dunn and Shein host Renee Ariel. Viewers could tune into the event via Shein’s own e-commerce app, as well as its Facebook, YouTube, Instagram and X – formerly Twitter – pages, where looks spanned nine new collections, including ‘Totally Timeless’, ‘Ready for Romance’ and ‘Fits for All’. In a release, George Chiao, president of Shein US, said: “Shein was founded on the mission of making fashion accessible to all, and through Shein Live: Front Row, we're excited to give all fans the opportunity to experience fashion from prime first row seating. "Through this virtual show, we are looking forward to showcasing our wide variety of clothing for Fall/Winter and making it possible for fans to shop styles directly from the runway to their closets." The concept of such fashion show setups isn’t entirely new and has proved to be a successful marketing tactic for other brands, such as Victoria’s Secret and Rihanna’ Savage x Fenty, both of which have built entire cultures around their events.
http://dlvr.it/SwZ6b8

Coty reportedly moving ahead with Paris listing

Coty Campus in the metaverse Credits: Coty Beauty giant Coty is believed to be going ahead with its second stock exchange listing, with it reportedly planning to enter the Paris Stock Exchange (PAR) as soon as the coming weeks. Details of the NYSE-listed group’s plans had initially been unveiled in a regulatory filing published in May, with the dual listing idea formulated around the goal of strengthening its presence on the European market and tapping into new investors in the market. Now, according to Bloomberg News which had first reported on the latest developments, Coty has appointed BNP Paribas and Citigroup to work on the deal, while also understood to be considering raising fresh capital from the listing. The media outlet further noted that the company was looking to formally announce its plans within the next few days, with a listing to potentially follow shortly after. The news comes just days after Coty raised its guidance for the full year after seeing “strong momentum” in demand across key markets and categories. The firm is now expecting FY24 core like-for-like sales growth of between 8 and 10 percent, up from its recent guidance that was in range of 6 to 8 percent growth.
http://dlvr.it/SwVVm6

Camilla Franks creates couture gown to celebrate 100 years of Disney

Disney Create 100 couture gown by Camilla Franks Credits: Camilla, Disney Create 100 In Pictures Australian fashion designer Camilla Franks has unveiled a one-of-a-kind couture gown inspired by Disney's Mickey Mouse's longtime sweetheart, Minnie Mouse, as part of the 100 years of Disney celebrations. The gown, which has been months in the making, features 42 metres of silk, 10 metres of tulle and more than 100,000 hand-applied crystals and is part of Disney’s Create 100 initiative, where talent across fashion, music, and art are donating artworks, items and experiences to benefit Make-A-Wish inspired by their personal connection to stories and characters across Disney, Pixar, Marvel, Star Wars and 20th Century. Commenting on the gown, Franks said in a statement: “The inspiration for my Create 100 couture gown came from Minnie Mouse’s iconic bow. Part of the Camilla brand DNA that we’ve built into it is that – although it looks like a full couture gown on the outside, it’s quite unstructured underneath. It has a sense of freedom and play.” Disney Create 100 couture gown by Camilla Franks Credits: Camilla, Disney Create 100 The vibrant gown features a knot-detailed bodice, extravagant cascading bow-shaped tiers and a high-low skirt silhouette, complete with a train adorned with 400 crystalised Mickey heads made up of a total of 65,000 crystals, and a striking comic strip print. Designed to fit a range of sizes, with ties that form a large bow at the back, the gown is crafted from signature Camilla silk taffeta and features multiple layers of tulle encased within double layers of billowy bow-shaped ruffles to create the voluminous silhouette. On the construction of the couture gown, Franks added: “The cutting alone took two full days, putting the piece together took five weeks with a whole team working on it.” Disney Create 100 couture gown by Camilla Franks Credits: Camilla, Disney Create 100 Franks, who represents Australia and New Zealand, was also asked to elect a fellow Australian creative she believes represents the next generation of storytellers as part of the project. She chose next-generation artist Bella Bruzzese, who has created fashion and textile designs for artists, including Katy Perry and Cardi B, to design something for Create 100. Bruzzese created a ‘By A Cheshire Chance’ leather and crystal mask inspired by the Cheshire Cat from Alice In Wonderland, which will be on display alongside the Camilla couture gown at Westfield Bondi Junction until October 18. Disney Create 100 couture gown by Camilla Franks Credits: Camilla, Disney Create 100
http://dlvr.it/SwSFXr

