Zhou Zhuguang surveys his Shanghai
workshop and rows of workers meticulously stitching high-collared Chinese
dresses known as qipao, some of which sell for nearly 5,000 dollars.
"It's a highly skilled craft," said Zhou, co-founder of Hanart, one of
China's most well-known qipao makers.
"Some of our tailors spend a lifetime learning to make qipao."
The price tag also reflects enduring demand for the qipao, known as a
cheongsam in Hong Kong and overseas Chinese communities.
Drawing on traditional design elements, the dress was popularised in 1920s
Shanghai, its form-fitting cut capturing the glamour of that free-wheeling
pre-communist era and the desire of Chinese women to liberate themselves from
traditionally subservient roles.
The qipao disappeared after the Communist Party -- which considered it
decadent and bourgeois -- took power in 1949.
The dress's comeback is due in part to producers like Zhou.
A mass-produced qipao, sometimes seen at weddings or other formal
occasions, can be bought today for as little as 100 yuan (16 dollars).
But Zhou, 59, has found a market for higher-end designs among well-heeled
Chinese fashionistas.
Zhou previously dealt in lower-priced qipao before founding Hanart in 1998
in partnership with Chu Hongsheng, a legendary qipao designer who fitted
Chinese film actresses and the wives and daughters of Shanghai mafia bosses.
Chu died in 2017 at the age of 99.
Cultural value
"(Low price) isn't the true essence of the qipao," said Zhou, who feels
that such an iconic Chinese fashion staple requires more luxurious materials,
bolder designs and hand-crafted precision, which inevitably push prices up.
Zhou displayed these at a Shanghai show late last year which featured
"modern, altered qipao" designs combining the classic Mandarin collar and
body-hugging fit with less traditional elements such as lace, fringes, velvet,
sequins and rich embroidery.
"We want more young people to wear qipao," Zhou said of his design re-boot.
To Yang Zhenzhen, who owns a Shanghai qipao shop and is an online
influencer of the dress style, cracking the youth market is essential to
keeping the tradition alive.
Her shop targets buyers aged 25-45 with qipao starting at around 600 dollars.
"Young people bring new life and energy" to the qipao, said Yang, 28, who
has been smitten with the dress since childhood and began collecting them five
years ago.
"If young people don't wear them, then by the time they grow old there
won't be anyone wearing them," she said.
Yang admitted that youth acceptance suffers from a stereotype that qipao
are for elderly women, or the belief that pop culture uses the dress to
objectify Chinese women.
"These are deep misconceptions... so I want to popularise it as best I can
and let people know the real meaning of qipao," she said.
That includes the dress's role in breaking down gender norms for women
during the 1920s. The sense of freedom associated with that will never go out
of style, she adds.
For Zhou, selling qipao is about perpetuating an element of China's
intangible cultural heritage.
"We are small, but we are carrying on a piece of culture," he said.
"That's where our biggest value is."(AFP)
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