Secret Sales acquires Spanish discount retailer Dreivip

Secret Sales campaign imagery. Credits: Secret Sales. Off-price retail platform Secret Sales has snapped up Spain’s discount retailer Dreivip for an undisclosed sum as part of its newly launched merger and acquisition (M&A) strategy. The “aggressive” scheme has been introduced after Secret Sales began making its entry into new regions, most recently stepping into the Netherlands and Belgium, making Spain the third European territory for the business. It noted that Dreivip would continue to trade as normal until a new co-branded site goes live in October, through which around 450 brands, with a further 70 Spanish brands and retailers, are to be featured. In terms of its financials, Secret Sales said that with the acquisition it expects over 150 percent growth YoY across the whole of Europe for the entire 2023, with inventory growth also now forecast to be over 100 percent following Dreivip’s relaunch. To support such growth, the company had secured a 10 million dollar Series B funding in May 2023, with “retail heavyweight investors” among those leading. In a release, Chris Griffin, Secret Sales’ CEO, said that brands were turning to off-price in a bid to remain on-brand and profitable, adding: “Despite the difficult retail climate, we are seeing significant growth, and the expansion into Spain is just the start of a wider pan European strategy to ensure that more brands and retailers get to experience the unique benefits of our platform. “We are already in active and advanced discussion with a further 70 local Spanish brands that are very excited about our unique proposition.”
http://dlvr.it/SwSFGQ

Video: Tory Burch SS24

Tory Burch SS24 Credits: Launchmetrics Spotlight In this video you can see Tory Burch’s SS24 collection presented at New York Fashion Week. FF Channel via Youtube Promotion Read more about Tory Burch on their brandpage
http://dlvr.it/SwQCd7

Two fashion solutions named finalists for Prince William’s Earthshot Prize

Peter Majeranowski, chief executive of Circ Inc. Credits: Circ Inc. Two innovative companies working to tackle waste in the fashion and textile industry have been selected as finalists for Prince William’s The Earthshot Prize. Launched in 2020, The Earthshot Prize is a global environmental award celebrating and championing innovators focused on solving our most pressing global climate challenges, and for the 2023 edition, 15 finalists were selected from more than 1,100 nominations. This year’s event will honour 15 innovators representing six continents, including two sustainable fashion solutions, US-based Circ Inc., which has developed a ground-breaking solution to enable the recycling of polycotton fabrics, which make up half of all textile waste, and Colorifix, a UK company that uses DNA sequencing and nature's own colours to create sustainable dyes that reduce the fashion industry’s use of water and harmful chemicals. Colorfix technology Credits: Colorfix The award will be hosted in Singapore on November 7, with each of the finalists in the running to receive one of the five 1-million-pound prizes to help scale their innovative solutions to protect and restore the planet. Each finalist will also receive mentorship, resources, and technical support from The Earthshot Prize Fellowship Programme, a year-long programme to accelerate the growth of their solutions. The prize is centred around five ‘Earthshots': Protect and Restore Nature; Clean Our Air; Revive Our Oceans; Build A Waste-free World; and Fix Our Climate. Both Circ and Colorfix are nominated in the Build A Waste-free World category. Commenting on being a finalist, Peter Majeranowski, chief executive of Circ Inc., said in a statement: “At Circ, we’ve put our heart and soul into our technology because we see innovation as a crucial component to addressing key drivers of the climate crisis. So, to have our work recognised by The Earthshot Prize is deeply validating. “With the support of the fellowship program, we look forward to the opportunity to further our impact and continue to support solution-oriented change within the fashion industry.”
http://dlvr.it/SwQCMs

THG secures SBTi approval for net-zero targets

THG-owned Cult Beauty Credits: Cult Beauty, Facebook. Beauty and fashion technology group THG has announced that its net-zero targets have been validated by the Science Based Targets Initiative (SBTi), confirming that they align with the latest goal of limiting global warming to 1.5 degrees celsius. To achieve such a feat, THG completed and submitted its science-based targets (SBTs) at the end of 2022, which included its commitment to reduce absolute Scope 1 and 2 GHG emissions by 42 percent before 2030. Additionally, the company, which owns the likes of Look Fantastic and Cult Beauty, is also striving for 85 percent of its suppliers for purchased goods, services and distribution to have SBTs by 2027, as well as reducing Scope 1 and 2 GHG emissions by 97.7 percent before 2040. The current climate science requires for emissions to be halved by 2030, with the goal of reaching net-zero by 2050. THG first launched its own sustainability strategy in 2021, through which it has focused on three key priorities: protecting climate and nature, strengthening its supply chain and circularity and empowering people. In a release, Matt Moulding, THG’s CEO, said: “THG has taken a significant stride forward as our net-zero targets have been officially validated by the SBTi. “Two years ago, we signed a commitment letter with the SBTi stating that we would be aligning our climate mitigation targets with the latest science. “Today, the validation of our net zero targets by the SBTi reaffirms our dedication to achieving a net-zero status as a company, minimising our climate impact."
http://dlvr.it/SwMgtQ

Frasers Group in talks to sell Missguided to Shein, report says

Missguided app/website Credits: Justin Tallis / AFP Frasers Group is reportedly looking to sell its Missguided label less than 18 months after buying the business out of insolvency. The group, which owns Sports Direct, House of Fraser, and Jack Wills, among others, is in “detailed negotiations” with fast fashion retailer Shein over a potential sale of Missguided, according to a Sky News report. The two fashion giants have been in talks for several weeks, the outlet reports, citing City sources. However, it added that the outcome of the deal remains uncertain, and the timing of its completion, if it does go through, is also unclear. If the deal does go ahead, it will be Shein’s first acquisition of a British fashion brand. Founded in China in 2008, Shein has grown rapidly in recent years, but has also drawn criticism for its cheap clothes and the speed at which it churns out new collections. The retailer, which to many has become one of the faces of fast fashion, had a valuation of around 66 billion dollars following a funding round earlier this year, according to a report by The Wall Street Journal. Last year, its value was above 100 billion dollars, dwarfing that of rivals Inditex and H&M. Missguided was founded in 2009 by Nitin Passi. The fast fashion company fell into administration in 2022 after it was issued a winding-up order by supplier JSK Fashions which said the retailer owed it millions of pounds, Sky News reported at the time. Just days after its collapse, the company was bought by Frasers Group for 20 million pounds.
http://dlvr.it/SwJnDm

Monster trucks and levity lift London Fashion Week

Masha Popova SS24, London fashion week Credits: Launchmetrics Designers can find sources of inspiration in unexpected places -- as evidenced by the runways of London Fashion Week on Sunday. Ukrainian designer Masha Popova turned to monster truck shows while China's Susan Fang showcased a collection of ethereal dresses. Engines roaring Best known for her work with denim, Ukrainian-born designer Popova continued what she called her "obsession with denim manipulation" in her new collection. Models walked the runway in denim mini-skirts and hip-hugging low-rise jeans. Popova, based in London, treated her signature fabric in a variety of ways -- including over-dyeing, flocking, scratching and patchwork -- to produce a "rugged effect". The collection was inspired by monster truck shows and featured an "electrifying" colour palette for the outfits. The models walked to the beat of techno music, with the sound of engines roaring in the background. Popova counted social media influencers among her guests, including the sisters Abby and Charlotte Roberts, both with millions of followers on TikTok. Fashion content creator and model Emma Winder told AFP after the show that she liked the "earthy tones" of the collection, even if she was "not really a double denim fan". Floating with Fang Credits: Launchmetrics Susan Fang, originally from China, launched her brand in 2017 after graduating from the Central Saint Martins arts university in London. Since then she has created futuristic designs with a weightless, floating appearance. For her spring and summer 2024 collection, models walked beneath large wings made of white kites said to represent "human civilisation and emotions", hanging next to the figure of a "cold robot" also made of white kites. Below-the-knee skirts, from black to pale pink, were paired with crop tops in the collection, which also featured dresses with tulle ruffles and sandals worn with socks. Fang also showcased a dress made from protruding wire trees adorned with beads, handcrafted primarily by women from Chinese minority groups, a centrepiece of the collection. Fang said that with the design she wanted to create an "ensemble resembling the Tree of Life, radiating the pure energy of human life". Union Jack Sinead Gorey, one of the last to showcase her works on the London runways, paid homage to the "British summer of love" with a collection that put the Union Jack front and centre. The flag was featured on the designs that included thigh-high, high-heeled boots harking to the 1990s Spice Girls, with inscriptions like "London Swings Again!" and "God Save the Sexy and the Glamourous"!. London Fashion Week continues before winding up on Tuesday.(AFP)
http://dlvr.it/SwGGkD

BFC teams up with NewGen alumni on a bag collection

BFC 30 NewGen bag collection, Christopher Kane Credits: BFC/Bags of Ethics In Pictures The British Fashion Council is commemorating three decades of its NewGen talent initiative with a collaboration with seven of its NewGen alumni designers on a bag collection crafted in partnership with Bags of Ethics. The bag collection features designers Ahluwalia, Christopher Kane, Erdem, Giles Deacon, Halpern, Mary Katrantzou and Roksanda, who have all donated a signature print that has been reimagined into a limited edition run of luxury tote bags in two sizes. Christopher Kane has used his ‘Psyche Floral’ print from his spring/summer 2022 collection, while Erdem offers his refreshing white and green ‘Rosalind’ print, and Halpern’s tote is printed with glitter ink to mimic the original zebra print from Halpern made with sequin from one of its latest collections. BFC 30 NewGen bag collection, Roksanda Credits: BFC/Bags of Ethics Other designs include a graphic block of coloured waves from Ahluwalia, while Mary Katrantzou has opted for a print from her autumn/winter 2011 collection, titled ‘Objects of Art’ featuring a flamboyant rooster, and Roksanda has chosen a graphic print inspired by femininity and empowerment from her autumn/winter 2021 collection. BFC launches totes designed by Christopher Kane and Roksanda There is even a bespoke print from Giles Deacon featuring exclusive artwork showcasing the designer's graphic symbolism inspiration, with a hand-drawn historic pineapple as a reference to London and a theatrical scroll. BFC 30 NewGen bag collection, Giles Deacon Credits: BFC/Bags of Ethics The bag collection has been consciously developed in partnership with Bags of Ethics, manufactured in India by a majority female workforce, and printed using REACH-compliant non-toxic inks on sustainably sourced cotton. A donation from each bag goes directly to the BFC Foundation charity to continue supporting the next generation of young designers in the UK. Each bag design is available in two sizes - the large tote is 70 pounds and the small is 40 pounds. The bags will be on sale until February 2024 at Bags of Ethics, Fenwick, Harrods, Harvey Nichols, Machine-A, Selfridges, and The Design Museum. BFC 30 NewGen bag collection, Mary Katrantzou Credits: BFC/Bags of Ethics BFC 30 NewGen bag collection, Erdem Credits: BFC/Bags of Ethics BFC 30 NewGen bag collection, Halpern Credits: BFC/Bags of Ethics BFC 30 NewGen bag collection, Ahluwalia Credits: BFC/Bags of Ethics
http://dlvr.it/SwFvzl

Drest founder Lucy Yeomans to become CEO again

Drest, Gucci campaign Credits: Drest Luxury mobile game Drest has announced that chief executive Lisa Bridgett has stepped down from her role citing “personal reasons,” and founder and co-chair Lucy Yeomans will re-take the CEO reins. In a statement, Drest said that Yeomans and board co-chair Graham Edwards work with an executive search firm to recruit a new permanent CEO. Yeomans moved from the CEO role in 2022 to focus on Drest’s strategic product, partnerships, brand and creative development. Bridgett joined Drest in 2019 as chief marketing officer before moving into the chief operating officer role and eventually CEO in February 2022. During this time, Drest established its luxury game player base and positioning in the marketplace and raised an additional 15 million pounds in funding to enable its evolution across gaming, media, data and e-commerce, as the company prepares for the global roll-out in 2024 of Drest version two. Commenting on leaving Drest, Bridgett said: “After five exceptional years of working with such a uniquely talented team at Drest and partnering with the inimitable Lucy Yeomans, I have decided to invest time in my sons, my husband and myself. I will pause momentarily on a career spanning 30 years, of which I am immensely proud and grateful. “Drest is in an incredible position - we are the leading luxury lifestyle mobile game in the market with a new technology platform and feature set being readied for players who have embraced the merging of gaming, luxury fashion and media.” Yeomans added: “I am immensely grateful for the commitment, passion, vision and expertise that Lisa has brought to the business - it has been a fantastic experience working so closely with her during this period of intense growth for Drest. “In the last two years we have cemented our position as the ultimate luxury fashion styling game, delivering growth on our user base by 250 percent year-on-year and expanded our list of brands working with the game to over 250. With our recent round of investment, some exciting new hires and the development of an augmented version of the game which will launch next year, I am excited about the future of the company and have full confidence in our executive board and Leadership Team to deliver the next phase of the Drest strategy.”
http://dlvr.it/SwFvxP